Wronska-Friend, Maria (2004) Globalised threads: costumes of the Hmong community in north Queensland. In: Tapp, Nicholas, and Lee, Gary Yia, (eds.) The Hmong of Australia: culture and diaspora. Pandanus Books, Canberra, ACT, Australia, pp. 97-122.

A

Aurima Devatine, Flora, and Castro-Koshy, Estelle (2016) Poétiques, éthique et transmission sur la toile : l’univers littéraire et le patrimoine culturel de Flora Aurima-Devatine, Nathalie Heirani Salmon-Hudry et Chantal Spitz / Poems, ethics and transmission on the web: the literary world and cultural heritage of Flora Aurima-Devatine, Nathalie Heirani Salmon-Hudry and Chantal Spitz. Anthrovision, 4 (1). pp. 1-19.

B

Boedhihartono, Agni Klintuni (2017) Visualizing the future we want: reconciling art, environment and development. In: Clammer, John, and Giri, Ananta Kumar, (eds.) The Aesthetics of Development: art, culture and social transformation. Palgrave McMillan, New York, NY, USA, pp. 161-188.

Boyle, Stephen, and Joham, Carmen (2013) The Informal economy and the arts: A two-country perspective. Journal of Arts Management Law and Society, 43 (3). pp. 153-166.

Brown, James (2012) From Model to Image (a solo exhibition). [Creative Work]

Brown, G. James (2012) Apollo Belvedere—3 Faces, 2012. [Creative Work]

Brown, G. James (2012) Door Lock Plate (a drawing of an architectural feature from the old East Flinders Street printery found in the excavation site by the JCU Archaeological Department). [Creative Work] (Unpublished)

Brown, G. James (2012) Finial Base (drawing of an architectural feature from the old East Flinders Street printery and excavated from the site by the JCU archaeological team, 2010–12). [Creative Work]

Brown, G. James (2012) Finial Crown (a drawing of the capping element that was found broken and separated from the lower portion of a finial excavated by the JCU Architectural Department at East Flinders Street, Townsville, 2010–12). [Creative Work]

Brown, G. James (2012) Reconstructed Landscape—B. [Creative Work]

Brown, G. James (2012) Reconstructed Landscape—Ross River, 2012. [Creative Work]

Brown, G. James (2012) Referencing Jacque, 2012. [Creative Work]

Brown, G. James (2012) Referencing Le Clerc, 2012. [Creative Work]

Brown, G. James (2012) Referencing Millet, 2012. [Creative Work]

Brown, G. James (2012) Referencing Piranesi, 2012. [Creative Work]

Brown, G. James (2012) Referencing Rodin's 'Pierre Wiessant'. [Creative Work]

Brown, Gordon (2011) "Clover" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Fiery Triffids" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Fireworks" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Flower Bomb" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Milky Way" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Rain and the Vanity of Flowers" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Brunet Debaines". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Constable (after Cole)". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Constable (after Cousen)". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Delasalle". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Piranesi (Lighting from the Top-Front-Left)". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Piranesi (Lighting from the Top-Front-Right)". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Piranesi (Panels 1 to 5)". [Creative Work] (Unpublished)

Brown, G. James (2011) Referencing Piranesi (Sculpture). [Creative Work]

Brown, Gordon (2011) "Referencing Strang". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Troyon (after Pierdon)". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Weirotter's 'In the falls of Tivoli'". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Weirotter’s 'Inhabited Ruins'". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Small Lanterns" referencing Louis Marie Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Tails in the Garden" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Violet Edging" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Yellow Trumpets" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, James (2011) REFERENCING THE OLD WITH THE NEW: a solo art exhibition at Milton House Gallery, 88 Milton St., Mackay, from 25th June–7th July 2011. [Creative Work]

Brown, (Gordon) James (2011) Referencing Piranesi. [Creative Work]

Brown, G. James (2011) Apollo Belvedere—Front, 2011. [Creative Work]

Brown, G. James (2011) David's Ear, 2011. [Creative Work]

Brown, G. James (2011) David's Eye, 2011. [Creative Work]

Brown, G. James (2011) David's Nose, 2011. [Creative Work]

Brown, Gordon James Brown, and McCulloch, Ros (2009) Reconstituting fragments: a dialogue between a contemporary North Queensland landscape artist and some early European etchings. TRACEY. pp. 1-11.

Barnard, Trish (2009) The appropriation of Indigenous motifs and its influence on contemporary arts and crafts. In: Proceedings of Cairns Indigenous Art Fair Symposium 2009 . pp. 33-36. From: Cairns Indigenous Art Fair Symposium 2009 , 21 August 2009, Cairns, QLD, Australia.

Brown, Gordon (2009) Referencing Le Clerc. [Creative Work]

Brown, Gordon (2008) "Referencing Cotman". [Creative Work] (Unpublished)

Brown, Gordon (2008) "Referencing F Jacque". [Creative Work] (Unpublished)

Brown, G. James (2008) Referencing Martial. [Creative Work]

Brown, Gordon (2008) "Referencing Perelle (tondo)". [Creative Work] (Unpublished)

Brown, Gordon (2008) "Referencing Perelle". [Creative Work] (Unpublished)

Brown, Gordon (2008) "Referencing Sadeler". [Creative Work] (Unpublished)

Brown, Gordon (2008) Referencing Swanevelt. [Creative Work]

Brown, Gordon (2008) "Referencing Troyon #2". [Creative Work] (Unpublished)

Brown, Gordon (2008) "Referencing Weirotter's 'Vue prise à Rome'". [Creative Work] (Unpublished)

Bohm-Parr, Judith (2008) The iconography of colour: exploring glass as a jewellery medium. Masters (Research) thesis, James Cook University.

Brown, Gordon James (2007) Peripheral Glimpses: England and France. [Creative Work]

Brown, Gordon J. (2005) Palmetum Transposed: from drawing to painting to sculpture. [Creative Work]

Brown, Gordon James (2005) The Strand. [Creative Work] (Unpublished)

Baskin, Colin (2001) Enterprising complicities: the queen, the king, the prostitute and other literacy triangles. International Education - ej, 5 (2). pp. 1-7.

C

Cheshire, Barbara, and Daniel, Ryan (2016) Spirituality in place: capturing the essence of North Queensland through painting. Etropic: electronic journal of studies in the tropics, 15 (1). pp. 1-14.

Cheshire, Barbara M. (2013) Landscape as experience: an integration of senses and soul. Etropic: electronic journal of studies in the tropics, 12 (2). pp. 41-57.

Cheshire, Barbara (2013) Landscape as experience: an integration of senses and soul. PhD thesis, James Cook University.

Cooper, Victoria Pamela (2012) I have witnessed a strange river: re-placing non-human entities within visual narratives of three Australian freshwater sites. PhD thesis, James Cook University.

Campbell, Steven (2011) Palimpsest, porosity and subception: The heard and the unheard in Paul Winkler's Bondi and Sydney Harbour Bridge. The Soundtrack, 4 (2). pp. 71-87.

Campbell, Steven, and Foley, Donna (2011) i saY. [Creative Work]

Campbell, Steven, and Fenton-Keane, Jayne (2010) They say drowning is like a dream. [Creative Work]

Campbell, Steven, and Goodwin, Mitch (2010) As I Stood Idly By. [Creative Work]

Campbell, Steven (2007) Sensience: electro-acoustic collaboration in a non-tactile ultrasonic sensing environment. In: Proceedings of the Australiasian Computer Music Conference 2007. pp. 40-46. From: Australasian Computer Music Conference 2007, 19-21 June 2007, Canberra, ACT, Australia.

Campbell, Steven J. (2006) Sensience, for PLaY+SPaCE system and tenor saxophonist. [Creative Work]

Campbell, Steven, Salisbury, David, and Hutchison, Clive (2005) Gabriella takes a bath. [Creative Work]

Campbell, Steven J (2005) PLaY+SPaCE: an ultrasonic gestural MIDI controller. In: Proceedings of Australasian Computer Music Conference. pp. 43-49. From: Generate + Test. Proceedings of the Australasian Computer, 12-14 July 2005, Brisbane, Australia.

Campbell, Steven (2003) Bats, Max, boids and music: ultrasonics, artificial birds, and Max programming in a non-tactile musical environment. In: Apple University Consortium Conference: Proceedings. From: Apple University Consortium Academic and Developers Conference, 28 September - 1 October 2003, Adelaide, SA.

Campbell, Steven (2002) Flow - Installation for PLaY+SPaCE System. [Creative Work]

D

Daniel, Ryan (2022) The creative process explored: artists’ views and reflections. Creative Industries Journal, 15 (1). pp. 3-16.

Daniel, Ryan (2021) Exploring creativity through artists' reflections. Creativity Studies, 14 (1). pp. 1-17.

Dover, Barbara, and Glade-Wright, Robyn (2020) Disquiet: Ecological Anxieties and Transformations [Touring Exhibition]. [Creative Work]

Daniel, Ryan (2018) Motivation to be an artist: insights relevant to mental health. International Journal of Innovation, Creativity and Change, 4 (3). pp. 21-32.

Daniel, Ryan, Fleischmann, Katja, and Welters, Riccardo (2017) Professional development in the creative industries: methods and insights from regional practitioners. Australian Journal of Career Development, 26 (3). pp. 113-123.

Dillon, Roberto (2016) Videogames and art: comparing emotional feedback from digital and classic masterpieces. Journal of Humanities and Social Sciences, 21 (7). pp. 79-85.

Daniel, Ryan, Fleischmann, Katja, and Welters, Riccardo (2015) Regional economic development through creative industries. In: Presentations from the Townsville Industry Breakfast. From: Townsville Industry Breakfast, 16 June 2015, Townsville, QLD, Australia.

Dover, Barbara, and Glade-Wright, Robyn (2015) The cry of beauty: ethics and aesthetics in a contemporary art context. The International Journal of Arts Theory and History, 11 (1). pp. 23-32.

Daniel, Ryan (2013) Developing mental strength in creative and performing artists: resilience, confidence and determination as essential for a sustainable career in the creative industries. In: Abstracts from the 5th Annual International Arts and Health Conference. p. 23. From: 5th Annual International Arts and Health Conference, 12-14 November 2013, Sydney, NSW, Australia.

Daniel, Ryan, and Fleischmann, Katja (2013) Creative exchange: a multi-disciplinary learning and teaching innovation. In: Proceedings of the 2013 Creative Arts Learning and Teaching Network Symposium. 7. pp. 163-191. From: 2013 Creative Arts Learning and Teaching Network Symposium, 14-15 February 2013, Hobart, Tasmania.

Daniel, Ryan, and Daniel, Leah (2013) Enhancing the transition from study to work: reflections on the value and impact of internships in the creative and performing arts. Arts and Humanities in Higher Education, 12 (2-3). pp. 135-153.

Deger, Jennifer (2012) Art + emergence. In: Gilchrist, Stephen, (ed.) Crossing Cultures: the Owen and Wagner collection of contemporary Aboriginal Australian art at the Hood Museum of Art. Hood Museum of Art, Hanover, NH, USA, pp. 74-81.

Dillon, Roberto (2011) The Golden Age of Video Games: the birth of a multi-billion dollar industry. Taylor & Francis, Boca Raton, FL, USA.

Daniel, Ryan (2011) Careers, career development and creative arts students: an investigation of the impact of theory on practice. In: Curriculum and Pedagogic Bases for Effectively Integrating Practice-Based Experiences. pp. 13-18. From: National Teaching Fellowship Dialogue Forum 2010, 28-29 June 2010, Brisbane, QLD, Australia.

Daniel, Ryan (2010) Career development and creative arts students: an investigation into the effectiveness of career theory and WIL experiences on practice. Australian Journal of Career Development, 19 (2). pp. 14-22.

Drinkall, Jacquelene (2009) Traumaculture and telepathetic cyber fiction. In: Proceedings of Second Joint International Conference on Interactive Digital Storytelling, ICIDS 2009 (5915) pp. 163-173. From: Second International Conference on Interactive Storytelling, 09 - 11 December 2009, Guimarães, Portugal.

Dover, Barbara Ann (2008) Interrogating reciprocal gaze: the animal and human in contemporary art. PhD thesis, James Cook University.

de la Fuente, Eduardo (2008) The artwork made me do it: Alfred Gell and Jeff Alexander on aesthetic agency. In: Abstracts from the Australian Psychological Society Annual Conference. p. 54. From: Annual Conference of the Australian Sociological Association 2008: re-imagining sociology, 2-5 December 2008, University of Melbourne, VIC, Australia.

Dover, Barbara (2007) Face to Face. [Creative Work]

Deger, Jennifer (2006) Shimmering Screens: making media in an Aboriginal community. Visible Evidence, 19 . University of Minnesota Press, Minneapolis, MN, USA.

F

Fuary, Maureen (2016) Review of "12" by G. Semu and "Re-Imagining Papua New Guinea" by J. Morrison, Cairns Regional Gallery, 2016. Artink, 5 May 2016.

Fraser, Jenny, and Szymanski, Adam (2015) Superhighway across the sky - Aboriginal new media arts in Australia: a remix and email conversation between Adam Szymanski and Jenny Fraser. In: Pearson, Wendy Gay, and Knabe, Susan, (eds.) Reverse Shots: Indigenous Film and Media in an International Context. Wilfred Laurier University Press, Waterloo, ON, Canada, pp. 189-197.

Fleischmann, Katja (2013) Big Bang technology: what's next in design education, radical innovation or incremental change? Journal of Learning Design, 6 (3). pp. 1-17.

Fleischmann, Katja (2013) Flickr & Co. – a new studio? In: Locations of Practice, Sites for Creativity: From the Studio to the Cloud. From: ACUADS 2013: Australian Council of University Art and Design Schools Conference, 25 –27 September 2013, Sydney, NSW, Australia.

Fleischmann, Katja (2013) Social entrepreneurs and social designers: change makers with a new mindset? International Journal of Business and Social Science, 4 (16). pp. 9-17.

Fleischmann, Katja (2013) From whiteboard to user testing: educating problem finders. The International Journal of Design Education, 7 (1). pp. 45-56.

Fleischmann, Katja (2013) Inside Out: Sense of Place in the Tropics. [Creative Work]

Fleischmann, Katja (2013) Roads: Sense of Place in the Tropics. [Creative Work]

Fleischmann, Katja (2013) Integrating multidisciplinary collaboration in undergraduate design education: too many cooks spoil the broth? In: Proceedings from the 2nd International Conference for Design Education Researchers (3) pp. 1212-1230. From: 2nd International Conference for Design Education Researchers, 14–17 May 2013, Oslo, Norway.

Fleischmann, Katja (2012) Tropical flair or univernacular? [Creative Work]

Fleischmann, Katja (2012) I Thought He Loves Me. [Creative Work]

Fleischmann, Katja (2012) Please stay. [Creative Work]

Fleischmann, Katja (2012) Lettering and signage in the urban environment of the capital of North Queensland: tropical flair or univernacular? In: Abstracts from Tropics of the Imagination Conference. p. 1. From: Tropics of the Imagination Conference, 31 October – 1 November 2011, Cairns, QLD, Australia. (Unpublished)

Fleischmann, Katja (2012) What I see today. [Creative Work]

Fleischmann, Katja (2011) Lettering and signage in the urban environment of North Queensland's capital: tropical flair or univernacular? Etropic: electronic journal of studies in the tropics, 10. pp. 83-95.

Fillmer, Carel (2010) The shaping of women's bodies: in pursuit of the fashion silhouette. Masters (Research) thesis, James Cook University.

Foley, Donna (2008) Drawn and Quartered. [Creative Work]

Foley, Donna (2008) The social semiotics of Australian writing. In: Proceedings of the 2nd Global Conference: visual literacies exploring critical issues. pp. 1-23. From: 2nd Global Conference: visual literacies exploring critical issues, 30 June - 03 July 2008, Oxford, UK.

Friend, Maria (2006) Kanjeng Ratu Kidul, the elusive goddess of Java. TAASA Review, 15 (4). pp. 14-15.

G

Glade-Wright, Robyn E., and Scotcher, Jacqueline (2020) Wandering through paint in the wet tropics. Creative Industries Journal, 13 (3). pp. 276-287.

Gurrumuruwuy, Paul, and Deger, Jennifer (2020) The law of feeling: experiments in a Yolngu museology. In: Lewi, Hannah, Smith, Wally, vom Lehn, Dirk, and Cooke, Steven, (eds.) The Routledge International Handbook of New digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites. Routledge, Abingdon, Oxon, UK, pp. 335-344.

Glade-Wright, Robyn (2020) The persistence of plastic: environmental public art and micro-plastic pollution. PAN: Philosophy Activism Nature, 15 (2020). 2. pp. 16-22.

Glade-Wright, Robyn (2019) Over-Consumption. [Creative Work]

Glade-Wright, Robyn (2019) Catches of the Day. [Creative Work]

Glade-Wright, Robyn, and Dover, Barbara (2019) Fact or Fiction? Priya and Zander investigate links between plastic at the Art Gallery and in the Great Barrier Reef [Exhibition Catalogue]. UNSPECIFIED, Cairns, QLD, Australia.

Glade-Wright, Robyn (2019) Lampton's Soup. [Creative Work]

Glade-Wright, Robyn, and Dover, Barbara (2019) Plastic Gothic: Frankenstein, Art and the Microplastic Monster [Exhibition Catalogue]. UNSPECIFIED, Cairns, QLD, Australia.

Glade-Wright, Robyn (2019) Plastic Gothic: Frankenstein, art and the microplastic monster. Etropic: electronic journal of studies in the tropics, 18 (2). pp. 68-80.

Glade-Wright, Robyn, and Dover, Barbara (2019) Sam’s Visit to the Great Barrier Reef and the Art Gallery [Exhibition Catalogue]. UNSPECIFIED.

Glade-Wright, Robyn, and Dover, Barbara (2019) Shelly's Visit to Double Island and The Art Gallery [Exhibition Catalogue]. UNSPECIFIED, Cairns, QLD, Australia.

Glade-Wright, Robyn (2018) Plastic Time. [Creative Work]

Glade-Wright, Robyn (2018) Choke Series. [Creative Work]

Glade-Wright, Robyn (2018) Dump. [Creative Work]

Glade-Wright, Robyn (2018) Microplastics Found in Human Embryo. [Creative Work]

Glade-Wright, Robyn (2018) Plasticine Marine. [Creative Work]

Glade-Wright, Robyn (2017) Catch of the day. [Creative Work]

Glade-Wright, Robyn (2017) Climate Change. [Creative Work]

Glade-Wright, Robyn (2016) Red tide. [Creative Work]

Glade-Wright, Robyn (2016) Crown-of-Thorns crown. [Creative Work]

Glade-Wright, Robyn (2016) Going. [Creative Work]

Glade-Wright, Robyn (2016) New insights effectively shared: originality and new knowledge in Creative Arts postgraduate degrees. Qualitative Research Journal, 17 (2). pp. 89-98.

Glade-Wright, Robyn (2016) Coast. [Creative Work]

Glade-Wright, Robyn (2016) Crown of Thorns. [Creative Work]

Glade-Wright, Robyn (2016) Tidelines: creative vision, ecology and the tropics. Etropic: electronic journal of studies in the tropics, 15 (1). pp. 15-25.

Glade-Wright, Robyn (2016) Uncertain futures: coral bleaching and the loss of innocence, beauty and the sublime. Etropic: electronic journal of studies in the tropics, 15 (1). pp. 39-49.

Glade-Wright, Robyn (2016) Washed Up. [Creative Work]

Glade-Wright, Robyn (2015) Ten Green Bottles. [Creative Work]

Glade-Wright, Robyn, and Dover, Barbara (2015) An unbearable beauty: the call of beauty and the sublime. Studio Research Journal, 3. 5. pp. 52-61.

Glade-Wright, Robyn, and Sorin, Reesa (2015) Memorial: the silence of extinction. The International Journal of Social, Political, and Community Agendas in the Arts, 10 (4). pp. 13-24.

Glade-Wright, Robyn (2014) Bleached coral in plane view. [Creative Work]

Glade-Wright, Robyn (2014) Body coral. [Creative Work]

Glade-Wright, Robyn (2014) Cook's gaze. [Creative Work]

Glade-Wright, Robyn (2014) Coral coloured glasses. [Creative Work]

Glade-Wright, Robyn (2014) Exodus: coral bleaching [sculpture]. [Creative Work]

Glade-Wright, Robyn (2014) Watch out. [Creative Work]

Glade-Wright, Robyn (2014) A hand in coral bleaching. [Creative Work]

Glade-Wright, Robyn (2014) Exodus: coral bleaching and heat stress [exhibition catalogue]. KickArts Contemporary Arts, Cairns, QLD, Australia.

Glade-Wright, Robyn. (2014) Exodus: coral bleaching and heat stress [portfolio]. [NTRO Portfolio]

Glade-Wright, Robyn (2014) Overload. [Creative Work]

Goodwin, Mitch, Frick, Laurie, Welzel, Christiaan, and Jones, David (2013) Warhol Goes Social: creativity in the tech age. In: Social and Relationships. From: SXSW (South by Southwest) Interactive, 8-16 March 2013, Austin, Texas, USA. (Unpublished)

Glade-Wright, Robyn (2013) Deeper Down: an exhibition of Doctor of Philosophy candidate work. [Creative Work]

Glade-Wright, Robyn (2013) Paradise lost. [Creative Work]

Goodwin, Mitch, and Motiekaitis, Lani (2012) Electroshock. [Creative Work]

Goodwin, Mitch, Gillespie, Richard, and Van Houts, Ben (2012) 2012 Screengrab International New Media Arts Award & Exhibition. [Creative Work]

Glade-Wright, Robyn (2012) RED LISTED. [Creative Work]

Goodwin, Mitch (2011) Cyber City Mesh. [Creative Work]

Goodwin, Mitch (2011) Dark Euphoria Series. [Creative Work]

Goodwin, Mitch (2011) Funny How. [Creative Work]

Goodwin, Mitch (2011) Glitch Series. [Creative Work]

Goodwin, Mitch (2011) My Endless Dystopian Summer Blockbuster. [Creative Work]

Goodwin, Mitch (2011) Primary propoganda. [Creative Work]

Goodwin, Mitch (2011) Dark Euphoria: Unclassified Media Exhibition. [Creative Work]

Goodwin, Mitch (2011) Dark Euphoria: Unclassified Media [Website]. [Creative Work]

Goodwin, Mitch (2011) Scream 2.0. [Creative Work]

Goodwin, Mitch, Gillespie, Richard, Murrell, Elly, and Van Houts, Ben (2011) 2011 Screengrab International New Media Arts Award and Exhibition. [Creative Work]

Glade-Wright, Robyn (2011) Animals, people - a shared environment: an exhibition. [Creative Work]

Glade-Wright, Robyn (2011) A Fragile Life: Vulnerable Species in the Torrid Zone. Etropic: electronic journal of studies in the tropics, 10. pp. 115-118.

Goodwin, Mitch (2011) Vonnegut's Firefight Fuzz Box. [Creative Work]

Glowczewski, Barbara, and Henry, Rosita (2011) The Challenges of Indigenous Peoples: spectacle or politics? Bardwell Press, Oxford, UK.

Gough, Julie (2010) The consequence of chance. [Creative Work]

Gough, Julie (2010) Attrition Bay. [Creative Work]

Gough, Julie (2010) Tresspass. [Creative Work]

Gillespie, Richard, Goodwin, Mitch, Murrell, Elly, Milledge, Russell, and Van Houts, Ben (2009) 2009 Screengrab International New Media Arts Award and Exhibition. [Creative Work]

Gough, Julie (2009) Forcefield 2. [Creative Work]

Gough, Julie (2009) The persistence of culture. [Creative Work]

Gough, Julie, and Naylor, Stephen (2009) Circuit breaking? Indigenous Australian art and critical discourse. In: Anderson, Jaynie, (ed.) Crossing Cultures: conflict, migration and convergence: the proceedings of the 32nd international congress of the history of art. Miegunyah Press, Melbourne, Australia, pp. 820-825.

Gough, Julie (2009) Driving Black Home 2. [Creative Work]

Gough, Julie (2009) Rivers run. [Creative Work]

Gough, Julie (2008) Aftermath (The Installation). [Creative Work]

Gough, Julie (2008) Bind. [Creative Work]

Gough, Julie (2008) Dark Valley, Van Diemen's Land. [Creative Work]

Gough, Julie (2008) Kidnap Co-ordinates. [Creative Work]

Gough, Julie (2008) Ransom. [Creative Work]

Gough, Julie (2008) Recount. [Creative Work]

Gough, Julie (2008) The Ranger, version 2. [Creative Work]

Gough, Julie (2008) Fugitive History. [Creative Work]

Gough, Julie (2008) Black-line properties I. [Creative Work]

Gough, Julie (2008) From an Island South. [Creative Work]

Gough, Julie (2008) Head count. [Creative Work]

Gough, Julie (2008) Incident reports. [Creative Work]

Gough, Julie (2008) Malahide. [Creative Work]

Gough, Julie (2008) Name sakes. [Creative Work]

Gough, Julie (2008) Some words for change. [Creative Work]

Gough, Julie (2008) Spear/oar. [Creative Work]

Gough, Julie (2008) The chase. [Creative Work]

Gough, Julie (2008) The haunted and the bad. In: Gough, J., (ed.) The Haunted and the Bad. Linden Centre for Contemporary Arts, Melbourne, VIC, Australia, pp. 2-6.

Gough, Julie (2008) The missing. [Creative Work]

Gough, Julie (2008) The simultaneous effort. [Creative Work]

Gough, Julie (2008) The wait. [Creative Work]

Gough, Julie (2007) The Ranger. [Creative Work]

Gough, Julie (2007) Musselroe Bay. [Creative Work]

Glowczewski, Barbara (2007) Between spectacle and politics: indigenous singularities. In: Glowczewski, Barbara, and Henry, Rosita, (eds.) Le Défi Indigène: entre spectacle et politique. Aux Lieux d'Etre, Paris, France, pp. 11-35.

Gough, Julie (2007) Escape II. [Creative Work]

Gough, Julie (2007) Interrupted - renditions of unresolved accounts. [Creative Work]

Gough, Julie (2007) An Other Place. [Creative Work]

Gough, Julie (2007) She was sold for one guinea. [Creative Work]

Gough, Julie (2007) Thresholds of Tolerance. [Creative Work]

Gough, Julie (2007) We ran/I am. [Creative Work]

Gough, Julie (2007) Witness. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Arachnorchis cardiochila. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Ballantinia antipoda. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Banksia integrifolia. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Botrychium australe. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Corunastylis nudiscapa. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Hibbertia rufa. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Hutchinsia tasmanica. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Lepilaena australis. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Ozothamnus selaginoides. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Prostanthera cuneata. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Senecio macrocarpus. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Thesium australe. [Creative Work]

Glade-Wright, Robyn (2006) Making nature: extinct Tasmanian plants. [Creative Work]

Glade-Wright, Robyn (2006) Memorial Board. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Coopernookia barbata. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Deyeuxia lawrencei. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Levenhookia dubia. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Myosurus minimus. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Podotheca angustifolia. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Veronica notabilis. [Creative Work]

Gough, Julie A. (2006) Locus, 2006. [Creative Work]

Gough, Julie A. (2006) Being collected and keeping it real. In: Reynolds, Amanda Jane, (ed.) Keeping Culture: Aboriginal Tasmania. National Museum of Australia, Canberra, ACT, Australia, pp. 9-20.

Gough, Julie (2006) Being there, then and now: aspects of South-East Aboriginal art. In: Ryan, Judith, (ed.) LandMarks. National Gallery of Victoria, Melbourne, VIC, Australia, pp. 125-131.

Gough, Julie (2006) Disturbed Site: Promissory note - opposite Swan Island 6 August 1831. [Creative Work]

Gough, Julie (2006) In the World: head, hand, heart - 17th Tamworth Fibre Textile Biennial. [Creative Work]

Glade-Wright, Robyn (2006) Memorial: the silence of extinction. [Creative Work]

Gough, Julie (2005) Intertidal. [Creative Work]

Gough, Julie A. (2005) Intertidal Drift, Intertidal Zone, Resignation - 2005. [Creative Work]

Gough, Julie (2005) Craft for Floating Home. [Creative Work]

Grenfell, Maria, and Campbell, Steven (2005) Far from the madding crowd. Sounds Australian, Journal of the Australian Music Centre, 66. pp. 21-22.

Gough, Julie A. (2005) Habitus, Habitat. [Creative Work]

Gough, Julie (2005) Intertidal II. [Creative Work]

Gough, Julie (2005) Regeneration I and II. [Creative Work]

Glade-Wright, Robyn (2005) Wreath for Asperula charophyton. [Creative Work]

Glade-Wright, Robyn (2005) Wreath for Chenopodium erosum. [Creative Work]

Glade-Wright, Robyn (2005) Wreath for Myriophyllum glomeratum. [Creative Work]

Glade-Wright, Robyn (2005) Wreath for Vittadinia megacephala. [Creative Work]

Glade-Wright, Robyn (2005) Wreath for extinct Tasmanian plant Deyeuxia lawrencei. [Creative Work]

Gough, Julie (2004) Richard Browne. In: Waite, Dianne, (ed.) The Josepth Brown Collection at NGV Australia. National Gallery of Victoria, Melbourne, VIC, Australia, p. 40.

Gough, Julie A. (2003) <abstractions>. [Creative Work]

Gough, Julie (2003) Transmutation. [Creative Work]

Gough, Julie (2001) Transforming histories: the visual disclosure of contentious pasts. PhD thesis, University of Tasmania.

H

Hook, Sandra Jane (2020) Exploring place in North Queensland: a contemporary visual artist responds to colonial journeys. PhD thesis, James Cook University.

Henry, Rosita (2016) From flame to fame: transformation of firesticks to art in North Queensland. Memoirs of the Queensland Museum, Cultural Heritage Series, 10. pp. 59-76.

Hook, Sandi, and Nash, Eric (2015) Imagining place: cultural memories of North Queensland [exhibition]. [Creative Work]

Hutchison, Clive, and Salisbury, David (2008) Sweet Crush. [Creative Work]

Hutchison, Clive (2007) A mirror to the mirror: the role of photographic professionals in North Queensland. Masters (Research) thesis, James Cook University.

K

Kelso, Sylvia (2011) Thawing the frost garden: Komarr, by Lois McMaster Bujold. In: Broderick, Damien, and Ikin, Van, (eds.) Warriors of the Tao: the best of science fiction: a review of speculative literature. Wildside Press, Rockville, MD, USA, pp. 42-47.

Knight-Mudie, Karen (1999) Moonlighting in Moffatt: restructuring art as personal experience. PhD thesis, James Cook University.

L

Le Roux, Geraldine (2016) L'Art des ghostnets: vingt mille filets autour de la mer / Ghostnet art: twenty thousand nets around the sea. In: Jacob, Stéphane, (ed.) L’art des ghostnets: vingt mille filets autour de la mer / Ghostnet art: twenty thousand nets around the sea. Éditions Arts d’Australie, Paris, France, pp. 9-33.

Lord, Anne (2012) Shards and earth – Surveyor: difference between ochre and card [small version]. [Creative Work]

Lord, Anne (2012) Shards – For a Fire Ravenswood: difference between glass and resin [small version]. [Creative Work]

Lord, Anne (2012) Shards – Walking on the Beach: difference between sand and wood [small version]. [Creative Work]

Lord, Anne (2012) Qualitative research in the creative arts. Creative Approach to Research, 5 (1). 6. pp. 58-76.

Lord, Anne (2011) Dancing with the dog: dangerous liaisons. [Creative Work]

Lord, Anne (2011) Harvest in digital. [Creative Work]

Lord, Anne (2011) Icarus 2. [Creative Work]

Lord, Anne (2011) Peasant dance. [Creative Work]

Lord, Anne (2011) Wedding feast. [Creative Work]

Lord, Anne (2011) 'Similarity and Difference' exhibited in 'Glimpse of China'. [Creative Work]

Lord, Anne (2011) Similarity and Difference: Raddish. [Creative Work]

Lord, Anne (2011) Similarity and Difference: Shell. [Creative Work]

Lord, Anne (2011) Similarity and Difference: Sweet Potato. [Creative Work]

Lord, Anne (2011) Similarity and difference: bamboo grove. [Creative Work]

Lord, Anne (2011) Similarity and difference: dragon fruit. [Creative Work]

Lord, Anne (2011) Similarity and difference: frangipanni. [Creative Work]

Lord, Anne (2011) Similarity and difference: peach. [Creative Work]

Lord, Anne (2011) Similarity and difference: snake skin fruit. [Creative Work]

Lord, Anne (2010) Creative visual art storytelling and concept development. Journal of Writing in Creative Practice, 3 (3). pp. 227-256.

Lord, Anne (2010) Chinese plate and beetle. [Creative Work]

Lord, Anne (2010) Collecting Seeds I, graphite and watercolour. [Creative Work]

Lord, Anne (2010) Collecting Seeds II, watercolour and mixed media. [Creative Work]

Lord, Anne (2010) Collecting Seeds: a series of watercolours. [Creative Work]

Lord, Anne (2010) Collecting seeds - yellow ground. [Creative Work]

Lord, Anne (2010) Covered shoes. [Creative Work]

Lord, Anne (2010) Hand and Collected Seeds. [Creative Work]

Lord, Anne (2010) Humus shoes. [Creative Work]

Lord, Anne (2010) Pumice and seeds. [Creative Work]

Lord, Anne (2010) Six pine seeds. [Creative Work]

Lord, Anne (2010) 'Black Dog'. [Creative Work]

Lord, Anne (2010) 'Dance,' a lithograph. [Creative Work]

Lord, Anne (2010) Fruit [from the] Strand: dark. [Creative Work]

Lord, Anne (2010) Hug. [Creative Work]

Lord, Anne (2010) Split, a lithograph. [Creative Work]

Lord, Anne (2010) Three shrivelled seeds: pods. [Creative Work]

Lord, Anne (2010) Transitions: an art and ephemera installation. [Creative Work]

Lord, Anne (2009) Peg 1 Yellow Ochre Peg 2 Yellow Ochre dk Discussion at Wallaman I Discussion at Wallaman II in Habitus, Habitat. [Creative Work]

Lord, Anne Mary (2008) Art and ephemera post-structuralist perspective: visual art, ephemera and environment. PhD thesis, James Cook University.

Lamothe, Marie Elise Lorraine (2008) Weevils, mats, and New Guinea. PhD thesis, James Cook University.

Lord, Anne M. (2007) Ephemeral characters: ice sculptures. [Creative Work]

Lord, Anne M. (2007) Tides and Melts - Strand Ephemera. [Creative Work]

Lord, Anne (2007) 1890 Portrait. [Creative Work]

Lord, Anne M. (2007) Tools of change. [Creative Work]

Lord, Anne (2007) Ephemera art and detritus. In: Proceedings of the Environmental Research Event 2007 . pp. 160-168. From: Environmental Research Event 2007, 2-5 December 2007, Cairns, Queensland, Australia.

Lord, Anne (2007) 'Pegs to no pegs' is a pair of screen printed images in a diptych selected for the Inaugural Burnie Print Prize, Tasmania. [Creative Work]

Lord, Anne (2006) Watersheds and Basins. [Creative Work]

Lord, Anne M. (2006) Perc's Vestments. [Creative Work]

Lord, Anne (2006) Robe. [Creative Work]

Lord, Anne (2006) Watersheds and Basins. [Creative Work]

Lord, Anne (2005) From left to right. [Creative Work]

Lord, Anne (2005) Sinistre/Dextra. [Creative Work]

Lord, Anne (2005) Throw Sad Things to the Wind. [Creative Work]

Lord, Anne (2004) Corresponding Latitudes. [Creative Work]

Lord, Anne (2004) Ephemeral Being 2, installation. [Creative Work]

Lord, Anne (2004) Ephemeral Beings 1. [Creative Work]

Lord, Anne Mary (AM) (2004) Absence - an installation and catalogue of work. [Creative Work]

Lord, Anne (2004) Buddha's Footprint. [Creative Work]

Lord, Anne (2004) Li.Bu. [Creative Work]

Lord, Anne (2003) Exchange - An exhibition and catalogue. [Creative Work]

Lord, Anne M. (2003) Youth. [Creative Work]

Lord, Anne (2003) Jill O’Sullivan: Djarra interpretations of rural identity. Imprint, 38 (3). p. 9.

Lord, Anne (2003) Survivor Trees. [Creative Work]

Lord, Anne M. (2003) 'Twisted Air'. [Creative Work]

Lord, Anne (2002) Child in Known Environment. [Creative Work]

Lord, Anne (2002) Girl in dream environment. [Creative Work]

Lord, Anne (2002) Lady and Known Environment. [Creative Work]

Lord, Anne (2002) Lady in Chosen Environment. [Creative Work]

Lord, Anne M. (2002) People in Known Environments. [Creative Work]

Lord, Anne (2002) Woman in Desired Environment. [Creative Work]

Lansdown, R.D. (2001) The Byronic hero and the Victorian heroine. Critical Review, 41. pp. 105-116.

Lord, Anne (2001) Gentleman and known environment. [Creative Work]

Lord, Anne (2000) Palmetum Print. [Creative Work]

M

Maguire, Emma (2019) Reality slippages and narcissistic stereotyping - watching Content, a TV show made for smart phones. The Conversation.

Menadue, Christopher Benjamin, and Jacups, Susan (2018) Who reads science fiction and fantasy, and how do they feel about science? Preliminary findings from an online survey. SAGE Open, 8 (2).

Milledge, Russell James (2017) Rupture and residue: intermedia art in action. PhD thesis, James Cook University.

McKenzie, Laurel (2017) Venus rising, Furies raging: bodies redressed in contemporary visual art. PhD thesis, James Cook University.

Miyarrka Media (2017) Warwuyun (worry). [Creative Work]

Milledge, Russell (2015) Water & memory - overview. In: Water Views: Caring and Daring. pp. 300-301. From: 3WDS14: Waterwheel World Water Day Symposium: Waterviews: Caring and Daring, 17-23 March 2014.

Meyer, Angela Mary (2015) Painting in the tropics. PhD thesis, James Cook University.

Milledge, Russell, and Youdell, Rebecca (2014) Bonemap's fluid hybridisation. In: Water Views: Caring and Daring. pp. 482-490. From: 3WDS14: Waterwheel World Water Day Symposium: Waterviews: Caring and Daring, 17-23 March 2014, Brisbane, QLD, Australia.

Milledge, Russell, Holdsworth, Jason, Youdell, Rebecca, Saunders, Zane, Mills, Nicholas, Meeks, Arone, and Inoui, Tai (2013) Lodestar. [Creative Work]

Milledge, Russell, Youdell, Becki, Campbell, Steven, and Holdsworth, Jason (2013) Nerve engine. [Creative Work]

Milledge, Russell, Youdell, Rebecca, Hassall, Catherine, Campbell, Steven, and Holdsworth, Jason (2013) Terrestrial nerve. [Creative Work]

Milledge, Russell, and Youdell, Rebecca (2013) Spectropica. [Creative Work]

Milledge, Russell, Inoue, Tai, and McHugh, Jennifer (2013) The Cairns Institute. The Cairns Institute, James Cook University.

Milledge, Russell. (2013) Nerve engine [portfolio]. [NTRO Portfolio]

Meyer, Angela, and Naylor, Stephen (2013) The paradise problem: painted experience. Etropic: electronic journal of studies in the tropics, 12 (2). pp. 30-40.

Middleton, Craig (2013) The use of cinematic devices to portray mental illness. Etropic: electronic journal of studies in the tropics, 12 (2). pp. 180-190.

Modric, Susan Jane (2012) Examining alchemy: writing Soph and the real world. PhD thesis, James Cook University.

Murphy, Peter (2012) [Review] Inkmasters Print Exhibition 2012, Tanks Art Centre, Cairns. Imprint, 47 (3). p. 33.

Milledge, Russell, Inoue, Tai, and Tipoti, Alick (2011) Alick Tipoti: Mawa Adhaz Parual—Sorcerer Masks. [Creative Work]

Milledge, Russell (2011) Pulling Alick Tipot's Girelal. [Creative Work]

Milledge, Russell, Campbell, Steven, Holdsworth, Jason, and Youdell, Becki (2011) Sweet spot. [Creative Work]

Milledge, Russell, Youdell, Becki, Obarzanek, Gideon , and Fox, Robin (2011) The geography of mobility: bodies and technology. In: The National Dance Forum. From: National Dance Forum, 19 - 20 March 2011, Melbourne, VIC, Australia.

Murphy, Peter (2011) Painting's double: Andrew Benjamin's Disclosing Spaces. Thesis Eleven, 104 (1). pp. 108-113.

Milledge, Russell (2011) ProppaNOW artists panel seminar 2011 - the black see. [Creative Work]

Murphy, Peter (2010) Bob Dylan ain't talking: one man's vast comic adventure in American music, dramaturgy, and mysticism. In: De La Fuente, Eduardo, and Murphy, Peter, (eds.) Philosophical and Cultural Theories of Music. Social and Critical Theory: A Critical Horizons Book Series, 8 . Brill, Lieden, The Netherlands, pp. 49-70.

Milledge, Russell, Campbell, Steven, Holdsworth, Jason, and Youdell, Becki (2010) COVE. [Creative Work]

McBurnie, Ron (2010) A Journey Through Summer. [Creative Work]

Milledge, Russell (2009) Originality and representation: contemporary aesthetics and traditional continuity in the work of Billy Missi and Arone Meeks. In: Proceedings of Cairns Indigenous Art Fair Symposium 2009. pp. 57-62. From: Cairns Indigenous Art Fair Symposium 2009 , 21 August 2009, Cairns, QLD, Australia.

Milledge, Russell, Campbell, Steven, and Youdell, Becki (2009) Whispering limbs. [Creative Work]

McBurnie, Ronald (2009) Metal as anything. [Creative Work]

McBurnie, Ronald (2009) Tobias and the Angel. [Creative Work]

McBurnie, Ronald (2009) The story teller. [Creative Work]

Milledge, Russell (2008) Blak Roots. KickArts Contemporary Arts, Cairns, QLD, Australia, pp. 6-10.

Milledge, Russell (2008) Shared embrace. In: Milledge, Russell, (ed.) Blak Roots. KickArts Contemporary Arts, Cairns, QLD, Australia, pp. 6-10.

Milledge, Russell J (2008) Danalgaw Gidhal (stories about life). In: O'Connell, Rae, (ed.) Billy Missi: Urapun Kai Buai: Contemporary lino prints from the Torres Strait. KickArts Contemporary Arts, Cairns, QLD, Australia, pp. 8-10.

Miles, Candace Anita (2008) Placing pattern: mining a marine magnitude. PhD thesis, James Cook University.

McBurnie, Ronald (2008) Romantic etchings. [Creative Work]

Mulcahy, Jennifer (2008) Sensing the silence: Mary Kathleen. PhD thesis, James Cook University.

McBurnie, Ronald (2008) The piper at the gates of dawn. [Creative Work]

McBurnie, Ronald J. (2007) In search of the miraculous: 300 years of British prints. [Creative Work]

Mulcahy, Jennifer (2007) Art at the forefront of societal change. In: Environmental Research Event (ERE) 2007 - Global Problems, Local Solutions. pp. 178-188. From: Global Problems - Local Solutions, 2-5 Dec 2007, Cairns, QLD, Australia.

McBurnie, Ronald (2006) Chasing Palmer. [Creative Work]

McBurnie, Ronald (2006) Romantic etchings. [Creative Work]

McBurnie, Ronald (2006) The lines are drawn. [Creative Work]

Markwick, Laura (2004) Circles of healing around the world: an exploration of the association between spiritual healing and circles in art. PhD thesis, James Cook University.

McBurnie, Ronald J. (2003) The Artist's Studio. [Creative Work]

Michaelis, Nancy (1997) Innovation and interpretation of spiritual imagery: children's art in the Wabag Diocese of the Catholic Church, Enga Province, Papua New Guinea. Masters (Research) thesis, James Cook University.

N

Naylor, Stephen (2020) The Venice Biennale and the Asia-Pacific in the global art world. Routledge Research in Art Museums and Exhibitions . Routledge, New York, USA.

Naylor, Stephen (2015) The Art Academy: a gateway to a broader concept of creativity and innovation. Knowledge Cultures, 3 (3). pp. 159-174.

Naylor, Stephen (2015) Artist travel: twilight and the amputee. In: Fox, Belinda, (ed.) Back to the Start. Goff Books, New York, NY, USA, pp. 94-121.

Naylor, Stephen (2015) Gail Mabo: Mabo Kara Art. Eyeline, 82.

Neave, Coral (2013) Framing culture: Indigenous fine art in Far North Queensland. PhD thesis, James Cook University.

Naylor, Stephen (2013) PLUSH! & Pat Jones: creation to collection 2013. Textile Fibre Forum, 4 (112). pp. 58-59.

Naylor, Stephen (2012) Umbrella Studio and the Neoteric printmakers. Imprint, 47 (1). p. 10.

Nowell, Wesley Gregg (2011) Imaging the sacred word. PhD thesis, James Cook University.

Naylor, Stephen (2010) Australian space from the outside in: Australia’s representation at the Venice Biennale 1954–2005. In: Holloway, Barbara, and Rutherford, Jennifer , (eds.) Halfway Houses: the poetics of Australian spaces. UWA Press, Crawley, WA, Australia, pp. 320-332.

Naylor, Stephen (2009) Regional art schools: a model for survival and success. Scope: contemporary research topics (art & design), 4. pp. 50-58.

Naylor, Stephen (2008) Ailen currents: contemporary printmaking from the Torres Strait. Arts Nexus, 65. p. 29.

Naylor, Stephen (2008) Closing the loop in cultural engagement. In: Chambers, Julie, (ed.) The Art Vault. Julie Chambers, Mildura, VIC, Australia.

Naylor, Stephen (2007) Australian space from the outside in. In: Proceedings of the ARCRNSISS Methodology, Tools and Techniques and Spatial Theory Paradigm Forums Workshop. pp. 200-206. From: ARCRNSISS Methodology, Tools and Techniques and Spatial Theory Paradigm Forums Workshop, 15-17 June 2005, Newcastle, NSW. Australia.

Naylor, Stephen (2007) Jenny Mulcahy: sensing the silence. Ceramics: Art and Perception, 67. pp. 34-38.

Naylor, Stephen C. (2006) Introduction to "Amongst the Wolves". In: UNSPECIFIED, (ed.) Amongst the Wolves. Perc Tucker Regional Gallery, Townsville, QLD, Townsville, QLD, p. 1.

Naylor, Stephen C. (2006) Bringing together the diverse elements of nature and culture. In: UNSPECIFIED, (ed.) Plastic, water and the new white cube. Pinnacles Gallery, Townsville, QLD, Australia, pp. 2-3.

Naylor, Stephen (2006) Anneke Silver: Unframing. Eyeline, 61. p. 60.

Naylor, Stephen (2006) Moving the mind. In: Proceedings of the Australian Council of University Art and Designs Schools. From: ACUADS 2006 Conference, 27-29 September 2006, Melbourne, VIC, Australia.

Naylor, Stephen (2005) Letter from Istanbul. Art Monthly, 185. pp. 38-39.

Naylor, Stephen (2005) Mildura reveals some innovative printmaking. Imprint, 40 (4). pp. 6-7.

Naylor, Stephen (2003) Getting into the Giardini di Castello: Australia's representation at the Venice Biennale. Art and Australia, 40 (4). pp. 594-601.

O

O'Sullivan, Jill (2010) The contemporary visual literacy of mapped place: chorographic directions, links and analogies. In: At the Interface: cutting-edge research: mapping minds (144) pp. 3-11. From: 4th Global Conference: visual literacies - exploring critical issues, 7-9 July 2010, Oxford, UK.

O'Sullivan, Jill (2009) James Cook art collection. In: MacAuley, Desmond, (ed.) Twelve Degrees of Latitude Regional Gallery and University Art Collections in Queensland. Museum And Gallery Services Queensland Limited , Brisbane, Australia, 50-51.

O'Sullivan, Jill (2004) Visions of rural identity: a study of the rural figurative image in Australian art since 1880. Masters (Research) thesis, James Cook University.

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Phillips, Louise (2018) Walking with ethico-politico-urban-wonder. In: Snepvangers, Kim, and Davis, Susan, (eds.) Embodied and Walking Pedagogies Engaging the Visual Domain: research creation and practice. Transformative Pedagogies in the Visual Domain, 8 . Common Ground Research Networks, Champaign, IL, USA, pp. 15-35.

Potter, Martin, White Building Collective, Sa Sa Projects, and Koam, Chanrasmey (2017) The White Building. Big Stories Co, VIC, Australia.

Potter, Martin, and Wijanarko, Dodid (2015) Au Lorun: I am weaving. [Creative Work]

Petzke, Ingo (2014) Alternative entrances: Phillip Noyce and Sydney's counterculture. M/C Journal, 17 (6). pp. 1-7.

Pryor, Sally (2013) Tropicality and creative practice: temperature, temperament and temporality. Etropic: electronic journal of studies in the tropics, 12 (2). pp. 107-118.

Pryor, Sally (2009) Thinking of oneself as an aging computer/thinking of (an aging) oneself as a computer. . (Unpublished)

Pryor, Sally (2007) Postcards and supasigns: extending integrationist theory through the creation of interactive digital artworks. Human Technology, 3 (1). pp. 54-67.

Preston, Robert Forrest (2005) Kala: journeyings through colour and time. PhD thesis, James Cook University.

Patterson, Carol Breese (2003) Form follows function: a comparative analysis of the gestures depicted in anthropomorphic figures at selected rock art sites in Hawai'i and Australia. PhD thesis, James Cook University.

Pierce, Peter (2001) The Critical Reception, 1891-1945. In: Lyons, M., and Arnold, J., (eds.) A History of the Book in Australia 1891-1945. A History of the Book in Australia . University of Queensland Press, Brisbane, QLD, Australia, pp. 359-364.

Pierce, Peter (2001) Les Murray's 'Narrowspeak'. Australian Literary Studies, 20 (2). pp. 76-86.

R

Ruben, Bobbie, Naylor, Stephen, and McDonald, Malcolm (2020) Value and cultural voice in Australian Aboriginal textiles. Textile, 18 (4). pp. 451-464.

Ramoutsaki, Helen Jane (2016) The arachnophobe poet as natural historian: connecting poetic practice with the more-than-human world. PhD thesis, James Cook University.

Ramoutsaki, Helen (2014) A continuity of Country: enlivenment in a live evocation of place. Journal of the Association for the Study of Australian Literature, 14 (3 ). pp. 1-16.

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Scotcher, Jacqueline (2018) Wayfaring: place and painting in the tropical far north. PhD thesis, James Cook University.

Smeaton, Kathleen, Maybee, Clarence, Bruce, Christine, and Hughes, Hilary (2016) Crossing literacy and informed learning boundaries with Manga. Access, 30 (1). pp. 12-26.

Smyth, Elizabeth (2016) Sunday bldy Sunday: on the (regional) writing life. Meanjin, 75 (1). pp. 169-172.

Scotcher, Jacqueline (2016) Wayfaring and creative practice in Tropical Far North Queensland landscapes. Etropic: electronic journal of studies in the tropics, 15 (2). pp. 42-58.

Spiteri, Vanessa Rose, Porter, Glenn, and Kemp, Richard (2015) Variation of craniofacial representation in passport photographs. Journal of Criminological Research, Policy and Practice, 1 (4). pp. 239-250.

Sorin, Reesa (2011) Fantasy Forest. [Creative Work]

Spowart, Douglas Ronald (2011) Self-publishing in the digital age: the hybrid photobook. PhD thesis, James Cook University.

Suvin, Darko, Blackford, Russell, Kelso, Sylvia, and Ikin, Van (2011) A colloquium with Darko Suvin: questions by Russell Blackford, Sylvia Kelso and Van Ikin. In: Broderick, Damien, and Ikin, Van, (eds.) Warriors of the Tao: the best of science fiction: a review of speculative literature. Wildside Press, Rockville, MD, USA, pp. 243-287.

Sorin, Reesa (2010) Forest for the Trees. [Creative Work]

Simpson, Lindsay, and Cooke, Jennifer (2010) Honeymoon Dive. Pan Macmillan, Sydney, NSW, Australia.

Salisbury, David, Hutchison, Clive, and Naylor, Stephen (2009) Documenting tropical cultural diversity and exploring the teaching research nexus through the Venice Biennale. Recent research projects at James Cook University. In: Papers from ACUADS 2009 Conference. pp. 16-19. From: ACUADS 2009 Conference, 30 September - 2 October 2009, Brisbane, QLD, Australia.

Sorin, Reesa (2009) Exposed. [Creative Work]

Silver, Anneke (2009) At the entrance. [Creative Work]

Silver, Anneke (2009) Back veranda. [Creative Work]

Silver, Anneke (2009) Bathroom. [Creative Work]

Silver, Anneke (2009) Drawings of Ilford House. [Creative Work]

Silver, Anneke (2009) Entrance. [Creative Work]

Silver, Anneke (2009) Front room. [Creative Work]

Silver, Anneke (2009) Hallway. [Creative Work]

Silver, Anneke (2009) Hammock. [Creative Work]

Silver, Anneke (2009) Jug and basin. [Creative Work]

Silver, Anneke (2009) Kitchen still life. [Creative Work]

Silver, Anneke (2009) Lived in room. [Creative Work]

Silver, Anneke (2009) Pots and kettles. [Creative Work]

Silver, Anneke (2009) Stove top. [Creative Work]

Silver, Anneke (2009) Upstairs. [Creative Work]

Silver, Anneke (2009) Veranda with spinning wheel. [Creative Work]

Silver, Anneke (2009) Whiteley room. [Creative Work]

Silver, Anneke (2009) The office. [Creative Work]

Silver, Anneke (2008) Billabong. [Creative Work]

Silver, Anneke (2008) Connection. [Creative Work]

Silver, Anneke (2008) Floating 1. [Creative Work]

Silver, Anneke (2008) Fly dive. [Creative Work]

Silver, Anneke (2008) Golden dawn, Hinchinbrook. [Creative Work]

Silver, Anneke (2008) Gorge country. [Creative Work]

Silver, Anneke (2008) Langue d'oc doorway. [Creative Work]

Silver, Anneke (2008) Lavender fields France. [Creative Work]

Silver, Anneke (2008) Midday reflection. [Creative Work]

Silver, Anneke (2008) Midnight swim. [Creative Work]

Silver, Anneke (2008) Moonlit billabong. [Creative Work]

Silver, Anneke (2008) Mudslide. [Creative Work]

Silver, Anneke (2008) Picture 019. [Creative Work]

Silver, Anneke (2008) Picture 123. [Creative Work]

Silver, Anneke (2008) Playful. [Creative Work]

Silver, Anneke (2008) Under sunset sea. [Creative Work]

Silver, Anneke (2008) Weightless. [Creative Work]

Simpson, Lindsay (2007) Lying truths: diaries as historical documents and the craft of fiction. In: Proceedings of the 12th Conference of the Australian Association of Writing Programs. From: The 12th conference of the AAWP, 21-23 November 2007, Canberra, Australia.

Silver, Anneke (2005) Pole A. [Creative Work]

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Tanner, Heather Anne (2018) Migrancy: a journey of yearning and a quest for home in the context of contemporary art. PhD thesis, James Cook University.

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Van Luyn, Ariella, and Glade-Wright, Robyn (2018) Changing tertiary landscapes for the artist-academic: towards a framework for nurturing creative arts research beyond the PhD. Text, 51 (Special Issue).

Van Luyn, Ariella (2016) Treading air. Simon and Schuster, Melbourne, VIC, Australia.

Van Luyn, Ariella, and Klaebe, Helen (2015) Making stories matter: using participatory new media storytelling and evaluation to serve marginalized and regional communities. In: McDonald, Janet, and Mason, Robert, (eds.) Creative Communities: regional inclusion and the arts. Intellect Press, Bristol, United Kingdom, pp. 157-173.

Van Luyn, Ariella (2015) Treading Air: using historical fiction to explore women's criminality and sexuality in the interwar period. In: Proceedings of the 20th Conference of the Australasian Association of Writing Programs. pp. 1-10. From: AAWP 2016: 20th Conference of the Australasian Association of Writing Programs, 29 November-1 December 2015, Melbourne, VIC, Australia.

Van Luyn, Ariella (2014) Book Week is good for kids — and book clubs are great for adults. The Conversation, 1 September 2014.

Van Luyn, Ariella (2014) Tropical narratives in a digital realm: locative literature and writing communities in North Queensland. In: Draft Proceedings of the 5th Global Conference: Storytelling. pp. 1-12. From: 5th Global Conference: Storytelling, 10 -13 May 2014, Lisbon, Portugal. (Unpublished)

Van Luyn, Ariella (2014) Frog's hollow. [Creative Work]

Van Luyn, Ariella (2014) St Helena. [Creative Work]

van Luyn, Ariella (2013) Artful life stories: enriching creative practice through oral history. Text, 17 (1). pp. 1-17.

Van Luyn, Ariella (2012) Jogging alongside or bumping off? Fiction and oral history in dialogue. Oral History Association of Australia Journal, 34 (1). pp. 62-70.

Van Luyn, Ariella, and Luke, Jarryd (2011) Words in the shape of darts. [Creative Work]

Van Luyn, Ariella (2011) Stories of cross-dressing and the body: family memories in fiction. In: Papers of 2011 Oral History Association of Australia Biennial National Conference. pp. 1-11. From: OHAA 17th National Conference, 7-9 October 2011, Melbourne, Vic, Australia. (Unpublished)

Van Luyn, Ariella (2011) Crocodile hunt. [Creative Work]

Van Luyn, Ariella (2011) An obsession with storytelling: conducting oral history interviews for creative writing. Ejournalist, 11 (1). pp. 29-44.

Van Luyn, Ariella (2010) Evelyn on the verandah. [Creative Work]

Van Luyn, Ariella (2010) Fictionalising oral history: narrative analysis, voice and identity. Oral History Association of Australia Journal, 32. pp. 68-74.

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