B

Brown, James (2012) From Model to Image (a solo exhibition). [Creative Work]

Brown, G. James (2012) Apollo Belvedere—3 Faces, 2012. [Creative Work]

Brown, G. James (2012) Door Lock Plate (a drawing of an architectural feature from the old East Flinders Street printery found in the excavation site by the JCU Archaeological Department). [Creative Work] (Unpublished)

Brown, G. James (2012) Finial Base (drawing of an architectural feature from the old East Flinders Street printery and excavated from the site by the JCU archaeological team, 2010–12). [Creative Work]

Brown, G. James (2012) Finial Crown (a drawing of the capping element that was found broken and separated from the lower portion of a finial excavated by the JCU Architectural Department at East Flinders Street, Townsville, 2010–12). [Creative Work]

Brown, G. James (2012) Reconstructed Landscape—B. [Creative Work]

Brown, G. James (2012) Reconstructed Landscape—Ross River, 2012. [Creative Work]

Brown, G. James (2012) Referencing Jacque, 2012. [Creative Work]

Brown, G. James (2012) Referencing Le Clerc, 2012. [Creative Work]

Brown, G. James (2012) Referencing Millet, 2012. [Creative Work]

Brown, G. James (2012) Referencing Piranesi, 2012. [Creative Work]

Brown, G. James (2012) Referencing Rodin's 'Pierre Wiessant'. [Creative Work]

Brown, Gordon (2011) "Clover" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Fiery Triffids" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Fireworks" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Flower Bomb" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Milky Way" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Rain and the Vanity of Flowers" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Brunet Debaines". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Constable (after Cole)". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Constable (after Cousen)". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Delasalle". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Piranesi (Lighting from the Top-Front-Left)". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Piranesi (Lighting from the Top-Front-Right)". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Piranesi (Panels 1 to 5)". [Creative Work] (Unpublished)

Brown, G. James (2011) Referencing Piranesi (Sculpture). [Creative Work]

Brown, Gordon (2011) "Referencing Strang". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Troyon (after Pierdon)". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Weirotter's 'In the falls of Tivoli'". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Referencing Weirotter’s 'Inhabited Ruins'". [Creative Work] (Unpublished)

Brown, Gordon (2011) "Small Lanterns" referencing Louis Marie Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Tails in the Garden" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Violet Edging" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, Gordon (2011) "Yellow Trumpets" a painting referencing Lemaire. [Creative Work] (Unpublished)

Brown, James (2011) REFERENCING THE OLD WITH THE NEW: a solo art exhibition at Milton House Gallery, 88 Milton St., Mackay, from 25th June–7th July 2011. [Creative Work]

Brown, (Gordon) James (2011) Referencing Piranesi. [Creative Work]

Brown, G. James (2011) Apollo Belvedere—Front, 2011. [Creative Work]

Brown, G. James (2011) David's Ear, 2011. [Creative Work]

Brown, G. James (2011) David's Eye, 2011. [Creative Work]

Brown, G. James (2011) David's Nose, 2011. [Creative Work]

Brown, Gordon James Brown, and McCulloch, Ros (2009) Reconstituting fragments: a dialogue between a contemporary North Queensland landscape artist and some early European etchings. TRACEY. pp. 1-11.

Barnard, Trish (2009) The appropriation of Indigenous motifs and its influence on contemporary arts and crafts. In: Proceedings of Cairns Indigenous Art Fair Symposium 2009 . pp. 33-36. From: Cairns Indigenous Art Fair Symposium 2009 , 21 August 2009, Cairns, QLD, Australia.

Brown, Gordon (2009) Referencing Le Clerc. [Creative Work]

Brown, Gordon (2008) "Referencing Cotman". [Creative Work] (Unpublished)

Brown, Gordon (2008) "Referencing F Jacque". [Creative Work] (Unpublished)

Brown, G. James (2008) Referencing Martial. [Creative Work]

Brown, Gordon (2008) "Referencing Perelle (tondo)". [Creative Work] (Unpublished)

Brown, Gordon (2008) "Referencing Perelle". [Creative Work] (Unpublished)

Brown, Gordon (2008) "Referencing Sadeler". [Creative Work] (Unpublished)

Brown, Gordon (2008) Referencing Swanevelt. [Creative Work]

Brown, Gordon (2008) "Referencing Troyon #2". [Creative Work] (Unpublished)

Brown, Gordon (2008) "Referencing Weirotter's 'Vue prise à Rome'". [Creative Work] (Unpublished)

Brown, Gordon James (2005) The Strand. [Creative Work] (Unpublished)

C

Cheshire, Barbara M. (2013) Landscape as experience: an integration of senses and soul. Etropic: electronic journal of studies in the tropics, 12 (2). pp. 41-57.

Cheshire, Barbara (2013) Landscape as experience: an integration of senses and soul. PhD thesis, James Cook University.

Chalmers, Linda Louise (1993) Ikat sequences and social-cultural patterns: the impact of industrialization on the lives of Iban artisans in Sarawak. PhD thesis, James Cook University of North Queensland.

D

Deger, Jennifer (2012) Art + emergence. In: Gilchrist, Stephen, (ed.) Crossing Cultures: the Owen and Wagner collection of contemporary Aboriginal Australian art at the Hood Museum of Art. Hood Museum of Art, Hanover, NH, USA, pp. 74-81.

Drinkall, Jacquelene (2009) Traumaculture and telepathetic cyber fiction. In: Proceedings of Second Joint International Conference on Interactive Digital Storytelling, ICIDS 2009 (5915) pp. 163-173. From: Second International Conference on Interactive Storytelling, 09 - 11 December 2009, Guimarães, Portugal.

Dover, Barbara Ann (2008) Interrogating reciprocal gaze: the animal and human in contemporary art. PhD thesis, James Cook University.

Dover, Barbara (2007) Face to Face. [Creative Work]

F

Fleischmann, Katja (2013) Inside Out: Sense of Place in the Tropics. [Creative Work]

Fleischmann, Katja (2013) Roads: Sense of Place in the Tropics. [Creative Work]

Fleischmann, Katja (2012) I Thought He Loves Me. [Creative Work]

Fleischmann, Katja (2012) Please stay. [Creative Work]

Fillmer, Carel (2010) The shaping of women's bodies: in pursuit of the fashion silhouette. Masters (Research) thesis, James Cook University.

Foley, Donna (2008) Drawn and Quartered. [Creative Work]

Foley, Donna (2008) The social semiotics of Australian writing. In: Proceedings of the 2nd Global Conference: visual literacies exploring critical issues. pp. 1-23. From: 2nd Global Conference: visual literacies exploring critical issues, 30 June - 03 July 2008, Oxford, UK.

Field, Laurine (2006) Gardens of the mind: an exploration of the integral role of gardens in the lives of contemporary Australians by probing the construction of a public garden space and exploring visually an idiosyncratic artistic experience of the Flecker Botanic Gardens. Masters (Research) thesis, James Cook University.

G

Glade-Wright, Robyn (2019) Catches of the Day. [Creative Work]

Glade-Wright, Robyn, and Dover, Barbara (2019) Fact or Fiction? Priya and Zander investigate links between plastic at the Art Gallery and in the Great Barrier Reef [Exhibition Catalogue]. UNSPECIFIED, Cairns, QLD, Australia.

Glade-Wright, Robyn (2019) Lampton's Soup. [Creative Work]

Glade-Wright, Robyn, and Dover, Barbara (2019) Shelly's Visit to Double Island and The Art Gallery [Exhibition Catalogue]. UNSPECIFIED, Cairns, QLD, Australia.

Glade-Wright, Robyn (2018) Dump. [Creative Work]

Glade-Wright, Robyn (2018) Plasticine Marine. [Creative Work]

Glade-Wright, Robyn (2015) Ten Green Bottles. [Creative Work]

Glade-Wright, Robyn, and Dover, Barbara (2015) An unbearable beauty: the call of beauty and the sublime. Studio Research Journal, 3. 5. pp. 52-61.

Glade-Wright, Robyn, and Sorin, Reesa (2015) Memorial: the silence of extinction. The International Journal of Social, Political, and Community Agendas in the Arts, 10 (4). pp. 13-24.

Glade-Wright, Robyn (2014) Bleached coral in plane view. [Creative Work]

Glade-Wright, Robyn (2014) Body coral. [Creative Work]

Glade-Wright, Robyn (2014) Cook's gaze. [Creative Work]

Glade-Wright, Robyn (2014) Coral coloured glasses. [Creative Work]

Glade-Wright, Robyn (2014) Exodus: coral bleaching [sculpture]. [Creative Work]

Glade-Wright, Robyn (2014) Watch out. [Creative Work]

Glade-Wright, Robyn (2014) A hand in coral bleaching. [Creative Work]

Glade-Wright, Robyn (2014) Exodus: coral bleaching and heat stress [exhibition catalogue]. KickArts Contemporary Arts, Cairns, QLD, Australia.

Glade-Wright, Robyn. (2014) Exodus: coral bleaching and heat stress [portfolio]. [NTRO Portfolio]

Glade-Wright, Robyn (2014) Overload. [Creative Work]

Glade-Wright, Robyn (2013) Deeper Down: an exhibition of Doctor of Philosophy candidate work. [Creative Work]

Glade-Wright, Robyn (2013) Paradise lost. [Creative Work]

Glade-Wright, Robyn (2012) RED LISTED. [Creative Work]

Glade-Wright, Robyn (2011) Animals, people - a shared environment: an exhibition. [Creative Work]

Glade-Wright, Robyn (2011) A Fragile Life: Vulnerable Species in the Torrid Zone. Etropic: electronic journal of studies in the tropics, 10. pp. 115-118.

Gough, Julie (2010) Tresspass. [Creative Work]

Gough, Julie, and Naylor, Stephen (2009) Circuit breaking? Indigenous Australian art and critical discourse. In: Anderson, Jaynie, (ed.) Crossing Cultures: conflict, migration and convergence: the proceedings of the 32nd international congress of the history of art. Miegunyah Press, Melbourne, Australia, pp. 820-825.

Gough, Julie (2009) Driving Black Home 2. [Creative Work]

Gough, Julie (2009) Rivers run. [Creative Work]

Gough, Julie (2008) Aftermath (The Installation). [Creative Work]

Gough, Julie (2008) Bind. [Creative Work]

Gough, Julie (2008) Dark Valley, Van Diemen's Land. [Creative Work]

Gough, Julie (2008) Kidnap Co-ordinates. [Creative Work]

Gough, Julie (2008) Ransom. [Creative Work]

Gough, Julie (2008) Recount. [Creative Work]

Gough, Julie (2008) The Ranger, version 2. [Creative Work]

Gough, Julie (2008) Fugitive History. [Creative Work]

Gough, Julie (2008) Black-line properties I. [Creative Work]

Gough, Julie (2008) From an Island South. [Creative Work]

Gough, Julie (2008) Head count. [Creative Work]

Gough, Julie (2008) Incident reports. [Creative Work]

Gough, Julie (2008) Malahide. [Creative Work]

Gough, Julie (2008) Name sakes. [Creative Work]

Gough, Julie (2008) Some words for change. [Creative Work]

Gough, Julie (2008) Spear/oar. [Creative Work]

Gough, Julie (2008) The chase. [Creative Work]

Gough, Julie (2008) The haunted and the bad. In: Gough, J., (ed.) The Haunted and the Bad. Linden Centre for Contemporary Arts, Melbourne, VIC, Australia, pp. 2-6.

Gough, Julie (2008) The missing. [Creative Work]

Gough, Julie (2008) The simultaneous effort. [Creative Work]

Gough, Julie (2008) The wait. [Creative Work]

Gough, Julie (2007) The Ranger. [Creative Work]

Gough, Julie (2007) Escape II. [Creative Work]

Gough, Julie (2007) An Other Place. [Creative Work]

Gough, Julie (2007) She was sold for one guinea. [Creative Work]

Gough, Julie (2007) Thresholds of Tolerance. [Creative Work]

Gough, Julie (2007) We ran/I am. [Creative Work]

Gough, Julie (2007) Witness. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Arachnorchis cardiochila. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Ballantinia antipoda. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Banksia integrifolia. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Botrychium australe. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Corunastylis nudiscapa. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Hibbertia rufa. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Hutchinsia tasmanica. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Lepilaena australis. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Ozothamnus selaginoides. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Prostanthera cuneata. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Senecio macrocarpus. [Creative Work]

Glade-Wright, Robyn (2006) Funeral urn for Thesium australe. [Creative Work]

Glade-Wright, Robyn (2006) Making nature: extinct Tasmanian plants. [Creative Work]

Glade-Wright, Robyn (2006) Memorial Board. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Coopernookia barbata. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Deyeuxia lawrencei. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Levenhookia dubia. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Myosurus minimus. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Podotheca angustifolia. [Creative Work]

Glade-Wright, Robyn (2006) Wreath for Veronica notabilis. [Creative Work]

Gough, Julie A. (2006) Locus, 2006. [Creative Work]

Gough, Julie A. (2006) Being collected and keeping it real. In: Reynolds, Amanda Jane, (ed.) Keeping Culture: Aboriginal Tasmania. National Museum of Australia, Canberra, ACT, Australia, pp. 9-20.

Gough, Julie (2006) Being there, then and now: aspects of South-East Aboriginal art. In: Ryan, Judith, (ed.) LandMarks. National Gallery of Victoria, Melbourne, VIC, Australia, pp. 125-131.

Glade-Wright, Robyn (2006) Memorial: the silence of extinction. [Creative Work]

Gough, Julie (2005) Intertidal. [Creative Work]

Glade-Wright, Robyn (2005) Wreath for Asperula charophyton. [Creative Work]

Glade-Wright, Robyn (2005) Wreath for Chenopodium erosum. [Creative Work]

Glade-Wright, Robyn (2005) Wreath for Myriophyllum glomeratum. [Creative Work]

Glade-Wright, Robyn (2005) Wreath for Vittadinia megacephala. [Creative Work]

Glade-Wright, Robyn (2005) Wreath for extinct Tasmanian plant Deyeuxia lawrencei. [Creative Work]

Gough, Julie (2003) Transmutation. [Creative Work]

Gough, Julie (2001) Transforming histories: the visual disclosure of contentious pasts. PhD thesis, University of Tasmania.

H

Hook, Sandra Jane (2020) Exploring place in North Queensland: a contemporary visual artist responds to colonial journeys. PhD thesis, James Cook University.

Hook, Sandi, and Nash, Eric (2015) Imagining place: cultural memories of North Queensland [exhibition]. [Creative Work]

K

Knight-Mudie, Karen (1999) Moonlighting in Moffatt: restructuring art as personal experience. PhD thesis, James Cook University.

L

Lane, Richard (2015) The intuitive landscape. [Creative Work]

Lord, Anne (2012) Shards and earth – Surveyor: difference between ochre and card [small version]. [Creative Work]

Lord, Anne (2012) Shards – For a Fire Ravenswood: difference between glass and resin [small version]. [Creative Work]

Lord, Anne (2012) Shards – Walking on the Beach: difference between sand and wood [small version]. [Creative Work]

Lord, Anne (2012) Qualitative research in the creative arts. Creative Approach to Research, 5 (1). 6. pp. 58-76.

Lord, Anne (2011) Dancing with the dog: dangerous liaisons. [Creative Work]

Lord, Anne (2011) Harvest in digital. [Creative Work]

Lord, Anne (2011) Icarus 2. [Creative Work]

Lord, Anne (2011) Peasant dance. [Creative Work]

Lord, Anne (2011) Wedding feast. [Creative Work]

Lord, Anne (2011) 'Similarity and Difference' exhibited in 'Glimpse of China'. [Creative Work]

Lord, Anne (2011) Similarity and Difference: Raddish. [Creative Work]

Lord, Anne (2011) Similarity and Difference: Shell. [Creative Work]

Lord, Anne (2011) Similarity and Difference: Sweet Potato. [Creative Work]

Lord, Anne (2011) Similarity and difference: bamboo grove. [Creative Work]

Lord, Anne (2011) Similarity and difference: dragon fruit. [Creative Work]

Lord, Anne (2011) Similarity and difference: frangipanni. [Creative Work]

Lord, Anne (2011) Similarity and difference: peach. [Creative Work]

Lord, Anne (2011) Similarity and difference: snake skin fruit. [Creative Work]

Lord, Anne (2010) Creative visual art storytelling and concept development. Journal of Writing in Creative Practice, 3 (3). pp. 227-256.

Lord, Anne (2010) 'Black Dog'. [Creative Work]

Lord, Anne (2010) 'Dance,' a lithograph. [Creative Work]

Lord, Anne (2010) Fruit [from the] Strand: dark. [Creative Work]

Lord, Anne (2010) Hug. [Creative Work]

Lord, Anne (2010) Split, a lithograph. [Creative Work]

Lord, Anne (2010) Three shrivelled seeds: pods. [Creative Work]

Lord, Anne (2009) Now and Then: 150 years of art making in north Queensland, a group exhibition. [Creative Work]

Lord, Anne (2009) Chalk lines around horizontal survey pegs: a site specific installation. [Creative Work]

Lord, Anne, and Ashton, Linda (2009) Reflecting on methodology and the PhD supervision partnership. Australian Art Education, 32 (2). pp. 105-122.

Lord, Anne Mary (2008) Art and ephemera post-structuralist perspective: visual art, ephemera and environment. PhD thesis, James Cook University.

Lord, Anne M. (2007) Ephemeral characters: ice sculptures. [Creative Work]

Lord, Anne (2007) Ephemera art and detritus. In: Proceedings of the Environmental Research Event 2007 . pp. 160-168. From: Environmental Research Event 2007, 2-5 December 2007, Cairns, Queensland, Australia.

Lord, Anne (2006) Watersheds and Basins. [Creative Work]

Lord, Anne (2006) Robe. [Creative Work]

Lord, Anne (2006) Watersheds and Basins. [Creative Work]

Lord, Anne (2004) Corresponding Latitudes. [Creative Work]

Lord, Anne (2004) Ephemeral Being 2, installation. [Creative Work]

Lord, Anne (2004) Ephemeral Beings 1. [Creative Work]

Lord, Anne Mary (AM) (2004) Absence - an installation and catalogue of work. [Creative Work]

Lord, Anne M. (2003) Contemplating the future. [Creative Work]

Lord, Anne (2003) Exchange - An exhibition and catalogue. [Creative Work]

Lord, Anne M. (2003) Youth. [Creative Work]

Lord, Anne (2002) Child in Known Environment. [Creative Work]

Lord, Anne (2002) Girl in dream environment. [Creative Work]

Lord, Anne (2002) Lady and Known Environment. [Creative Work]

Lord, Anne (2002) Lady in Chosen Environment. [Creative Work]

Lord, Anne (2002) Woman in Desired Environment. [Creative Work]

Lord, Anne (2001) Gentleman and known environment. [Creative Work]

Lord, Anne (2000) Palmetum Print. [Creative Work]

M

McKenzie, Laurel (2017) Venus rising, Furies raging: bodies redressed in contemporary visual art. PhD thesis, James Cook University.

Meyer, Angela Mary (2015) Painting in the tropics. PhD thesis, James Cook University.

Milledge, Russell (2011) Pulling Alick Tipot's Girelal. [Creative Work]

Milledge, Russell, and Holdsworth, Jason (2011) Imagine Cairns. [Creative Work]

Milledge, Russell (2011) ProppaNOW artists panel seminar 2011 - the black see. [Creative Work]

McBurnie, Ron (2010) A Journey Through Summer. [Creative Work]

Milledge, Russell (2009) Originality and representation: contemporary aesthetics and traditional continuity in the work of Billy Missi and Arone Meeks. In: Proceedings of Cairns Indigenous Art Fair Symposium 2009. pp. 57-62. From: Cairns Indigenous Art Fair Symposium 2009 , 21 August 2009, Cairns, QLD, Australia.

McBurnie, Ronald (2009) Metal as anything. [Creative Work]

McBurnie, Ronald (2009) Tobias and the Angel. [Creative Work]

McBurnie, Ronald (2009) The story teller. [Creative Work]

Milledge, Russell (2008) Blak Roots. KickArts Contemporary Arts, Cairns, QLD, Australia, pp. 6-10.

Milledge, Russell (2008) Shared embrace. In: Milledge, Russell, (ed.) Blak Roots. KickArts Contemporary Arts, Cairns, QLD, Australia, pp. 6-10.

Milledge, Russell J (2008) Danalgaw Gidhal (stories about life). In: O'Connell, Rae, (ed.) Billy Missi: Urapun Kai Buai: Contemporary lino prints from the Torres Strait. KickArts Contemporary Arts, Cairns, QLD, Australia, pp. 8-10.

McBurnie, Ronald (2008) Romantic etchings. [Creative Work]

Mulcahy, Jennifer (2008) Sensing the silence: Mary Kathleen. PhD thesis, James Cook University.

McBurnie, Ronald (2008) The piper at the gates of dawn. [Creative Work]

McBurnie, Ronald J. (2007) In search of the miraculous: 300 years of British prints. [Creative Work]

Mulcahy, Jennifer (2007) Art at the forefront of societal change. In: Environmental Research Event (ERE) 2007 - Global Problems, Local Solutions. pp. 178-188. From: Global Problems - Local Solutions, 2-5 Dec 2007, Cairns, QLD, Australia.

McBurnie, Ronald (2006) Chasing Palmer. [Creative Work]

McBurnie, Ronald (2006) Romantic etchings. [Creative Work]

McBurnie, Ronald (2006) The lines are drawn. [Creative Work]

Markwick, Laura (2004) Circles of healing around the world: an exploration of the association between spiritual healing and circles in art. PhD thesis, James Cook University.

Michaelis, Nancy (1997) Innovation and interpretation of spiritual imagery: children's art in the Wabag Diocese of the Catholic Church, Enga Province, Papua New Guinea. Masters (Research) thesis, James Cook University.

N

Naylor, Stephen (2015) Artist travel: twilight and the amputee. In: Fox, Belinda, (ed.) Back to the Start. Goff Books, New York, NY, USA, pp. 94-121.

Neave, Coral (2013) Framing culture: Indigenous fine art in Far North Queensland. PhD thesis, James Cook University.

Naylor, Stephen (2012) Umbrella Studio and the Neoteric printmakers. Imprint, 47 (1). p. 10.

Nowell, Wesley Gregg (2011) Imaging the sacred word. PhD thesis, James Cook University.

Naylor, Stephen (2010) Australian space from the outside in: Australia’s representation at the Venice Biennale 1954–2005. In: Holloway, Barbara, and Rutherford, Jennifer , (eds.) Halfway Houses: the poetics of Australian spaces. UWA Press, Crawley, WA, Australia, pp. 320-332.

Naylor, Stephen (2009) Regional art schools: a model for survival and success. Scope: contemporary research topics (art & design), 4. pp. 50-58.

Naylor, Stephen (2007) Australian space from the outside in. In: Proceedings of the ARCRNSISS Methodology, Tools and Techniques and Spatial Theory Paradigm Forums Workshop. pp. 200-206. From: ARCRNSISS Methodology, Tools and Techniques and Spatial Theory Paradigm Forums Workshop, 15-17 June 2005, Newcastle, NSW. Australia.

Naylor, Stephen (2007) Jenny Mulcahy: sensing the silence. Ceramics: Art and Perception, 67. pp. 34-38.

Naylor, Stephen (2006) Moving the mind. In: Proceedings of the Australian Council of University Art and Designs Schools. From: ACUADS 2006 Conference, 27-29 September 2006, Melbourne, VIC, Australia.

Naylor, Stephen (2006) The role of visual culture and literacy: reconciling the dialectic. Australian Art Education, 29 (2). pp. 70-79.

Nixon-Smith, Patricia Joan (2005) The Townsville Common : codifying a private view of natural energies. Masters (Research) thesis, James Cook University.

Naylor, Stephen (2003) Getting into the Giardini di Castello: Australia's representation at the Venice Biennale. Art and Australia, 40 (4). pp. 594-601.

Naylor, Steven (2002) Australia in gondola land. In: Proceedings of Art Association of Australia and New Zealand, Art Association Conference 2002. pp. 1-6. From: Art Association of Australia and New Zealand, Art Association Conference 2002, 6-7 December 2002, Art Gallery of New South Wales, Sydney.

O

O'Sullivan, Jill (2004) Visions of rural identity: a study of the rural figurative image in Australian art since 1880. Masters (Research) thesis, James Cook University.

P

Preston, Robert Forrest (2005) Kala: journeyings through colour and time. PhD thesis, James Cook University.

R

Rees, Vaughan Dai (2005) Head, heart and hand - a visual autobiography. PhD thesis, James Cook University.

S

Scotcher, Jacqueline (2018) Wayfaring: place and painting in the tropical far north. PhD thesis, James Cook University.

Sorin, Reesa (2011) Fantasy Forest. [Creative Work]

Sorin, Reesa (2010) Forest for the Trees. [Creative Work]

Salisbury, David, Hutchison, Clive, and Naylor, Stephen (2009) Documenting tropical cultural diversity and exploring the teaching research nexus through the Venice Biennale. Recent research projects at James Cook University. In: Papers from ACUADS 2009 Conference. pp. 16-19. From: ACUADS 2009 Conference, 30 September - 2 October 2009, Brisbane, QLD, Australia.

Sorin, Reesa (2009) Exposed. [Creative Work]

Silver, Anneke (2009) At the entrance. [Creative Work]

Silver, Anneke (2009) Back veranda. [Creative Work]

Silver, Anneke (2009) Bathroom. [Creative Work]

Silver, Anneke (2009) Drawings of Ilford House. [Creative Work]

Silver, Anneke (2009) Entrance. [Creative Work]

Silver, Anneke (2009) Front room. [Creative Work]

Silver, Anneke (2009) Hallway. [Creative Work]

Silver, Anneke (2009) Hammock. [Creative Work]

Silver, Anneke (2009) Jug and basin. [Creative Work]

Silver, Anneke (2009) Kitchen still life. [Creative Work]

Silver, Anneke (2009) Lived in room. [Creative Work]

Silver, Anneke (2009) Pots and kettles. [Creative Work]

Silver, Anneke (2009) Stove top. [Creative Work]

Silver, Anneke (2009) Upstairs. [Creative Work]

Silver, Anneke (2009) Veranda with spinning wheel. [Creative Work]

Silver, Anneke (2009) Whiteley room. [Creative Work]

Silver, Anneke (2009) The office. [Creative Work]

Silver, Anneke (2008) Billabong. [Creative Work]

Silver, Anneke (2008) Connection. [Creative Work]

Silver, Anneke (2008) Floating 1. [Creative Work]

Silver, Anneke (2008) Fly dive. [Creative Work]

Silver, Anneke (2008) Golden dawn, Hinchinbrook. [Creative Work]

Silver, Anneke (2008) Gorge country. [Creative Work]

Silver, Anneke (2008) Langue d'oc doorway. [Creative Work]

Silver, Anneke (2008) Lavender fields France. [Creative Work]

Silver, Anneke (2008) Midday reflection. [Creative Work]

Silver, Anneke (2008) Midnight swim. [Creative Work]

Silver, Anneke (2008) Moonlit billabong. [Creative Work]

Silver, Anneke (2008) Mudslide. [Creative Work]

Silver, Anneke (2008) Picture 019. [Creative Work]

Silver, Anneke (2008) Picture 123. [Creative Work]

Silver, Anneke (2008) Playful. [Creative Work]

Silver, Anneke (2008) Under sunset sea. [Creative Work]

Silver, Anneke (2008) Weightless. [Creative Work]

Silver, Anneke (2005) Pole A. [Creative Work]

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Tanner, Heather Anne (2018) Migrancy: a journey of yearning and a quest for home in the context of contemporary art. PhD thesis, James Cook University.

Taylor, Cheryl (2010) Book reviews: Rod Fisher, Boosting Brisbane and John R. Laverty, The making of a metropolis: Brisbane 1823-1925. Queensland Review, 17 (1). pp. 75-78.

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Williams, Crystal (2018) Entrepreneurial mindsets and innovation: an empirical study on behaviours, skills and opinions of Australian visual artists. PhD thesis, James Cook University.

Waters, Melissa (2009) Transitions: not the destination but the journey. Masters (Research) thesis, James Cook University.