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Number of items at this level: 76.


Allen, Matthew, and Sakamoto, Rumi (2014) Globalizing Japanese Popular Culture: the coolness of Japan? Japanese Popular Culture: critical concepts in Asian studies, 4 . Routledge, London, UK.

Allen, Matthew, and Sakamoto, Rumi (2014) Japanese Popular Culture in the Twentieth Century. Japanese Popular Culture: critical concepts in Asian studies, 1 . Routledge, London, UK.

Allen, Matthew, and Sakamoto, Rumi (2014) Japanese Popular Culture in the Twenty-First Century: part 1: visual cultures. Japanese Popular Culture: critical concepts in Asian studies, 2 . Routledge, London, UK.

Allen, Matthew, and Sakamoto, Rumi (2014) Japanese Popular Culture in the Twenty-First Century: part 2: subcultures. Japanese Popular Culture: critical concepts in Asian studies, 3 . Routledge, London, UK.


Brown, Adam (2011) Shifting destinations: exploring critical photographic practice in the context of emerging technologies. Australian Art Education, 34 (1 (Special Edition)). pp. 119-128.

Beresford, Michael (2007) Writing for stage: a Beckettian template. Text, 11 (1).

Beresford, Michael H.A., Prince, Susan, and Ash, Kathryn (2005) Snap. [Creative Work]

Beresford, Michael H.A. (2005) Grace. [Creative Work]


Crowe, David Patrick (2020) A grammar model and curriculum resource for stereoscopic 3-D film production techniques. PhD thesis, James Cook University.

Chaturvedi, Iti, Cambria, Erik, Poria, Soujanya, and Bajpai, Rajiv (2016) Bayesian deep convolution belief networks for subjectivity detection. In: Proceedings of the IEEE International Conference on Data Mining Workshops. 7836765. pp. 916-923. From: ICDMW 2016: 16th International Conference on Data Mining Workshops, 12-15 December 2015, Barcelona, Spain.

Campbell, Steven J. (2006) Sensience, for PLaY+SPaCE system and tenor saxophonist. [Creative Work]

Campbell, Steven J., and Salisbury, David (2005) Performance 5 - Part 3. [Creative Work]

Campbell, Steven (2003) Bats, Max, boids and music: ultrasonics, artificial birds, and Max programming in a non-tactile musical environment. In: Apple University Consortium Conference: Proceedings. From: Apple University Consortium Academic and Developers Conference, 28 September - 1 October 2003, Adelaide, SA.

Campbell, Steven (2002) Flow - Installation for PLaY+SPaCE System. [Creative Work]


Daniel, Ryan (2017) Artists and the rite of passage north to the temperate zone. M/C Journal, 20 (6). 8.

Daniel, Ryan (2016) Creative artists, career patterns and career theory: insights from the Australian context. Australian Journal of Career Development, 25 (3). pp. 91-98.

Daniel, Ryan (2014) Artists and policy: a case study of the creative industries in north-eastern Australia. International Journal of Cultural Policy, 20 (5). pp. 553-565.

Daniel, Ryan (2013) Regional creative industries in Australia: exploring Townsville as a case study. Creative Industries Journal, 6 (2). pp. 113-128.

Daniel, Ryan (2013) Creativity and creative industries in Cairns: views from the field. Etropic: electronic journal of studies in the tropics, 12 (2). pp. 58-69.

Daniel, Ryan J. (2007) Closing the feedback loop: an investigation and analysis of student evaluations of peer and staff assessments in music performance. In: Proceedings of the XXIXth Annual Conference. Music Education Research, Values and Initiatives . pp. 28-31. From: Australian Association for Research in Music Education XXIXth Annual Conference , 2-4 July 2007, Perth, WA, Australia.

Daniel, Ryan (2007) Engagement with music communities: a case study of practice in regional Australia. In: Music in Australian Tertiary Institutions: issues for the 21st Century, the 2007 National Conference of NACTMUS. pp. 1-19. From: Music in Australian Tertiary Institutions: Issues for the 21st Century., 29 June – 1 July 2007, Queensland Conservatorium Griffith University, Brisbane, Australia.

Daniel, Ryan (2006) Exploring music instrument teaching and learning environments: video analysis as a means of elucidating process and learning outcomes. Music Education Research, 8 (2). pp. 191-215.


Gurrumuruwuy, Paul, Deger, Jennifer, Gurunulmiwuy, Enid, Balpatji, Warren, Balanydjarrk, Meredith, Ganambarr, James, and Djingadjingawuy, Kayleen (2019) Phone & spear: a Yuṯa anthropology. Goldsmith Press, London.

Gallagher, Donat (2010) Creation, evolution and "first sight": the spirit of Centralia. In: Proceedings of Biennial Conference in Philosophy, Religion and Culture. pp. 1-15. From: Biennial Conference in Philosophy, Religion and Culture, 1-3 October 2010, Strathfield, NSW, Australia.

Glowczewski, Barbara (2007) Between spectacle and politics: indigenous singularities. In: Glowczewski, Barbara, and Henry, Rosita, (eds.) Le Défi Indigène: entre spectacle et politique. Aux Lieux d'Etre, Paris, France, pp. 11-35.

Glowczewski, Barbara, and Henry, Rosita (2007) Dancing with the current: ebb and flow at the 9th Festival of Pacific Arts, Palau 2004. In: Glowczewski, Barbara, and Henry, Rosita, (eds.) Le Défi Indigène : entre spectacle et politique. Aux Lieux d'Etre, Paris, France, pp. 201-220.

Glowczewski, Barbara , and Henry, Rosita (2007) Dancing with the flow: political undercurrents at the 9th Festival of Pacific Arts. Journal de la Société Océanistes, 125 (2). pp. 213-219.


Hawthorne, Susan (2016) earth's back. [Creative Work]

Hook, Sandi, and Corbett, Stu (2015) Imagining place: cultural memories of North Queensland [documentary video]. [Creative Work]

Harwood, Sharon (2012) Shire of Broome: community infrastructure planning and development. Report. Centre for Tropical Urban and Regional Planning, Cairns, QLD, Australia. (Unpublished)

Hawthorne, Susan (2011) Sanskrit. [Creative Work]

Hawthorne, Susan (2009) Maruts: storm demons. [Creative Work]

Hawthorne, Susan (2007) Anthem to the green tree frog. [Creative Work]

Holmes, Ivan, and Davis, Diana (2007) Perspectives on assessments of performance. Music Education Research and Innovation, 13 (1). pp. 47-79.

Holmes, Ivan, and Davis, Diana (2006) Graded music examinations: what do the reports tell us? In: Proceedings of the 27th World Conference of the International Society for Music Education. pp. 567-582. From: 27th World Conference of the International Society for Music Education, 16-21 July 2006, Kuala Lumpur, Malaysia.

Henry, Rosita (2002) Dancing into connection: the Laura Aboriginal Dance and Cultural Festival. Poligrafi, 27-28 (7). pp. 31-48.

Hassall, Anthony (2001) Leaving home. Overland, 162. pp. 100-102.

Hawthorne, Susan, and Klein, Renate (1999) Cyberfeminism: connectivity, critique and creativity. Spinifex Press, Melbourne, VIC, Australia.

Hawthorne, Susan (1996) Graveside meditation. [Creative Work]

Hawthorne, Susan (1992) EEG. Meanjin, 51 (1). p. 184.


Krause, Amanda E., Dimmock, James, Rebar, Amanda L., and Jackson, Ben (2021) Music listening predicted improved life satisfaction in university students during early stages of the COVID-19 pandemic. Frontiers in Psychology, 11. 631033.

Kelso, Sylvia (2013) The price of Kush. In: Davis, Milton J., and Saunders, Charles R., (eds.) Griots: sisters of the spear. MV Media, LLC, USA, pp. 180-223.

Kelso, Sylvia (2008) The Red Country. Rihannar Chronicles, 3 . Five Star, Waterville, ME, USA.

Kelso, Sylvia (2007) The Moving Water. Rihannar Chronicles, 2 . Five Star, Waterville, ME, USA.

Kelso, Sylvia (2005) Everran's Bane. Rihannar Chronicles, 1 . Five Star, Waterville, ME, USA.


Lankshear, Colin, Leander, Kevin, and Knobel, Michele (2011) Researching online practices. In: Somekh, Bridget, and Lewin, Cathy, (eds.) Theory and Method in Social Research. Sage, London, pp. 147-154.

Lankshear, Colin, and Knobel, Michele (2010) Remix digital: la nueva escritura global como hibridación sin límites. In: Lucio-Villegas Ramos, Emilio, and Aparicio Guadas, Pep, (eds.) El Valor de la Palabra. Alfabetizaciones, liberaciones y ciudadanías planetarias. Ediciones de Centre de Recursos I Educació Continuá, Valencia, Spain, pp. 19-43.

Lord, Anne (2010) Transitions: an art and ephemera installation. [Creative Work]

Lord, Anne, and Ashton, Linda (2009) Reflecting on methodology and the PhD supervision partnership. Australian Art Education, 32 (2). pp. 105-122.

Lansdown, Richard (2000) 'An instinct for truth': Darwin on Galapagos. Critical Review, 40. pp. 109-122.


Milledge, Russell, and Law, Lisa (2020) State of the arts in Cairns report 2019 (SoARTS). External Commissioned Report. Cairns Regional Council, Cairns.

Maguire, Emma (2019) Girls' auto/biographical media: the importance of audience reception in studying undervalued life narrative. In: Douglas, Kate, and Barnwell, Ashley, (eds.) Research Methodologies for Auto/biography Studies. Routledge, New York, USA, pp. 200-207.

Milledge, Russell, and Holdsworth, Jason (2011) Imagine Cairns. [Creative Work]

Macionis, Nicole, and Sparks, Beverley (2009) Film-induced tourism: an incidental experience. Tourism Review International, 13 (2). pp. 93-101.


Newlands, Maxine (2012) Debunking disability: media discourse and the Paralympic Games. In: Schantz, Otto J., and Gilbert, Keith , (eds.) Heroes or Zeros: the medias perceptions of Paralympic sport. Sport and Society . Common Ground Publishing, Illinois, USA, pp. 209-224.

Newlands, Maxine (2010) It may not wash off: unforeseen liabilities of claiming the 'greenest games'. Rising East , 2 (1). 5.

Naylor, Stephen (2007) Contemporary arts practice and the post medium condition: see hear now festival 2007. See Hear Now, 2007. pp. 4-6.


Phillips, Louise Gwenneth, and Montes, Catherine (2017) Walking Borders: explorations of aesthetics in ephemeral arts activism for asylum seeker rights. Space and Culture, 21 (2). pp. 92-107.

Phillips, Louise Gwenneth, and Tossa, Wajuppa (2016) Intergenerational and intercultural civic learning through storied child‐led walks of Chiang Mai. Geographical Research, 55 (1). pp. 18-28.

Parker, L., McGuckin, T., and Leicht, A. (2012) Influence of exercise intensity on endogenous oxidative stress and antioxidant capacity. Supplement to Journal of Science and Medicine in Sport, 15 (Suppl. 1). 32. pp. 18-19.

Pierce, Peter (2001) What dreams may come: David Malouf's Dream Stuff. World Literature Today, 74 (4). pp. 751-757.

Pierce, Peter (2001) The last time I saw... Eureka Street, 11 (8). pp. 31-33.

Pierce, Peter (2000) Roy Bridges's fictions of Van Diemen's Land. Australian Literary Studies, 19 (4). pp. 425-432.


Radomskaya, Valeriya (2019) Introduction to popular culture tourism in Australia: the role of events in destination promotion. In: Sustainability of Tourism, Hospitality & Events in a Disruptive Digital Age: Proceedings of the 29th Annual Conference, Council for Australasian University Tourism and Hospitality Education (CAUTHE). pp. 350-360. From: CAUTHE 2019, 11-14 February 2019, Cairns.

Roderick, Colin, and Megarrity, Lyndon (2016) A History of the Foundation for Australian Literary Studies 1966-2016. Foundation for Australian Literary Studies, Townsville, QLD, Australia.


Salisbury, David Dr. (2008) Updating music education in Australia: recommendations to bridge the divergence between classical and contemporary music as a response to issues raised in national and state reports in 2005 and 2007. In: Proceedings of the XXXth Annual Conference, Australian and New Zealand Association for Research in Music Education. pp. 241-250. From: Innovation and Tradition: Music Education Research, 3-5 October 2008, Melbourne, VIC, Australia.

Simpson, Lindsay (2006) To blog or not to blog: journalism education on the new frontier. Australian Studies in Journalism, 16 (2006). pp. 212-221.


Taylor, Cheryl (2001) "Immersed in Warm Reef Waters" Rosaleen Love, Reefscape. Reflections on the Great Barrier Reef. LiNQ, 28 (1). pp. 69-72.

Taylor, Cheryl (2000) Randolph the Reckless: explorations In Australian masculine identity, 1889-1941. In: Australian Writing and the City: refereed proceedings of the 1999 conference. pp. 38-45. From: 1999 Conference of the Association for the Study of Australian Literature, 2-6 July 1999, Sydney, NSW, Australia.


Van Luyn, Ariella (2014) Book Week is good for kids — and book clubs are great for adults. The Conversation, 1 September 2014.


White, Patrick (2020) Archive noir. Sudo Journal, 2. pp. 59-62.

Wronska-Friend, Maria (2016) Translacje i tozsamosc. Batik jawajski w Afryce / Translation and identity. Javanese batik in Africa. In: Nadolska-Styczynska, Anna, (ed.) Snuc nic jak opowiesc. Tkaniny w kulturach swiata / Spinning a tread into a story. Textiles in world cultures. Torunskie Studia o Sztuce Orientu. Torun Studies on Oriental Art, 5 . Wydawnictwo Naukowe Uniwersytetu Mikolaja Kopernika. Polski Instytut Studiow nad Sztuka Swiata / Publishing House of Nicolaus Copernicus University. Polish Institute of World Art Studies, Torun, Poland, pp. 191-216.

Wronska-Friend, Maria (2016) Batik Jawa Bagi Dunia / Javanese Batik to the World. Komunitas Lintas Budaya Indonesia / Indonesian Cross-Cultural Community, Jakarta, Indonesia.

Wong, Caroline (2010) Singaporean Film Industry in Transition: Looking for a Creative Edge. Lambert Academic Publishing, Saarbrucken, Germany.

Wrońska-Friend, Maria (2008) Art Drawn with Wax: batik in Indonesia and Poland. Gondwana Publishing, Warszawa, Poland, pp. 1-256.

Wong, Caroline (2008) Knowledge economy in transition: the case of Singapore. In: Yigitcanlar, Tan, Velibeyoglu, Koray, and Baum, Scott, (eds.) Knowledge-Based Urban Development: planning and applications in the information era. IGI Global, New York, NY, USA, pp. 58-80.

This list was generated on Wed Apr 24 22:53:29 2024 AEST.