Items where Subject is "19 STUDIES IN CREATIVE ARTS AND WRITING > 1904 Performing Arts and Creative Writing > 190409 Musicology and Ethnomusicology"
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Gillespie, Kirsty (2016) Musical landscapes of Lihir: exploring performance and place in a museum exhibition. Perfect Beat, 17 (1). pp. 9-24.
Gillespie, Kirsty, and Hoenigman, Darja (2013) Laments and relational personhood: case studies from Duna and Awiakay societies of Papua New Guinea. Humanities Research, 19 (3). pp. 97-110.
Gillespie, Kirsty (2013) Ethnomusicology and the mining industry: a case study from Lihir, Papua New Guinea. Musicology Australia, 35 (2). pp. 178-190.
Gillespie, Kirsty, and Bainton, Nicholas A. (2012) Coming out of the stone: dangerous heritage and the death of the Twinhox band. Yearbook for Traditional Music, 44. pp. 71-86.
Gillespie, Kirsty (2010) Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea. Perfect Beat, 11 (1). pp. 7-24.
Taylor, Timothy D., and Gillespie, Kirsty (2009) On identity – contemporary music research in the Asia-Pacific region: introduction. The Asia Pacific Journal of Anthropology, 10 (2). pp. 75-79.
Gillespie, Kirsty (2008) Book review of "Na Kkai Taku: Taku’s musical fables" by R. Moyle, Boroka, Papua New Guinea, Institute of Papua New Guinea Studies, 2003. ISBN: 9789980680433 and "Guitar Style, Open Tunings, and Stringband Music in Papua New Guinea" by D. Crowdy, Boroko, Papua New Guinea, Institute of Papua New Guinea Studies, 2005. ISBN: 9789980680501. Ethnomusicology, 52 (1). pp. 125-129.
Gillespie, Kirsty (2008) Music review of "Songs of the Volcano: Papua New Guinea stringbands" by B. Brozman, Sydney, Australia, Bob Brozman, 2005. The Asia Pacific Journal of Anthropology, 9 (2). pp. 173-174.
Gillespie, Kirsty (2005) Book review of "Na Kkai Taku: Taku’s musical fables" by R.M. Moyle, Boroko, Papua New Guinea, Institute of Papua New Guinea Studies, 2003. ISBN: 9980-68-043-1. Asia Pacific Journal of Anthropology, 6 (3). pp. 272-274.
de la Fuente, Eduardo (1996) Book review of "Rationalizing Culture: MCAM, Boulez, and the Institutionalization of the Musical Avant-Garde" by Georgina Born, Berkley, CA, USA, University of California Press, 1995. Culture and Policy, 7 (2). pp. 173-178.
Salisbury, David (2009) Railway songs: the diaspora of Eastern Torres Strait Islander music as a reflection of people, identity and place. In: Mackinlay, E., Bartleet, B., and Barney, K., (eds.) Musical Islands: exploring connections between music place and research. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 94-118.
Salisbury, David (2009) Break on through to the other side: incorporating popular music into the classroom as a basis for musical understanding. In: Proceedings of the New Zealand National Music Education Conference, pp. 63-69. From: New Zealand National Music Education Conference, 6 – 10 July 2009 , Christchurch, New Zealand.
de la Fuente, Eduardo (2011) Twentieth century music and the question of modernity. Advances in Sociology . Routledge, New York, NY, USA.
Salisbury, David (2009) Tali Nan Bapilin Tigo (Three Strings Entwined): a study of the Minangkabau Talempong tradition in West Sumatra Indonesia. Lambert Academic Publishing, Köln, Germany.
Caley, Margaret Anne (2005) Re-contextualizing the early French solo violin sonata (c.1692-1723). Masters (Research) thesis, James Cook University.