C

Caley, Margaret Anne (2005) Re-contextualizing the early French solo violin sonata (c.1692-1723). Masters (Research) thesis, James Cook University.

D

de la Fuente, Eduardo (2011) Twentieth Century Music and the Question of Modernity. Advances in Sociology . Routledge, New York, NY, USA.

de la Fuente, Eduardo (1996) Book review of "Rationalizing Culture: MCAM, Boulez, and the Institutionalization of the Musical Avant-Garde" by Georgina Born, Berkley, CA, USA, University of California Press, 1995. Culture and Policy, 7 (2). pp. 173-178.

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Gillespie, Kirsty, Treloyn, Sally, and Niles, Don (2017) A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild. ANU Press, Canberra, ACT, Australia.

Gillespie, Kirsty, Treloyn, Sally, and Niles, Don (2017) Festschrift background and contents. In: Gillespie, Kirsty, Treloyn, Sally, and Niles, Don, (eds.) A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild. ANU Press, Canberra, ACT, Australia, pp. 31-38.

Gillespie, Kirsty, Treloyn, Sally, Woo, Kim, and Niles, Don (2017) Stephen A. Wild: a distinctive voice in the antipodes. In: Gillespie, Kirsty, Treloyn, Sally, and Niles, Don, (eds.) A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild. ANU Press, Canberra, ACT, Australia, pp. 1-30.

Gillespie, Kirsty (2014) Garamut. In: Libin, Laurence, (ed.) The Grove Dictionary of Musical Instruments. Oxford University Press, Oxford, UK, p. 394.

Gillespie, Kirsty (2014) Karkaripaluok. In: Libin, Laurence, (ed.) The Grove Dictionary of Musical Instruments. Oxford University Press, Oxford, UK, p. 115.

Gillespie, Kirsty (2014) Kundu. In: Libin, Laurence, (ed.) The Grove Dictionary of Musical Instruments. Oxford University Press, Oxford, UK, p. 230.

Gillespie, Kirsty (2014) Pilipe. In: Libin, Laurence, (ed.) The Grove Dictionary of Musical Instruments. Oxford University Press, Oxford, UK, p. 110.

Gillespie, Kirsty, and Hoenigman, Darja (2013) Laments and relational personhood: case studies from Duna and Awiakay societies of Papua New Guinea. Humanities Research, 19 (3). pp. 97-110.

Gillespie, Kirsty (2013) Ethnomusicology and the mining industry: a case study from Lihir, Papua New Guinea. Musicology Australia, 35 (2). pp. 178-190.

Gillespie, Kirsty (2013) Re-visioning the impact of missions on music in Papua New Guinea. In: Proceedings of the New Zealand Musicological Society and the Musicological Society of Australia Joint Conference. pp. 98-104. From: Joint Conference of the New Zealand Musicological Society and the Musicological Society of Australia, 2-4 December 2010, Dunedin, New Zealand.

Gillespie, Kirsty, and Bainton, Nicholas A. (2012) Coming out of the stone: dangerous heritage and the death of the Twinhox band. Yearbook for Traditional Music, 44. pp. 71-86.

Gillespie, Kirsty (2011) Breaking the tikol?: code-switching, cassette culture and a Lihirian song form. In: Abels, Birgit, (ed.) Austronesian Soundscapes: Performing arts in Oceania and South-East Asia. University of Amsterdam Press, Amsterdam, pp. 193-204.

Gillispie, Kirsty, and San Roque, Lila (2011) Music and language in Duna 'pikono'. In: Rumsey, Alan, and Niles, Don, (eds.) Sung tales from the Papua New Guinea Highlands: Studies in form, meaning, and sociocultural context. ANU Press, Canberra, ACT, Australia, pp. 49-63.

Gillespie, Kirsty (2010) Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea. Perfect Beat, 11 (1). pp. 7-24.

Gillespie, Kirsty (2010) Steep Slopes: music and change in the highlands of Papua New Guinea. ANU Press, Canberra, ACT, Australia.

Gillespie, Kirsty (2009) ‘Behind every tree’?: ethnomusicology in Papua New Guinea. In: Mackinlay, Elizabeth, Bartleet, Brydie-Leigh, and Barney, Katelyn, (eds.) Musical Islands: Exploring connections between music, place and research. Cambridge Scholars Publishing, Newcastle, UK, pp. 20-32.

Gillespie, Kirsty (2008) Book review of "Na Kkai Taku: Taku’s musical fables" by R. Moyle, Boroka, Papua New Guinea, Institute of Papua New Guinea Studies, 2003. ISBN: 9789980680433 and "Guitar Style, Open Tunings, and Stringband Music in Papua New Guinea" by D. Crowdy, Boroko, Papua New Guinea, Institute of Papua New Guinea Studies, 2005. ISBN: 9789980680501. Ethnomusicology, 52 (1). pp. 125-129.

Gillespie, Kirsty (2008) Music review of "Songs of the Volcano: Papua New Guinea stringbands" by B. Brozman, Sydney, Australia, Bob Brozman, 2005. The Asia Pacific Journal of Anthropology, 9 (2). pp. 173-174.

Gillespie, Kirsty (2007) Laip senis: music and encounter in a Papua New Guinean community. In: Moyle, Richard, (ed.) Oceanic music encounters: The print resource and the human resource: Essays in honour of Mervyn McLean. Research in anthropology and linguistics (7). University of Auckland, Auckland, New Zealand, pp. 69-80.

Gillespie, Kirsty (2005) Book review of "Na Kkai Taku: Taku’s musical fables" by R.M. Moyle, Boroko, Papua New Guinea, Institute of Papua New Guinea Studies, 2003. ISBN: 9980-68-043-1. Asia Pacific Journal of Anthropology, 6 (3). pp. 272-274.

N

Niles, Don, and Gillespie, Kirsty (2014) Taur. In: Libin, Laurence, (ed.) The Grove Dictionary of Musical Instruments. Oxford University Press, Oxford, UK, p. 722.

S

Salisbury, David (2009) Break on through to the other side: incorporating popular music into the classroom as a basis for musical understanding. In: Proceedings of the New Zealand National Music Education Conference. pp. 63-69. From: New Zealand National Music Education Conference, 6 – 10 July 2009 , Christchurch, New Zealand.

Salisbury, David (2009) Railway songs: the diaspora of Eastern Torres Strait Islander music as a reflection of people, identity and place. In: Mackinlay, E., Bartleet, B., and Barney, K., (eds.) Musical Islands: exploring connections between music place and research. Cambridge Scholars Publishing, Newcastle upon Tyne, UK, pp. 94-118.

Salisbury, David (2009) Tali Nan Bapilin Tigo (Three Strings Entwined): a study of the Minangkabau Talempong tradition in West Sumatra Indonesia. Lambert Academic Publishing, Köln, Germany.

T

Taylor, Timothy D., and Gillespie, Kirsty (2009) On identity – contemporary music research in the Asia-Pacific region: introduction. The Asia Pacific Journal of Anthropology, 10 (2). pp. 75-79.