Article

Smyth, Elizabeth (2024) Alone Together. Meanjin, 83 (1). pp. 122-128.

Bradshaw, Wayne (2024) Book Review of "Repeat: A Warning from History" by Dennis Glover. Collingwood, Australia, Black Inc., 2024. ISBN 9781743823781. Australian Policy and History, 24 October 2024.

McDermott, Nell (2024) Homecoming. Jacaranda Journal, 11 (1). pp. 57-59.

Leane, Jeanine, and Smyth, Elizabeth (2024) Jamie Oliver wrote First Nations characters the wrong way. Non-Indigenous writers need to listen to Indigenous writers first. The Conversation, 11 November 2024.

Bradshaw, Wayne (2024) Misapprehensions of a Caustic Eye: A. D. Hope and the Failure of Angry Penguins as a Modernist Literary Movement. Journal of Australian Studies, 48 (3). pp. 299-313.

Ackland, Michael (2023) Australian Fiction and the Lure of Painting. Le Simplegadi, 23. pp. 37-50.

Bradshaw, Wayne (2023) Book Review of "Childhood: A Memoir" by Shannon Burns. Melbourne, Australia,Text Publishing, 2022. ISBN: 9781922330789. Journal of the Association for the Study of Australian Literature, 23 (1).

Cardell, Kylie, Harous, Christiana, Maguire, Emma, and Woodyatt, Lydia (2023) How Can Publishers Support the Authors of Trauma Memoirs As They Unpack Their Pain for the Public? The Conversation.

Maguire, Emma (2023) #MeToo Tells Us That Legal Systems Have Failed Women. Mai: feminism & visual culture, 11.

Vidonja Balanzategui, Bianka (2023) NAISH, JOHN (JACK) (1923 - 1963), author and playwright. Dictionary of Welsh Biography.

Maguire, Emma (2023) Shame, Trauma, and the Body After #MeToo: The Year in Australia. Biography, 46 (1). pp. 1-4.

Maguire, Emma (2022) Book review of "Lohrey: Contemporary Australian Writers" by Julieanne Lamond. Melbourne University Press, 2022. ISBN: 9780522878936. Journal of the Association for the Study of Australian Literature, 23 (1).

Maguire, Emma (2022) Book review of "Witnessing Girlhood: toward an intersectional tradition of life writing" by Leigh Gilmore & Elizabeth Marshall. New York, USA, Fordham University Press, 2019. ISBN: 978-0-8232-8548-8. Auto/Biography Studies, 37 (2). pp. 362-367.

Bradshaw, Wayne (2022) Editor’s Introduction. Sudo Journal, 4. pp. 1-2.

Maguire, Emma (2022) Limoncello. Superlative, 3.

O'Leary, Irene (2022) Literary dynamics in The.PowerBook by Jeanette Winterson and Oryx and Crake by Margaret Atwood. Language and Literature, 31 (3). pp. 325-344.

Taylor, Cheryl (2022) New Medieval Literatures 21 ed. by Wendy Scase et al. (review). Parergon, 39 (2). pp. 168-170.

Bradshaw, Wayne (2022) The North of the South. Sudo Journal, 4. pp. 31-36.

Boulard, Florence (2022) Picturebooks in New Caledonia: challenging cultural hegemony for “Une école Calédonienne”. Waikato Journal of Education, 27 (1). pp. 21-33.

Spicer, Chrystopher (2022) “Plenty of business going on”: The Apocalyptic Cyclones of Alexis Wright’s Carpentaria as Trope of Real, Imagined, and Spiritual Australian Place. Motifs, 6.

Maguire, Emma (2022) Rev. of New Forms of Self-Narration: Young women, life writing and human rights. a/b: Auto/Biography Studies, 37 (3). pp. 536-542.

McDermott, Nell (2022) A Revelation. Sudo Journal, 4. pp. 37-38.

Craven, Allison (2022) Review of “Reality, Magic and Other Lies: Fairy-Tale Film Truths. By Pauline Greenhill.”. Marvels & Tales, 36 (1). pp. 144-146.

Dillon, Denise (2022) Wilderness in 19th Century South Seas Literature: An Ecocritical Search for Seascapes. eTropic: electronic journal of studies in the tropics, 21 (1). pp. 348-372.

Smyth, Elizabeth A. (2022) Writing an Australian Farm Novel: Connecting Regions via Magic Realism. Text, 26 (2). pp. 1-16.

Osborne, Roger, and Carter, David (2021) Australian Authors in the House of William Morrow: Writing Good Commercial Fiction for the US Market. Antipodes, 35 (1-2). 13. pp. 145-162.

Craven, Allison (2021) Book review of "Creating Australian Television Drama: a screenwriting history" by Susan Lever. North Melbourne, VIC, Australian Scholarly Publishing, 2020. ISBN: 978-1-925984-88-0. Journal of the Association for the Study of Australian Literature, 21 (2). 15.

McDermott, Nell (2021) Burning Season. Sudo Journal, 3. pp. 105-106.

Maguire, Emma (2021) Facebook Society: Losing Ourselves in Sharing Ourselves by Roberto Simanowski (review). Biography, 44 (4). pp. 672-676.

Menteur, M. (2021) A Proposal to Improve the Prospects of Arts Graduates in Australia, and for Making them Beneficial to the Publick. Sudo Journal, 3. pp. 1-8.

Craven, Allison (2021) Reflecting on Diving for Depth: reading In Cold Blood for secondary literature students. Words'Worth, 54 (2). 3. pp. 12-14.

Smyth, Elizabeth (2021) Sugarcane and the Wet Tropics: reading the Georgic mode and region in John Naish's farm novel The Cruel Field (1962). Journal of the Association for the Study of Australian Literature, 21 (2).

Delante, Nimrod L. (2021) Surviving a natural disaster as a semiotic reformation of the self and worldview. Semiotica: Journal of the International Association for Semiotic Studies, 2021 (243). pp. 353-386.

Spicer, Chrystopher (2021) Weep For the coming of men: epidemic and disease in Anglo-Western colonial writing of the South Pacific. eTropic: electronic journal of studies in the tropics, 20 (1). pp. 273-293.

White, Patrick (2021) What if the Burdekin was never bridged? Sudo Journal, 3. pp. 11-23.

Taylor, Cheryl (2020) Author, Scribe, and Book in Late Medieval English Literature by Rory G. Critten (review). Parergon, 37 (1). pp. 236-237.

Bradshaw, Wayne (2020) Editor’s Introduction. Sudo Journal, 2. pp. 8-9.

Maguire, Emma (2020) Kokomo by Victoria Hannan: a millennial fiction that spans generations. The Conversation, 30 July 2020.

Kuttainen, Victoria, and Hansen, Claire (2020) Making connections: exploring the complexity of the secondary-tertiary nexus in English from the perspective of regional Australia. English in Australia, 55 (2). pp. 39-51.

Burrows, Lianda (2020) A Review of ‘Beauty’ by Bri Lee. Westerly Magazine, 16 January 2020.

Maguire, Emma (2020) Under the Corn. Verity La.

Lansdown, Richard (2020) The riddles of Mazeppa; or, more questions than answers: watermarks and cohabitations, April 1817-September 1818. Romanticism, 26 (3). pp. 267-279.

McDermott, Tenille (2019) Book Review of "Orpheus in the Undershirt" by Kevin Densley. Port Adelaide, Australia, Ginninderra Press, 2018. ISBN 9781760415013. Sudo Journal, 1. pp. 114-116.

Bradshaw, Wayne (2019) Editor’s Introduction. Sudo Journal, 1. pp. 1-3.

Maguire, Emma (2019) Satelle's machine. Scum Mag, 2 September 2019.

Burrows, Lianda (2019) The Semantics of Starvation. Westerly, 64 (2). pp. 57-65.

Taylor, Cheryl (2017) "I Really Wanted to Write Novels That Are Poems": The multiple Effects of Poetry in Thea Astley's Fiction". Southerly, 77 (3). pp. 40-61.

Taylor, Cheryl M. (2017) "It Fits Where It Touches": Ronald McKie's fiction and 1970s feminism. Antipodes, 31 (1). pp. 206-220.

Faini, Maria, Netzer, Orly Lael, and Maguire, Emma (2017) Students and New Scholars: A Conversation. Auto/Biography Studies, 32 (2). pp. 383-384.

Taylor, Cheryl (2017) W/rites of Passion: Thea Astley's Sunshine Coast Transition from Poetry to Fiction. Queensland Review, 24 (2). pp. 271-281.

Taylor, Cheryl (2012) Book review of "Constructing Sonnet Sequences in the Late Middle Ages and Renaissance: A Study of Six Poets" by Danijela Kambaskovic-Sawyers. Lewiston, NY, USA, Mellen Press, 2010. ISBN: 9780773437661. Parergon, 29 (2). pp. 257-259.

Book Chapter

Craven, Allison (2024) Margery's Miscellany; or, What "All the World Must Allow": Children's Citizenship, Goody Two-Shoes and the Fairy-Tale Public Sphere. In: Greenhill, Pauline, and Orme, Jennifer, (eds.) Just Wonder: Shifting Perspectives in Tradition. Utah State University Press, Denver, CO, USA, pp. 217-240.

Craven, Allison, and Sandars, Diana (2023) Introduction: Gothic Tides in the Oceanic South-Uncanny Contradictions and Compulsions. In: Craven, Allison, and Sandars, Diana, (eds.) Gothic in the Oceanic South: Maritime, Marine and Aquatic Uncanny in Southern Waters. Routledge, Abingdon, UK.

Kelso, Sylvia (2023) The Mote in the Jester's Eye: Aspects of Race and Gender in Connie Willis's Light Short Fiction. In: Turner Smith, Carissa, (ed.) Connie Willis's Science Fiction: Doomsday Everyday. Routledge Studies in Contemporary Literature . Routledge, New York, NY, USA, pp. 182-207.

Maguire, Emma (2023) A Mother’s Milk: Motherhood, Trauma, and Monstrous Children in Folk Horror. In: Craven, Allison, and Balanzategui, Jessica, (eds.) Monstrous Beings and Media Cultures: Folk Monsters, Im/Materiality, Regionality. Horror and Gothic Media Cultures . Amsterdam University Press, Amsterdam, Netherlands, pp. 145-171.

Liebich, Susann, and Kuttainen, Victoria (2023) Seeing the World and One’s Place Within It: Australian Quality Magazines and the Asia-Pacific in the 1920s and 1930s. In: Satterthwaite, Tim, and Thacker, Andrew, (eds.) Magazines and Modern Identities: Global Cultures of the Illustrated Press, 1880-1945. Bloomsbury, London, United Kingdom, pp. 163-175.

Smyth, Elizabeth A. (2023) The Semi-Georgic Australian Sugarcane Novel. In: Edney, Sue, and Somervell, Tess, (eds.) Georgic Literature and the Environment: Working Land, Reworking Genre. Routledge, Taylor and Francis Group, Abingdon, Oxon, UK, pp. 184-198.

Hansen, Claire (2023) Shakespeare, Climate Change and the Blue Humanities: Imagining an Oceanic Education. In: Bickley, Pamela, and Stevens, Jenny, (eds.) Shakespeare, Education and Pedagogy: Representations, Interactions and Adaptations. Theatre & Performance Studies . Routledge, London, United Kingdom, pp. 190-199.

Smyth, Elizabeth (2023) The Silence of Loss. In: McInnes, Jeanette, Birt, Virginia, Wagner, Lenka, and Newey, Phil, (eds.) On Butterfly Wings. Tropical Writers Anthology, 9 . Tropical Writers, Cairns, QLD, Australia, pp. 100-105.

Craven, Allison (2023) Vampire Hydrology and Coastal Australian Cinema: Saturation, Sunlight, and Amphibious Beings. In: Craven, Allison, and Sandars, Diana, (eds.) Gothic in the Oceanic South: Maritime, Marine and Aquatic Uncanny in Southern Waters. Routledge, Abingdon, UK, pp. 167-185.

Kelso, Sylvia (2020) The Road and the River: Genre-Neering a Future in the Sharing Knife Series. In: Yung Lee, Regina, and McCormack, Una, (eds.) Biology and Manners: Essays on the Works and Worlds of Lois McMaster Bujold. Liverpool Science Fiction Texts and Studies . Liverpool University Press, Liverpool, United Kingdom, pp. 113-130.

Smyth, Elizabeth (2020) Will it Leave a Scar? In: Owens, Rod, Barker, Peter, and Serenc, Mary, (eds.) Green Ant Dreaming. Tropical Writers Anthology, 8 . Tropical Writers, Cairns, QLD, Australia, pp. 17-26.

Kelso, Sylvia (2019) 'I Am Not the Law': Limits and Expansions of Women's Agency in the Sherlock Holmes Canon. In: Haile, Resa, and Bower, Tamara R., (eds.) Villains, Victims, and Violets: Agency and Feminism in the Original Sherlock Holmes Canon. BrownWalker Press, Boca Raton, Florida, USA, pp. 161-172.

Bradshaw, Wayne (2018) Ego-terrorism: The benefit of an anarcho-psychological perspective of terrorism. In: James, Sara, (ed.) Metaphysical Sociology: on the work of John Carroll. Morality, Society and Culture . Routledge, Abingdon, UK, pp. 111-124.

Smyth, Elizabeth (2017) Not the Boss, But Still a Man. In: McDonald, Sally, and 2017 Anthology Committee, (eds.) Free Fall. Tropical Writers Anthology, 7 . Tropical Writers, Cairns, QLD, Australia, pp. 92-94.

Kelso, Sylvia (2016) The Woman and the River: Engineering Social Equity in Lois Bujold’s Sharing Knife Series. In: McBride, Margaret, (ed.) Social Justice Redux. Wiscon Chronicles, 10 . Aqueduct Press, Seattle, Washington, USA, pp. 184-197.

Conference Item

Bradshaw, Wayne (2024) From The Freewoman to The Egoist: Max Stirner’s Reception in English Modernism. In: European Network for Avant-Garde and Modernism Studies. p. 28. From: EAM 2024: The Avant-Garde and War, 17 - 19 September 2024, Kraków, Poland.

Bradshaw, Wayne (2024) Gone Bung: Athur Desmond’s Poetry and the Financial Chaos of 1890s Sydney. In: [Australian Literary Convention]. From: Australian Literary Convention 2024: Chaos and Order, 2-5 Jul 2024, Sydney, Australia.

Smyth, Elizabeth (2024) That Men Should Fear: Subverting a Literary Social Order of City to Farms. In: [Presented at the 4th Australian Literary Convention]. From: 4th Australian Literary Convention: Chaos and Order, 2-5 July 2024, Sydney, NSW, Australia.

Smyth, Elizabeth (2024) Writing Across a Cultural Interface: A Guide for Non-Indigenous Writers. In: [Presented at the Jawun Research Centre Seminar Series]. From: JAWAN Research Centre Seminar Series, 5 June 2024, Cairns, QLD, Australia.

Smyth, Elizabeth (2023) The Sugarcane Novel: Questions of Genre and Region. In: [Presented at the ASAL 2023 Conference]. From: ASAL Annual Conference 2023: Recentring the Region, 4-7 July 2023, Melbourne, VIC, Australia.

Smyth, Elizabeth (2022) Writing an Australian Farm Novel: Connecting Regions Via Magic Realism. In: [Presented at the Australasian Association of Writing Programs' 27th Annual Conference]. From: Australasian Association of Writing Programs’ (AAWP) 27th Annual Conference, 28-30 November 2022, Buderim, QLD, Australia.

Smyth, Elizabeth (2021) Locating the Sugarcane Grower: An Ecocritical Reading of Three Australian Novels. In: [Presented at the 8th ASLEC-ANZ Conference]. From: 8th ASLEC-ANZ Conference: Ngā tohu o te huarere: conversations beyond human scales, 23-26 November 2021, Online.

Smyth, Elizabeth (2020) The Farm Novel, Pastoral and Georgic of the Australian Sugar Industry. In: [Presented at ASAL 2020 Virtual]. From: ASAL 2020 Virtual: Reading and Writing Australian Literature, 25 June - 2 July 2020, Online.

Maguire, Emma (2020) Teaching life reading and life writing through archives. In: [Presented at the International Auto/Biography Association: Teaching Life Writing Conference]. From: International Auto/Biography Association: Teaching Life Writing Conference, 10-11 December 2020, Virtual.

Bradshaw, Wayne (2018) The Ego in the Crowd. Competing Realities in the Avant-Garde Manifesto. In: European Network for Avant-Garde and Modernism Studies. p. 130. From: EAM 2018: Realisms of the Avant-Garde, 5 - 7 September 2018, Münster, Germany.

Book

Bradshaw, Wayne (2023) The Ego Made Manifest: Max Stirner, Egoism, and the Modern Manifesto. Bloomsbury, New York, NY, USA.

Craven, Allison, and Sandars, Diana (2023) Gothic in the Oceanic South: Maritime, Marine and Aquatic Uncanny in Southern Waters. Routledge, Abingdon, UK.

Spicer, Chrystopher J. (2020) Cyclone country: the language of place and disaster in Australian literature. McFarland & Company, Jefferson, North Carolina, USA.

Stevenson, Ana (2019) The woman as slave in nineteenth-century American social movements. Palgrave Studies in the History of Social Movements . Palgrave Macmillan, Cham.

Thesis

Smyth, Elizabeth A. (2023) Re-imagining the Australian farm novel: writing magic realism into the georgic. PhD thesis, James Cook University.

Lippmann, Jillian (2023) The beautiful and damned: searching for the modern girl in Australian print culture, 1930s. PhD thesis, James Cook University.

Burrows, Lianda Arla (2022) Reappraising the land: Patrick White's landscape legacy and its afterlives. PhD thesis, James Cook University.

Long, Gillian Angela Patricia (2021) Shadows in the cane: reconstructing history through fiction to responsibly reimagine and make accessible the 1930s history of Cassowary Coast migrant sugar workers. PhD thesis, James Cook University.

Schierhuber, Stephanie Rhea Dawn (2021) Sleep, watch, and extended cognition in Spenserian epic and Shakespearean drama / Slaap, wake en gesitueerde cognitie in de epiek van Spenser en het toneelwerk van Shakespeare. PhD thesis, James Cook University.

Bradshaw, Wayne (2021) The ego made manifest: Max Stirner, egoism and the avant-garde literary manifesto, 1880–1914. PhD thesis, James Cook University.

Crowe, Nicole (2019) The narrative possibilities of humour in regional family memoir: a creative writing exploration in Australian regional life-writing. PhD thesis, James Cook University.

Taylor, Cheryl Madeline (1998) Rolle, Hilton and the author of The Cloud of Unknowing: the divine as freedom in middle English contemplative writings. PhD thesis, James Cook University.