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Ackland, Michael (2016) "The Young Man Will Go Far": educational nobility and Christina Stead's compositional practice in the early 1930s. Australian Literary Studies, 31 (6).

Ackland, Michael (2016) Christina Stead and the Socialist Heritage. Cambria Australian Literature . Cambria Press, New York, NY, USA.

Ackland, Michael (2016) Money is a steal:" Christina Stead's critique of finance capitalism in House of All Nations. Journal of the European Association for Studies of Australia, 7 (1). pp. 39-49.

Ackland, Michael (2016) 'Reclaiming the rubbish': outcasts, transformation and the topos of the painter-seer in the work of Patrick White and David Malouf. Le Simplegadi, XIV (16). pp. 27-36.

Ackland, Michael (2016) "What are men to rocks and mountains?": self-interest, civility and the unnameable in Jane Austen's Pride and Prejudice. In: Colomba, Caterina, (ed.) Pride and Prejudice: a bicentennial bricolage. Università degli Studi di Udine, Udine, Italy, pp. 159-174.

Ackland, Michael (2016) Who are the biggest cannibals?: Colonial literary reckonings with the dark European Other in the Pacific region. Journal of New Zealand & Pacific Studies, 4 (1). pp. 43-52.

Ackland, Michael (2016) A working-man's paradise?: Christina Stead's verdict on Antipodean socialism and injustice. In: Adair, Gigi, and Schwart, Anja, (eds.) Postcolonial Justice in Australia: reassessing the 'fair go'. Konzepte Orientierrungen Abhandlungen Lekturen Australien Studien, 12 . Wissenschaftlicher Verlag Trier, Trier, Germany, pp. 127-137.

Ackland, Michael (2012) "I am thinking I am free": intransigent reality versus utopian thought in the later fiction of Christina Stead. Southerly, 72 (1). pp. 159-180.

Ackland, Michael (2008) "A cold coming we had of it": the reception of T. S. Eliot, literary modernism and tradition in the work of James McAuley and the Sydney modernists. Literature & Aesthetics, 18 (1). pp. 112-121.

Ackland, Michael (2008) A view from the Orient Hotel: phobias, federation, and Albert Dorrington's Asia-Pacific nightmares. Antipodes, 22 (1). pp. 25-30.

Ackland, Michael (2008) Realigning Christina Stead: A 'red Stead'. Overland, 192. pp. 49-53.

Ackland, Michael (2008) "What a history is that? What an enigma ...?": imagination, destiny and socialist imperatives in Christina Stead's Seven Poor Men of Sydney. Southerly, 68 (3). pp. 189-212.

Ackland, Michael (2007) For love alone "Review of Dearest Munx: The Letters of Christina Stead and William J. Blake. Harris, Margaret (ed.) (2005). Paper in: On Love, Sex and Desire.". Meanjin, 66 (1). pp. 78-82.

Ackland, Michael (2007) "I vill dry and gure him": ambiguities of care in the mirror of Australian fiction. In: Callahan, David, (ed.) Australia: who cares? A P I Network, Perth, pp. 218-252.

Ackland, Michael, and Oliver, Pam (2007) Introduction. In: Ackland, Michael, and Oliver, Pam, (eds.) Unexpected encounters: neglected histories behind the Australia-Japan relationship. Monash University Press, Melbourne, VIC, xi-xxv.

Ackland, Michael (2007) Love and the great beyond: The spiritualist beliefs that sustained the love of Henry Handel Richardson for her husband and her family beyond the grave. Meanjin, 66 (1). pp. 72-77.

Ackland, Michael (2007) Paths of wrath and reconciliation: homophobia, Japan and the life-work of Harold Stewart. In: Ackland, Michael, and Oliver, Pam, (eds.) Unexpected Encounters: neglected histories behind the Australia-Japan relationship. Monash University Press, Melbourne, VIC, pp. 89-111.

Ackland, Michael, and Oliver, Pam (2007) Unexpected Encounters: neglected histories behind the Australia-Japan relationship. Monash University Press, Melbourne, VIC.

Ackland, Michael (2006) The lesson of "The Yellow Sand": Robert Drewe's dissection of "The Good Old Past" in The Drowner and Grace. Westerly, 51 ( ). pp. 88-107.

Ackland, Michael (2006) Breeding "reptiles of the mind": Blake's dialectics of vision and Stead's critique of pollitry in The Man Who Loved Children. Studies in the Novel, 38 (2). pp. 234-249.

Ackland, Michael (2006) Kate Grenville. In: Samuels, Selina, (ed.) Australian Writers: 1975-2000. Dictionary of Literary Biography, 325 . Bruccoli Clark Layman, pp. 128-134.

Ackland, Michael (2006) Murray Bail. In: Samuels, Selina, (ed.) Australian Writers 1975-2000. Dictionary of Literary Biography, 325 . Bruccoli Clark Layman, pp. 24-30.

Ackland, Michael (2006) Robert Drewe. In: Samuels, Selina, (ed.) Australian Writers: 1975-2000. Dictionary of Literary Biography, 325 . Bruccoli Clark Layman, pp. 76-81.

Ackland, Michael (2006) Winning the peace?: rewriting Quadrant's past. Overland, 184 ( ). pp. 18-22.

Ackland, Michael (2006) The triumphant word: Malouf's Heideggerian vision in An Imaginary Life. Hungarian Journal of English and American Studies , 12 (1-2). pp. 239-244.

Ackland, Michael (2005) In the service of complex truths: the aims and art of Robert Drewe's fiction. Westerly, 50 ( 0). pp. 26-41.

Ackland, Michael (2005) Only 'a well-schooled interpreter': Henry Handel Richardson's final year at the Leipzig Conservatorium and its authorial recasting. Australian Literary Studies, 22 (1). pp. 51-60.

Ackland, Michael (2005) Henry Handel Richardson's years in Wilhelmine Germany: the "most cultured land in Europe"? English Literature in Transition, 1880-1920, 48 (1). pp. 147-163.

Ackland, Michael (2004) Passion by proxy: Henry Handel Richardson's sapphic investment in her early fiction. Antipodes, 18 (2). pp. 147-152.

Ackland, Michael (2004) Master of Elusion. The Bulletin with Newsweek, 122 (6430). pp. 62-64.

Ackland, Michael (2004) Henry Handel Richardson: a life. Cambridge University Press, Cambridge, UK.

Ackland, Michael (2004) Polemics anonymous: James McAuley's nom de plume contributions from Hermes to Quadrant. Southerly, 64 (3). pp. 180-190.

Ackland, Michael (2004) Professing the new: personalities, institutions and the case of James McAuley. In: Heinze, Helmut, and Weller, Christiane, (eds.) Worlds of Reading: on the theory, history and sociology of cultural practice; Festschrift for Walter Veit. Forschungen zur Literatur- und Kulturgeschichte . Peter Lang, Frankfurt am Main, Germany, pp. 141-150.

Ackland, Michael (2004) 'The argument of the broken pane': Henry Handel Richardson's response to the suffragette movement. Overland, 174 ( ). pp. 51-57.

Ackland, Michael (2003) "Wishing papa was dead?": Henry Handel Richardson's recasting of her troubled childhood in Myself When Young. Westerly, 48. pp. 102-116.

Ackland, Michael (2003) More than 'a henna gaijin': the shaping of Harold Stewart's affinity with Japan. Ritsumeikan Journal of Asia Pacific Studies, 11. pp. 85-95.

Ackland, Michael (2003) Whatever happened to Coppelius?: antecedents and design in Christina Stead's The Salzburg Tales. Journal of the Association for the Study of Australian Literature, 2. pp. 53-66.

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Buttacavoli, Matthew (2016) Book Review of "New Media, Development and Globalization, by Don Slater. Cambridge, UK, Polity Press, 2013. 210 pp. ISBN: 978-0-7456-3833-1. The Information Society, 32 (3). pp. 223-224.

Brown, James (2011) REFERENCING THE OLD WITH THE NEW: a solo art exhibition at Milton House Gallery, 88 Milton St., Mackay, from 25th June–7th July 2011. [Creative Work]

Barrett, Gillian (2007) Remembering. LiNQ, 34. pp. 114-116.

Barrett, Gillian (2006) The Ghosts of Henry Lawson. Working Paper. UNSPECIFIED. (Unpublished)

Bartlett, Alison (1994) Jamming the machinery: écriture féminine and the practice of contemporary women writers in Australia. PhD thesis, James Cook University.

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Craven, Allison (2020) The joy of a Gothic fable: form, didacticism, and 'happy-ness' in Sonya Hartnett's The Ghost's Child and Jennifer Kent's The Babadook. Aeternum: The Journal of Contemporary Gothic Studies, 7 (1). pp. 1-16.

Castro-Koshy, Estelle, and Guerre, Philippe (2019) "In my mind I see cross-roads for everything I believe in...": The way home in Alexis Wright's Croire en l'incroyable (Believe in the Unbelievable) and Le Pacte du serpent arc-en ciel. Antipodes, 33 (1). pp. 79-91.

Craven, Allison (2018) Escape to the terraform tropics: geography and gender in marine adventure films from Queensland. Screening the Past, 43.

Castro-Koshy, Estelle (2018) The poetics of relation in Carpentaria. In: Ng, Lynda, (ed.) Indigenous Transnationalism: Alexis Wright's Carpentaria. Giramondo Publishing, Sydney, NSW, Australia, pp. 118-135.

Castro-Koshy, Estelle (2017) Un Homme de Sagesse - Paroles de Banjo Clarke, Aborigène Australien, à Camilla Chance. Au Vent des Iles, Papeete, French Polynesia.

Castro-Koshy, Estelle (2016) Visual poetics, history-places, and Australian Indigenous philosophy in Romaine Moreton’s films The Farm and The Oysterman (Poésie visuelle, lieux-histoires, et philosophie aborigène dans les films de Romaine Moreton The Farm and The Oysterman). In: [recorded presentation]. From: Le théâtre des opérations: mise en scène de l’action, coordination des mouvements et transformation du monde, 14 December 2015, Paris, France.

Castro-Koshy, Estelle, Aurima-Devatine, Flora, Tehei'ura, Monana'ura, and Devatine, Tokainiua (2016) Discussion sur "Pina’ina’i: écho de l’esprit et des corps". Journal de la Société des Océanistes, 142-143 (2016). pp. 99-116.

Castro-Koshy, Estelle, and Le Roux, Geraldine (2016) Introduction. Creative collaborations, dialogues, and reconfigurations: rethinking artistic, cultural, and sociopolitical values and practices with Indigenous people in Australia, French Polynesia, New Caledonia-Kanaky, and Papua New Guinea. Anthrovision, 4 (1). pp. 1-11.

Castro-Koshy, Estelle, and Masson, Dominique (2014) Flora Aurima-Devatine, 5 Questions pour Île en île [Interview with Flora Aurima-Devatine]. Île en île.

Campbell, John B., Ellwood, William J., and Winn, Nicola B. (2012) Invisible late Pleistocene rock art: lessons from northern Australia and the British Isles. In: Clottes, Jean, (ed.) L'Art Pleistocene dans le Monde. 2010 Actes du Congrès IFRAO . Prehistoric Society of Ariege-Pyrenees, pp. 182-183.

Cantarini, Martha Crawford, and Spicer, Chrystopher J. (2010) Fall Girl: my life as a western stunt double. McFarland & Company, Jefferson, North Carolina.

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Daniel, Ryan (2019) Artists, identity, place: implications for higher education. Asia-Pacific Journal for Art Education, 18 (2). pp. 37-66.

Deger, Jennifer (2018) Phone-made poiesies: towards an ethnography of call and response. In: Bell, Joshua A., and Kuipers, Joel C., (eds.) Linguistic and Material Intimacies of Cell Phones. Routledge Studies in Anthropology . Routledge, Abingdon, UK, pp. 128-147.

Deger, Jennifer (2018) Pink cake, red eyes, coloured photos: desire, loss and Aboriginal aesthetics in northern Australia. In: Young, Diana, (ed.) Rematerializing Colour: from concept to substance. Sean Kingston Publishing, Canon Pyon, UK, pp. 45-65.

Deger, Jennifer (2018) Shimmer. In: Callan, Hilary, (ed.) The International Encyclopedia of Anthropology. John Wiley & Sons, Hoboken, NJ, pp. 1-3.

Daniel, Ryan, and Johnstone, Robert (2017) A preliminary exploration of frameworks for building artists’ resilience. International Journal of Innovation, Creativity and Change, 3 (3). pp. 89-104.

Daniel, Ryan (2017) Creative and performing arts graduates: a pool of talent and industry insight. Nitro, 9. p. 1.

Daniel, Ryan, and Parkes, Kelly A. (2017) Music instrument teachers in higher education: an investigation of the key influences on how they teach in the studio. International Journal of Teaching and Learning in Higher Education, 29 (1). pp. 33-46.

Daniel, Ryan (2017) The creative industries concept: stakeholder reflections on its relevance and potential in Australia. Journal of Australian Studies, 41 (2). pp. 252-266.

Dillon, Denise B. (2016) The author as the novel self: Shirley Lim's Sister Swing. Asian American Literature: Discourses & Pedagogies, 7. 8. pp. 78-87.

Daniel, Ryan, and Johnstone, Robert (2016) Becoming an artist: exploring the motivations of undergraduate students at a regional Australian University. Studies in Higher Education, 42 (6). pp. 1015-1032.

Daniel, Ryan (2016) Exploring artistic identity and place in society: perspectives and insights from higher education students in Australia. Creative Industries Journal, 9 (1). pp. 15-28.

Deger, Jennifer, and Gurrumuruwuy, Paul (2016) Ringtone. [Creative Work]

Daniel, Ryan, Fleischmann, Katja, Welters, Riccardo, and Millcock, Simon (2015) Regional economic development through creative industries: a research project and partnership between Townsville City Council and James Cook University. In: Presentations from the National Economic Development Conference 2015. pp. 1-52. From: NEDC 2015: National Economic Development Conference 2015, 7-11 September 2015, Moreton Bay, QLD, Australia.

Daniel, Ryan, Fleischmann, Katja, and Welters, Riccardo (2015) Growing the creative industries in Townsville. Report. City of Townsville, Townsville, QLD, Australia.

Daniel, Ryan, and Daniel, Leah (2015) Success in the creative industries: the push for enterprising and entrepreneurial skills. Journal of Australian Studies, 39 (3). pp. 411-424.

Daniel, Ryan, and Parkes, Kelly (2015) The apprentice to master journey: exploring tertiary music instrument teachers' reflections on their experiences as learner. Journal of Arts and Humanities, 4 (3). pp. 52-63.

Daniel, Ryan, and Daniel, Leah (2014) Breaking down barriers: the implementation of work integrated learning strategies to transition creative and performing artists to industry. In: Proceedings of the 2014 Australian Collaborative Education Network National Conference. pp. 12-15. From: ACEN 2014: Australian Collaborative Education Network National Conference: work integrated learning: building capacity, 1-3 October 2014, Tweed Heads, NSW, Australia.

Deger, Jennifer, Gurrumuruwuy, Paul, Yangathu, Fiona, and Mackenzie, David (2014) Blue skirt series [3 x videos: compass, what a feeling, sweet dreams]. [Creative Work]

Deger, Jennifer (2014) Call-and-Response. In: Deger, Jennifer, (ed.) Gapuwiyak calling: phone-made media from Arnhem Land. UQ Anthropology Museum, Brisbane, QLD, Australia.

Deger, Jennifer, Gurrumuruwuy, Paul, Yangathu, Fiona, and MacKenzie, David (2014) Christmas Birrimmbirr: julens ånd blandt aboriginere i Australien [Christmas Spirit among Aborigines in Australia]. [Creative Work]

Deger, Jennifer, Gurrumuruwuy, Paul, Gurruwiwi, Warren Balpatji, Ganambarr, James Bangaliwuy, Wunungmurra, Enid Gurungulmiwuy, Wanambi, Kayleen Djingadjingawuy, Wunungmurra, Meredith Balanydjarrk, and Wyatt, Evan (2014) Gapuwiyak Calling: phone-made media from Arnhem Land. [Creative Work]

Deger, Jennifer (2014) Gapuwiyak calling: phone-made media from Arnhem Land [exhibition catalogue]. UQ Anthropology Museum, Brisbane, QLD, Australia.

Deger, Jennifer (2014) Om at dele julens ånd [Sharing Christmas Spirit]. [Creative Work]

Delante, Nimrod (2013) On Upper Thomson Road, feeling the tug of home. Inquirer.net, 13 August 2013. p. 1.

Deger, Jennifer (2013) Book review of "Michael Riley: sights unseen". Edited by Brenda Croft. National Gallery of Australia. 2007. Oceania, 78 (2). pp. 238-240.

Deger, Jennifer, and Marrawakamirr, Susan (2013) Christmas with Wawa. [Creative Work]

Deger, Jennifer (2013) In-between. In: Schneider, Arnd, and Wright, Christopher, (eds.) Anthropology and Art Practice. Bloomsbury, London, UK, pp. 105-113.

Deger, Jennifer (2013) The jolt of the new: making video art in Arnhem Land. Culture Theory & Critique, 54 (3). pp. 355-371.

Deger, Jennifer (2012) Art + emergence. In: Gilchrist, Stephen, (ed.) Crossing Cultures: the Owen and Wagner collection of contemporary Aboriginal Australian art at the Hood Museum of Art. Hood Museum of Art, Hanover, NH, USA, pp. 74-81.

Deger, Jennifer (2012) My red Yolngu heart. [Creative Work]

Deger, Jennifer (2011) Gularri: that brings unity. [Creative Work]

de la Fuente, Eduardo, and Murphy, Peter (2010) Philosophical and Cultural Theories of Music. Social and Critical Theory, 8 . Brill, Leiden, Netherlands.

F

Furduj, Boris (2019) Virtual orchestration: a film composer's creative practice. PhD thesis, James Cook University.

Forbes, Amy, and Van Rossum, Adrian (2016) Celebrating Townsville: the city's visual history drawn from the JCU art collection. [Creative Work]

Fraser, Jenny, and Szymanski, Adam (2015) Superhighway across the sky - Aboriginal new media arts in Australia: a remix and email conversation between Adam Szymanski and Jenny Fraser. In: Pearson, Wendy Gay, and Knabe, Susan, (eds.) Reverse Shots: Indigenous Film and Media in an International Context. Wilfred Laurier University Press, Waterloo, ON, Canada, pp. 189-197.

Fuary, Maureen (2009) Book Review - Life B'Long Ali Drummond: a Life in the Torres Strait; by Samantha Faulkner, 2007, Aboriginal Studies Press. Aboriginal History, 33. pp. 294-298.

Fuary, Maureen (2001) Book review of "Secret Places: my life in New York and New Guinea" by Tobias Schneebaum, Madison and London: The University of Wisconsin Press. Asia Pacific Journal of Anthropology, 2 (2). pp. 169-171.

Fuary, Maureen (2000) Tales of Torres Strait: the historical novel and localised memories. In: Kleinert , Sylvia, and Neale, Margo, (eds.) Oxford Companion to Aboriginal Art and Culture. Oxford University Press, Melbourne, VIC, pp. 444-447.

Fuary, Maureen (1998) Thinking Cairns and Cambridge: some aspects of the relationship between anthropology and Torres Strait. In: Mosby, Tom, and Robinson, Brian, (eds.) Ilan Pasin: this is our way. Cairns Regional Gallery, Cairns, QLD, Australia, pp. 121-125.

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Gurrumuruwuy, Paul, and Deger, Jennifer (2020) The law of feeling: experiments in a Yolngu museology. In: Lewi, Hannah, Smith, Wally, vom Lehn, Dirk, and Cooke, Steven, (eds.) The Routledge International Handbook of New digital Practices in Galleries, Libraries, Archives, Museums and Heritage Sites. Routledge, Abingdon, Oxon, UK, pp. 335-344.

Glade-Wright, Robyn (2016) Patterns, pleasure, and the age of digital reproduction. International Journal of Designed Objects, 10 (1). pp. 1-10.

Gurrumuruwuy, Paul, Deger, Jennifer, Yangathu, Fiona, and Mackenzie, David (2012) Manapanmirr, in Christmas spirit. [Creative Work]

Gurrumuruwuy, Paul, Yangathu, Fiona, Deger, Jennifer, and Mackenzie, David (2011) Christmas Birrimbirr (Christmas Spirit) [curated exhibition, Darwin 2011]. [Creative Work]

Gurrumuruwuy, Paul, Yangathu, Fiona, Deger, Jennifer, and Mackenzie, David. (2011) Christmas Birrimbirr (Christmas Spirit)[portfolio]. [NTRO Portfolio]

Gurrumuruwuy, Paul, Wanambe, Fiona Y., Deger, Jennifer, and Mackenzie, David (2011) Christmas Birrimbirr: Christmas Spirit [installation artwork]. [Creative Work]

Gallagher, Donat (2011) Guy Crouchback's disillusion: Crete, Beevor, and the Soviet alliance in Sword of Honour. In: Gallagher, Donat, Slater, Ann Pasternak, and Wilson, John Howard, (eds.) A Handful of Mischief: new essays on Evelyn Waugh. Farileigh Dickinson University Press. Co-published with Rowman & Littlefield Publishing Group, Plymoutn, UK, pp. 172-219.

Gallagher, Donat, Slater, Ann Pasternak, and Wilson, John Howard (2011) A Handful of Mischief: new essays on Evelyn Waugh. Farileigh Dickinson University Press. Co-published with Rowman & Littlefield Publishing Group, Plymouth, UK .

Gallagher, Donat (2011) Was Evelyn Waugh in danger of being shot by his men? Evelyn Waugh Newsletter and Studies, 41 (3). pp. 13-16.

Gallagher, Donatus (2010) 'I am Trimmer, you know...' Lord Lovat in Evelyn Waugh's Sword of Honour. Evelyn Waugh Newsletter and Studies, 41 (2). pp. 2-6.

Gallagher, Donat (2009) Graham Greene and Evelyn Waugh. Defendant: newsletter of the Australian Chesterton Society, 16 (4:63). pp. 7-8.

Gallagher, Donatus (2009) Court of inquiry: additional Waugh bibliography. Evelyn Waugh Newsletter and Studies, 40 (2).

Gurrumuruwuy, David Bukulatjpi, Deger, Jennifer, and Marrawakamirr, Susan (2009) Djalkiri #1 and #2. [Creative Work]

Gallagher, Donat (2008) "Beefsteak Mind" and "Greatest Sonneteer since Shakespeare": Evelyn Waugh, Marie Stopes and Lord Alfred Douglas. Evelyn Waugh Newsletter and Studies, 39 (1). - .

Gallagher, Donat (2007) Additional Waugh bibliography. Evelyn Waugh Newsletter and Studies, 38 (2). - .

Gallagher, Donat (2007) Inventing invention: Alan Munton, sword of honour and the invention of disillusion. Evelyn Waugh Newsletter and Studies, 37 (3). - .

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Hansen, Claire (2019) “Tongues in trees”: reimagining the regions through pastoral place-based pedagogy. Text (Special Issue 54).

Hurdley, Rachel, Biddulph, Mike, Backhaus, Vincent, Hipwood, Tara, and Hossain, Rumana (2017) Drawing as radical multimodality: salvaging Patrick Geddes's material methodology. American Anthropologist, 119 (4). pp. 748-753.

Hansen, Claire (2017) Vivacious and unapologetic, The Rover's 17th-century feminism is painfully pertinent. The Conversation, 6 July 2017.

Hoey, Molly (2015) The failure to act: acting subjects and passive bodies in transgressive fiction. Journal of Comparative Media Arts, 2015. pp. 1-16.

Hansen, Claire (2014) Henry V meets the London Blitz and brings the house down. The Conversation, 16 June 2014.

Hansen, Claire (2014) Review: love and war in All’s Well That Ends Well. The Conversation, 01 April 2014.

Hansen, Claire (2014) Hugo Weaving reveals Macbeth's weakness – and his unhappiness. The Conversation, 30 July 2014.

Hansen, Claire (2014) To b-day, or not to b-day: what a piece of work is Shakespeare. The Conversation, 23 April 2014.

Hawthorne, Susan (1992) The Falling Woman. Spinifex Press, Melbourne, VIC, Australia.

Hawthorne, Susan (1989) The politics of the exotic: the paradox of cultural voyerism. NWSA Journal, 1 (4). pp. 617-629.

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Joyce, Renée Elizabeth (2017) The butterfly pin: the phenomenon of object-based collecting in Australian contemporary artistic practice. PhD thesis, James Cook University.

Johnstone, Robert (2015) Busking the digital highway: the aesthetics of the exabyte. Knowledge Cultures, 3 (3). pp. 93-111.

Johnstone, Robert (2013) Creating a coral symphony: sound art and sonification. Etropic: electronic journal of studies in the tropics, 12 (2). pp. 191-196.

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Kuttainen, Victoria (2017) This is rape culture, ladies and gentlemen. Etropic: electronic journal of studies in the tropics, 16 (2).

Kuttainen, Victoria (2017) Illustrating mobility: networks of visual print culture and the periodical contexts of modern Australian writing. Journal of the Association for the Study of Australian Literature, 17 (2).

Kelso, Sylvia (2011) Thawing the frost garden: Komarr, by Lois McMaster Bujold. In: Broderick, Damien, and Ikin, Van, (eds.) Warriors of the Tao: the best of science fiction: a review of speculative literature. Wildside Press, Rockville, MD, USA, pp. 42-47.

Klein, Renate, and Hawthorne, Susan (1991) Angels of power and other reproductive creations. Spinifex Press, Melbourne, VIC, Australia.

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Lowe, Sebastian J., and Crawford, Peter I. (2018) Filming Ng ā Taonga Pūoro: the potential of experimental film in anthropological and ethnomusicological enquiry. Sites: A Journal of Social Anthropology and Cultural Studies, 15 (1). pp. 120-142.

Levine, Brett Murray (2017) Between intentionality and reception: the politics of curatorial intervention. PhD thesis, James Cook University.

Larsen, Eileen, and Daniel, Ryan (2016) Building resilience in visual artists. NiTRO, 26 September 2016.

Le Roux, Geraldine (2016) Transforming representations of marine pollution. For a new understanding of the artistic qualities and social values of ghost nets. Anthrovision, 4 (1). pp. 1-20.

Lane, Richard (2015) The intuitive landscape. [Creative Work]

Lord, Anne (2015) Empowering with image: arts based practice. Qualitative Research Journal, 15 (3). pp. 351-372.

Lansdown, Richard (2009) Romantic aftermaths. In: Pierce, Peter, (ed.) The Cambridge History of Australian Literature. Cambridge University Press, Melbourne, VIC, Australia, pp. 118-136.

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Milledge, Russell, and Law, Lisa (2020) State of the arts in Cairns report 2019 (SoARTS). External Commissioned Report. Cairns Regional Council, Cairns.

Menadue, Christopher Benjamin (2018) Farewell Ursula Le Guin – the One who walked away from Omelas. The Conversation, 25 January 2018.

Menadue, Christopher B. (2018) Cities in flight: a descriptive examination of the tropical city imagined in twentieth century science fiction cover art. Etropic: electronic journal of studies in the tropics, 17 (2). pp. 62-82.

McDowall, Ailie, and Ramos, Fabiane (2018) Doing decoloniality in the Writing Borderlands of the PhD. Australian Journal of Indigenous Education, 47 (1). pp. 54-63.

Menadue, Christopher B. (2017) Proximal Reading: a network-scaled approach to digital literature analysis. In: [Presented at the CASE HDR Conference 2017]. From: CASE HDR Conference 2017: Intersecting Fields, 30-31 October 2017, Townsville, QLD, Australia.

Murphy, Peter (2017) Design research: aesthetic epistemology and explanatory knowledge. She Ji: The Journal of Design, Economics, and Innovation, 3 (2). pp. 117-132.

Menadue, Christopher Benjamin, and Cheer, Karen Diane (2017) Human culture and science fiction: a review of the literature, 1980-2016. SAGE Open, 7 (3). pp. 1-15.

Murphy, Peter (2017) Topological creation and the homoeomorphic imagination. In: Dinesen, Cort Ross, Hyams, Inger Berling, Meldgaard, Morten, Michelsen, Anders, and Oxvig, Henrik, (eds.) Architecture Drawing Topology. Spurbuchverlag, Baunach, Germany, pp. 235-246.

Menadue, Christopher B. (2017) Trysts tropiques: the torrid jungles of science fiction. Etropic: electronic journal of studies in the tropics, 16 (1). pp. 125-140.

McKenzie, Laurel (2017) Venus rising, Furies raging: bodies redressed in contemporary visual art. PhD thesis, James Cook University.

Menadue, Christopher B. (2016) Through a lens, brightly: how the worldview of science fiction reflects the spirit of the age. In: [Presented at Digital Humanities@JCU, 2016]. From: Digital Humanities@JCU, November 3, 2016, James Cook University.

Murphy, Peter W. (2016) Combination, collaboration and creation: the case of Jasper Johns. In: Bacharach, Sondra, Fjærestad, S.B., and Booth, J.N., (eds.) Collaborative Art in the Twenty-First Century. Routledge, New York, NY, USA, pp. 179-186.

Murphy, Peter, and de la Fuente, Eduardo (2014) Introduction: aesthetic capitalism. In: Murphy, Peter, and de la Fuente, Eduardo, (eds.) Aesthetic Capitalism. Brill, Boston, MA, USA, pp. 1-9.

Murphy, Peter (2014) The aesthetic spirit of modern capitalism. In: Murphy, Peter, and de la Fuente, Eduardo, (eds.) Aesthetic Capitalism. Social and Critical Theory, 15 . Brill, Boston, MA, USA, pp. 47-62.

Marles, Janet Elizabeth (2013) AUTO/BIOGRAPHICAL ethics: the case of The Shoebox. Auto/Biography Studies, 28 (2). pp. 192-211.

Mac Donald, Terri (2013) Living with the enemy. PhD thesis, James Cook University.

Middleton, Craig (2013) The use of cinematic devices to portray mental illness. Etropic: electronic journal of studies in the tropics, 12 (2). pp. 180-190.

Milledge, Russell (2012) The new Melanesian art of Brian Robinson. In: Mitchell, Beverley, (ed.) Brian Robinson: men and Gods. KickArts Contemporary Arts, Cairns, QLD, pp. 55-81.

Murphy, Peter (2012) The Collective Imagination: the creative spirit of free societies. Ashgate, Farnham, UK.

Murphy, Peter (2012) Winking at the State: social drama and multicultural claustrophobia. In: Besley, Tina, and Peters, Michael A., (eds.) Interculturalism, Education and Dialogue. Global Studies in Education, 13 . Peter Lang, New York, USA, pp. 65-75.

Murphy, Peter (2011) Combination, collaboration and creation: the case of Jasper Johns. Colloquy, 22. pp. 130-138.

Murphy, Peter (2011) 'I and I': collaboration and the double act of musical creation. Musicology Australia, 33 (2). pp. 175-184.

Milledge, Russell, and Youdell, Rebecca (2011) Collective Future: a consultation with the the Creative and Cultural Sector in Cairns 2011. Report. UNSPECIFIED, Cairns, QLD. (Unpublished)

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Mercer, Sabine (2011) Truth and lies in Umberto Eco's Baudolino. Philosophy and Literature, 35 (1). pp. 16-31.

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