Publications by: Kirsty Gillespie

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Number of items: 35.

Gillespie, Kirsty (2018) The ethnomusicologist at the rock face: reflections on working at the nexus of music and mining. In: Post, Jennifer C., (ed.) Ethnomusicology: a contemporary reader. Routledge, New York, NY, USA, pp. 81-96.

Gillespie, Kirsty, Treloyn, Sally, and Niles, Don (2017) A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild. ANU Press, Canberra, ACT, Australia.

Gillespie, Kirsty, Treloyn, Sally, and Niles, Don (2017) Festschrift background and contents. In: Gillespie, Kirsty, Treloyn, Sally, and Niles, Don, (eds.) A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild. ANU Press, Canberra, ACT, Australia, pp. 31-38.

Gillespie, Kirsty (2017) Protecting our shadow: repatriating ancestral recordings to the Lihir Islands, Papua New Guinea. In: Gillespie, Kirsty, Treloyn, Sally, and Niles, Don, (eds.) A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild. ANU Press, Canberra, ACT, Australia, pp. 355-374.

Gillespie, Kirsty, Treloyn, Sally, Woo, Kim, and Niles, Don (2017) Stephen A. Wild: a distinctive voice in the antipodes. In: Gillespie, Kirsty, Treloyn, Sally, and Niles, Don, (eds.) A Distinctive Voice in the Antipodes: Essays in Honour of Stephen A. Wild. ANU Press, Canberra, ACT, Australia, pp. 1-30.

Gillespie, Kirsty (2016) Book review of "Tracing the Melanesian Person: emotions and relationships in Lihir" by S.R. Hemer, Adelaide, SA, University of Adelaide Press, 2013. ISBN: 978-1-922064-44-8. The Asia Pacific Journal of Anthropology, 17 (1). pp. 87-88.

Gillespie, Kirsty (2016) Musical landscapes of Lihir: exploring performance and place in a museum exhibition. Perfect Beat, 17 (1). pp. 9-24.

Gillespie, Kirsty (2016) We will not sit down: exploring agency through Christian music at Lake Kopiago, Papua New Guinea. In: Magowan, Fiona, and Schwartz, Carolyn, (eds.) Christianity, Conflict and Renewal in Australia and the Pacific. International Studies in Religion and Society, 26 . Brill, Leiden, Netherlands, pp. 215-231.

Gillespie, Kirsty, and Lilley, Ian (2015) Transformations, transactions and technologies: new directions in Pacific heritage. International Journal of Heritage Studies, 21 (2). pp. 115-116.

Gillespie, Kirsty (2014) Book review of "Andrew Goldie in New Guinea 1875-1879: Memoir of a natural history collector" by S. Mullins, M. Bellamy and C. Moore (eds), in Memoirs of the Queensland Museum: Culture 6. Brisbane, QLD, Australia, Queensland Museum, 2012. ISSN: 1-4404-788. Queensland Review, 21 (1). pp. 114-115.

Gillespie, Kirsty (2014) Garamut. In: Libin, Laurence, (ed.) The Grove Dictionary of Musical Instruments. Oxford University Press, Oxford, UK, p. 394.

Gillespie, Kirsty (2014) Kundu. In: Libin, Laurence, (ed.) The Grove Dictionary of Musical Instruments. Oxford University Press, Oxford, UK, p. 230.

Gillespie, Kirsty (2014) Mining and language change in the Lihir Islands. Language and Linguistics in Melanesia, 32 (2). pp. 110-117.

Gillespie, Kirsty (2014) Pilipe. In: Libin, Laurence, (ed.) The Grove Dictionary of Musical Instruments. Oxford University Press, Oxford, UK, p. 110.

Niles, Don, and Gillespie, Kirsty (2014) Taur. In: Libin, Laurence, (ed.) The Grove Dictionary of Musical Instruments. Oxford University Press, Oxford, UK, p. 722.

Gillespie, Kirsty, and Hoenigman, Darja (2013) Laments and relational personhood: case studies from Duna and Awiakay societies of Papua New Guinea. Humanities Research, 19 (3). pp. 97-110.

Gillespie, Kirsty (2013) Ethnomusicology and the mining industry: a case study from Lihir, Papua New Guinea. Musicology Australia, 35 (2). pp. 178-190.

Gillespie, Kirsty (2013) Re-visioning the impact of missions on music in Papua New Guinea. In: Proceedings of the New Zealand Musicological Society and the Musicological Society of Australia Joint Conference, pp. 98-104. From: Joint Conference of the New Zealand Musicological Society and the Musicological Society of Australia, 2-4 December 2010, Dunedin, New Zealand.

Gillespie, Kirsty (2012) Book review of "Songs from the Second Float: a musical ethnography of Taku Atoll, Papua New Guinea" by R. Moyle. Honolulu, University of Hawai'i Press, 2007. ISBN 978-0-8248-3175-2. The World of Music, 1 (1). pp. 147-148.

Gillespie, Kirsty (2012) Book review of "The Tuma Underworld of Love: erotic and other narrative songs of the Trobriand Islanders and their spirits of the dead" by G. Senft. Amsterdam, John Benjamins Publishing company, 2011. IBSN 978-90-272-0287-1. Journal of Polynesian Society, 121 (1). pp. 93-95.

Gillespie, Kirsty, and Bainton, Nicholas A. (2012) Coming out of the stone: dangerous heritage and the death of the Twinhox band. Yearbook for Traditional Music, 44. pp. 71-86.

Bainton, Nicholas A., Ballard, Chris, and Gillespie, Kirsty (2012) The end of the beginning? Mining, sacred geographies, memory and performance in Lihir. Australian Journal of Anthropology, 23. pp. 22-49.

Gillespie, Kirsty (2011) Book review of "Recounting Knowledge in Song: change reflected in Kaulong music" by B. Drüppel. Boroko, Port Moresby, Institute of Papua New Guinea Studies, 2009. ISBN: 978-9980680426. Oceania, 81 (1). pp. 110-111.

Gillespie, Kirsty (2011) Multimedia review of "Music of the ancestors: a study of the traditional instrumental music of the Iatmul of Papua New Guinea" by G. Spearritt. Brisbane, Australia, Gordon Spearritt, 2009. ISBN 978-0-646-52536-5. Yearbook for Traditional Music, 43. pp. 274-275.

Gillespie, Kirsty (2011) Music review of "Songs from the Second Float: music from the island of Taku" by R. Moyle, Ode Music, 2005. Journal of American Folklore, 124 (491). pp. 97-98.

Gillespie, Kirsty (2010) Book review of "Recounting Knowledge in Song: change reflected in Kaulong music" by B. Drüppel, Boroko, Papua New Guinea, Institute of Papua New Guinea, 2009. ISBN: 9789980680426. Yearbook for Traditional Music, 42. pp. 203-204.

Gillespie, Kirsty (2010) Giving women a voice: Christian songs and female expression at Kopiago, Papua New Guinea. Perfect Beat, 11 (1). pp. 7-24.

Gillespie, Kirsty (2010) Steep Slopes: music and change in the highlands of Papua New Guinea. ANU Press, Canberra, ACT, Australia.

Taylor, Timothy D., and Gillespie, Kirsty (2009) On identity – contemporary music research in the Asia-Pacific region: introduction. The Asia Pacific Journal of Anthropology, 10 (2). pp. 75-79.

Gillespie, Kirsty (2008) Book review of "Na Kkai Taku: Taku’s musical fables" by R. Moyle, Boroka, Papua New Guinea, Institute of Papua New Guinea Studies, 2003. ISBN: 9789980680433 and "Guitar Style, Open Tunings, and Stringband Music in Papua New Guinea" by D. Crowdy, Boroko, Papua New Guinea, Institute of Papua New Guinea Studies, 2005. ISBN: 9789980680501. Ethnomusicology, 52 (1). pp. 125-129.

Gillespie, Kirsty (2008) Music review of "Dema - Music of the Marind Anim: the Verschueren Collection, 1962" by F. Gales and R. Spoorman, Amsterdam, Netherlands, PAN Records, 2008. Yearbook for Traditional Music, 40. pp. 196-197.

Gillespie, Kirsty (2008) Music review of "Songs of the Volcano: Papua New Guinea stringbands" by B. Brozman, Sydney, Australia, Bob Brozman, 2005. The Asia Pacific Journal of Anthropology, 9 (2). pp. 173-174.

Gillespie, Kirsty (2007) Laip senis: music and encounter in a Papua New Guinean community. In: Moyle, Richard, (ed.) Oceanic music encounters: The print resource and the human resource: Essays in honour of Mervyn McLean. Research in anthropology and linguistics (7). University of Auckland, Auckland, New Zealand, pp. 69-80.

Gillespie, Kirsty (2005) Book review of "Bright Balkan Morning: Romani lives and the power of music in Greek Macedonia" by Blau et al. Middletown, CT, Wesleyan University Press. IBSN: 978-0-8195-6488-7. The Asia Pacific Journal of Anthropology, 6 (2). pp. 181-183.

Gillespie, Kirsty (2005) Book review of "Na Kkai Taku: Taku’s musical fables" by R.M. Moyle, Boroko, Papua New Guinea, Institute of Papua New Guinea Studies, 2003. ISBN: 9980-68-043-1. Asia Pacific Journal of Anthropology, 6 (3). pp. 272-274.

This list was generated on Thu Dec 13 16:50:41 2018 AEST.