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Group by: Creators | Item Type
Number of items at this level: 80.

Article

Menadue, Christopher B. (2018) Cities in flight: a descriptive examination of the tropical city imagined in twentieth century science fiction cover art. Etropic: electronic journal of studies in the tropics, 17 (2). pp. 62-82.

Fleischmann, Katja, and Mann, Robert H. (2018) Women on walls: the female subject in modern graffiti art. eTropic: electronic journal of studies in the tropics, 17 (2). pp. 83-109.

Vavrova, Daniela (2018) The rocking of canoe and custom: shifts in Ambonwari's perception of invisible realm, secrecy and village hierarchy. Journal de la Societe des Oceanistes, 146. pp. 55-62.

Vavrova, Daniela (2017) Review of "River Nomads" by Eric Komlavi Hahonou. Komlavi Consult, 2016. Global Ethnographic, May (1). pp. 1-3.

Vavrova, Daniela (2015) Book review of "Transcultural Montage" by Suhr, Christian and Rane Willersley (eds.). New York, Berghahn Books, 2013. ISBN: 978-0-8574-5964-0. Anthropological Notebooks, 21 (1). pp. 152-153.

Porter, Glenn, Ebeyan, Robert, Crumlish, Charles, and Renshaw, Adrian (2015) A novel method for the photographic recovery of fingermark impressions from ammunition cases using digital imaging. Journal of Forensic Sciences, 60 (2). pp. 418-421.

Vávrová, Daniela (2014) Cinema in the bush. Visual Anthropology, 27 (1-2). pp. 25-44.

Ebner, Brendan C., Starrs, Danswell, Morgan, David L., Fulton, Christopher J., Donaldson, James A., Doody, J. Sean, Cousins, Stephen, Kennard, Mark, Butler, Gavin, Tonkin, Zeb, Beatty, Stephen, Broadhurst, Ben, Clear, Rhian, Lintermans, Mark, and Fletcher, Cameron S. (2014) Emergence of field-based underwater video for understanding the ecology of freshwater fishes and crustaceans in Australia. Journal of the Royal Society of Western Australia, 97. pp. 287-296.

Porter, Glenn (2013) Images as evidence. Precedent, 119 (Nov/Dec). pp. 38-42.

Deger, Jennifer (2013) Book review of "Michael Riley: sights unseen". Edited by Brenda Croft. National Gallery of Australia. 2007. Oceania, 78 (2). pp. 238-240.

Brown, Adam (2012) Time travel on the instalment plan: The index and future form in building. Philosophy of Photography, 3 (1). pp. 141-153.

Weaver, Roslyn, Salamonson, Yenna, Koch, Jane, and Porter, Glenn (2012) The CSI effect at university: forensic science students' television viewing and perceptions of ethical issues. Australian Journal of Forensic Sciences, 44 (4). pp. 381-391.

Farrar, Andrew, Porter, Glenn, and Renshaw, Adrian (2012) Detection of latent bloodstains beneath painted surfaces using reflected infrared photography. Journal of Forensic Sciences, 57 (5). pp. 1190-1198.

Porter, Glenn, and Kennedy, Michael (2012) Photographic truth and evidence. Australian Journal of Forensic Sciences, 44 (2). pp. 183-192.

Porter, Glenn (2012) Zak coronial inquest and the interpretation of photographic evidence. Current Issues in Criminal Justice, 24 (1). pp. 39-49.

Deger, Jennifer (2011) Constellations of us: backstories to a bark TV. Journal of Australian Studies, 35 (2). pp. 219-234.

Fleischmann, Katja (2011) Lettering and signage in the urban environment of North Queensland's capital: tropical flair or univernacular? Etropic: electronic journal of studies in the tropics, 10. pp. 83-95.

Vanderwee, Jana, Porter, Glenn, Renshaw, Adrian, and Bell, Michael (2011) The investigation of a relative contrast index model for fingerprint quantification. Forensic Science International, 204 (1-3). pp. 74-79.

Porter, Glenn (2011) A new theoretical framework regarding the application and reliability of photographic evidence. The International Journal of Evidence & Proof, 15 (1). pp. 26-61.

Craven, Allison, and Mann, Christopher (2010) The girl with the bush knife: women, adventure and the tropics in Age of Consent and Nim's Island. Etropic: electronic journal of studies in the tropics, 9. pp. 1-11.

Edmond, Gary, Kemp, Richard, Porter, Glenn, Hamer, David, Burton, Mike, Biber, Katherine, and San Roque, Mehera (2010) Atkins v The Emperor: the 'cautious' use of unreliable 'expert' opinion. The International Journal of Evidence & Proof, 14 (2). pp. 146-165.

Vavrova, Daniela (2010) Book review of "The Tactile Eye: touch and the cinematic experience" by Jennifer M. Barker, University of California Press, Berkeley. Anthropological Notebooks, 16 (2). pp. 78-79.

Vavrova, Daniela Rachel (2010) Review article of "Cinema: a visual antrhopology" by G. Gray. Oxford, UK, Berg, 2010. ISBN: 978-1-84520-794-6 and "Observational cinema: anthropology, film, and the exploration of social life" by A. Grimshaw and A. Ravetz. Bloomington, Indiana University Press. ISBN: 978-0-253-22158-2. Berg & Grimshaw, Anna and Amanda Ravetz. 2009. Observational Cinema. Anthropology, Film, and the Exploration of Social Life. Bloomington: Indiana University Press. Anthropological Notebooks, 16 (3). pp. 147-150.

Morrison, Ben, Wiggins, Mark, and Porter, Glenn (2010) User preference for a control-based reduced processing decision support interface. International Journal of Human-Computer Interaction, 26 (4). pp. 297-316.

Porter, Glenn (2009) CCTV images as evidence. Australian Journal of Forensic Sciences, 41 (1). pp. 11-25.

Edmond, Gary, Biber, Katherine, Kemp, Richard, and Porter, Glenn (2009) Laws looking glass: expert identification evidence derived from photographic and video images. Current Issues in Criminal Justice, 20 (3). pp. 337-377.

Deger, Jennifer (2009) Review of "Fragments of the Owl's Egg" directed by Kim McKenzie, 38 mins., produced by Warddeken Productions, 2006. Visual Anthropology, 23 (1). pp. 62-64.

Deger, Jennifer (2008) Imprinting on the heart: photography and contemporary Yolngu mournings. Visual Anthropology, 21 (4). pp. 292-309.

Craven, Allison (2008) Tropical gothic: radiance revisited. Etropic: electronic journal of studies in the tropics, 7. - .

McKechnie, Michelle L., Porter, Glenn, and Langlois, Neil (2008) The detection of latent residue tattoo ink pigments in skin using invisible radiation photography. Australian Journal of Forensic Sciences, 40 (1). pp. 65-72.

Humphreys, Jill D., Porter, Glenn, and Bell, Michael (2008) The quantification of fingerprint quality using a relative contrast index. Forensic Science International, 178 (1). pp. 46-53.

Porter, Glenn (2007) Visual culture in forensic science. Australian Journal of Forensic Sciences, 39 (2). pp. 81-91.

Deger, Jennifer (2005) Book Review: "Timothy Asch and Ethnographic Film" edited by E. Lewis, London and New York, Routledge, 2004. ISBN: 0-415-32774-1. The Australian Journal of Anthropology, 16 (2). pp. 266-268.

Goon, Patricia, and Craven, Allison (2003) Whose debt?: Globalisation and whitefacing in Asia. Intersections: Gender, History and Culture in the Asian Context, 9.

Porter, Glenn, and Doran, Greg (2000) An anatomical and photographic technique for forensic facial identification. Forensic Science International, 114 (2). pp. 97-105.

Book Chapter

Craven, Allison (2018) Feminism. In: Greenhill, Pauline, Rudy, Jill Terry, Hamer, Naomi, and Bosc, Lauren, (eds.) Routledge Companion to Media and Fairy-Tale Cultures. Routledge Media and Cultural Studies Companions . Routledge (Taylor & Francis), New York, NY, USA, pp. 65-73.

Deger, Jennifer (2017) Curating digital resonance. In: Hjorth, Larissa, Horst, Heather, Galloway, Anne, and Bell, Genevieve, (eds.) The Routledge Companion to Digital Ethnography. Routledge Companions . Routledge, New York, NY, USA, pp. 318-328.

Vávrová, Daniela (2017) Sharing the visible and invisible domains of lived experiences with the Ambonwari of Papua New Guinea. In: Gair, Susan, and van Luyn, Ariella, (eds.) Sharing Qualitative Research: showing lived experience and community narratives. Routledge Advances in Research Methods, 21 . Routledge, Abingdon, Oxon, UK, pp. 130-149.

Deger, Jennifer (2016) BarkTV: portrait of an innovator. In: Hinkson, Melinda, (ed.) Imaging Identity: media, memory and portraiture in the digital age. ANU Press, Canberra, ACT, Australia, pp. 117-140.

Deger, Jennifer (2016) Christmas with Wawa: a video experiment with Yolngu aesthetics. In: Cox, Rupert, Irving, Andrew, and Wright, Christopher, (eds.) Beyond Text? Critical practices and sensory anthropology. Manchester University Press, Manchester, UK, pp. 163-169.

Porter, Glenn (2014) Forensic photography. In: Rennie, John, (ed.) McGraw-Hill Education Yearbook of Science and Technology 2014. McGraw-Hill, New York, NY, USA, pp. 124-129.

Porter, Glenn (2013) Photography and optical enhancement of physical evidence. In: Jamieson, Allan, and Moenssens, Andre A., (eds.) Wiley Encyclopedia of Forensic Science. Wiley-Blackwell, Chichester, UK, pp. 1-20.

Deger, Jennifer (2011) Participatory vision: watching movies with Yolngu. In: Nightingale, Virginia, (ed.) The Handbook of Media Audiences. Global Handbooks in Media and Communication Research . Wiley-Blackwell, London, UK, pp. 459-471.

Bukulatjpi, David Gurrumburuwuy, Deger, Jennifer, and Marrawakamirr, Susan (2009) Djalkiri. In: Deger, Jennifer, (ed.) interventions: experiments between art and ethnography. Macquarie University, Sydney, NSW, Australia, pp. 34-35.

Deger, Jennifer (2009) Making interventions. In: Deger, Jennifer, (ed.) Interventions: Experiments between art and ethnography. Macquarie University, Sydney, NSW, Australia, pp. 1-9.

Porter, Glenn (2009) Photography: marks, impressions, and documents. In: Jamieson, Allan, and Moenssens, Andre, (eds.) Wiley Encyclopedia of Forensic Science. Wiley-Blackwell, pp. 2036-2056.

Hiddlestone, Janine (2007) Drawing the line. In: Wilson, Leah, (ed.) Grey's Anatomy 101: Seattle Grace, unauthorized. BenBella Books Inc, Dallas, Texas, USA, pp. 79-90.

Hiddlestone, Janine (2007) Mothers, daughters and Gilmore Girls. In: Crusie, Jennifer, and Wilson, Leah, (eds.) Coffee at Luke's: an unauthorized Gilmore Girls gabfest. BenBella Books, Dallas, Texas, USA, pp. 31-42.

Ferguson, Kathryn (2007) Submerged realities: shark documentaries at depth. In: Messier, Vartan P., and Batra, Nandita, (eds.) This Watery World: humans and the sea. College English Association - Caribbean Chapter Publications, Mayaguez, Puerto Rico, pp. 107-122.

Hiddlestone, Janine (2006) Is Halo doom-ed? In: Yeffeth, Glenn, and Thomason, Jennifer, (eds.) Halo Effect: an unauthorized look at the most successful video game of all time. Smart Pop Series . BenBella Books, Dallas, Texas, USA, pp. 97-108.

Report

Potter, Martin (2012) Participatory Media in Cambodia: an exploration of relational film, documentary and art. Report. Asialink, Melbourne, VIC, Australia.

Conference Item

Potter, Martin, and Louth, Jonathon (2017) Stories from the White Building: storytelling and the production of space. In: Abstracts from Geomedia 2017. p. 46. From: Geomedia 2017: Spaces in Between, 9-12 May 2017, Karlstad, Sweden.

Fleischmann, Katja (2013) Flickr & Co. – a new studio? In: Locations of Practice, Sites for Creativity: From the Studio to the Cloud. From: ACUADS 2013: Australian Council of University Art and Design Schools Conference, 25 –27 September 2013, Sydney, NSW, Australia.

Goodwin, Mitch (2012) Developing 1st year research environments & creative profiles using Web 2.0 technologies. In: Flexible learning in the tropics – current and future directions. From: Flexible learning in the tropics – current and future directions, May 30th 2012, James Cook University, Townsville, Australia.

Goodwin, Mitch (2011) Culture jamming: disrupting the (information) flow. In: Young Artist Development Program 2011 . pp. 1-61. From: Artiz 2011, 28 June - 1 July, Townsville, QLD, Australia.

Browning, D., Benckendorff, P., and Bidwell, N. (2008) Capturing visitor experiences using egocentric POV video. In: NHTV Expertise Series (8) pp. 86-116. From: Voices in Tourism Development: creating spaces for tacit knowledge and innovation, 3-5 November 2008, Breda, Netherlands.

Browning, David, Bidwell, Nicola J., Madden, Dianna, and Standley, P-M (2008) Rural encounters: cultural translations through video. In: Proceedings of the 20th Australasian Computer Human Interaction Conference 2008. pp. 148-155. From: 20th Australasian Computer Human Interaction Conference 2008, 8-12 December 2008, Cairns, QLD, Australia.

Bidwell, Nicola J., Standley, Peta-Marie, George, Tommy, and Steffensen, Victor (2008) The landscape's apprentice: lessons for place-centred design from grounding documentary. In: Proceedings of the 7th ACM Conference on Designing Interactive Systems. pp. 88-98. From: 7th ACM Conference on Designing Interactive Systems, 25-27 February 2008, Cape Town, South Africa.

Broderick, Kathleen, and Ferguson, Kathryn (2007) Postcards from the edge. In: Papers from Australia ICOMOS Extreme Heritage Conference. pp. 1-17. From: Australia ICOMOS Extreme Heritage Conference, 19-21 July 2007, Cairns, QLD.

Leug, Christopher P., Goth, Christoph, and Bidwell, Nicola J. (2006) Learning from insects? Toward supporting reflective exploration of unfamiliar areas of interest. In: Proceedings of the 7th Annual Conference of the NZ ACM Special Interest Group (158) pp. 91-97. From: 7th Annual Conference of the NZ ACM Special Interest Group, 6-7 July 2006, Christchurch, New Zealand.

Bidwell, Nicola J., and Browning, David (2006) Making there: methods to uncover egocentric experience in a dialogic of natural places. In: Proceedings of the 18th Conference of the Australian Computer-Human Interaction (206) pp. 229-236. From: OZCHI 2006: annual conference of the Australian computer-human interaction special interest group , 20-24 November 2006, Sydney, NSW, Australia.

Deger, Jennifer (2006) Potent images: emergent practices and shifting attitudes towards photographs of the dead in Arnhem Land. In: [Presented at the 2006 Bilan du Film Ethnographique]. From: Bilan du Film Ethnographique: From Ethnological Films to Visual Anthropology, 1 March 2006, Paris, France.

Book

Craven, Allison (2017) Fairy Tale Interrupted: feminism, masculinity, wonder cinema. Peter Lang, Bern, Switerland.

Spicer, Chrystopher (2012) Clark Gable In Pictures: candid images of the actor's life. McFarland & Company, Jefferson, North Carolina.

Spicer, Chrystopher J. (2002) Clark Gable: biography, filmography, bibliography. McFarland & Company, Jefferson, North Carolina.

Thesis

Mohamed, Mohamed Nazir Riad (2017) Influence of virtual world end-user motives on social capital. PhD thesis, James Cook University.

Vávrová, Daniela (2014) 'Skin has eyes and ears': audio-visual ethnography in a Sepik society. PhD thesis, James Cook University.

Gauld, Robin D. (2013) Photography in higher education and industry in Australia: a mixed methods study to explain the alignment between the sectors. PhD thesis, James Cook University.

Spowart, Douglas Ronald (2011) Self-publishing in the digital age: the hybrid photobook. PhD thesis, James Cook University.

Artefact

Goodwin, Mitch (2012) Screen Culture.

Goodwin, Mitch (2011) Glitch Series.

Goodwin, Mitch (2011) Dark Euphoria: Unclassified Media [Website].

Show/Exhibition

Goodwin, Mitch (2011) Dark Euphoria: Unclassified Media Exhibition.

Video

Goodwin, Mitch (2011) Vonnegut's Firefight Fuzz Box.

UNSPECIFIED (2009) Ngat is dead: studying mortuary traditions.

Creative Work

Otto, Ton (2014) Lives of the dead. [Creative Work]

Marrawungu, Susan Marrawakamirr, Marrawungu, Dorothy Garraltjawuy , and Deger, Jennifer (2013) Susan Marrawakamirr Marrawungu and Dorothy Garraltjawuy Marrawungu. In: Pinchbeck, Cara, (ed.) Yirrkala Drawings. Art Gallery of New South Wales, Sydney, NSW, Australia, pp. 78-79.

Gurrumuruwuy, Paul, Wanambi, Fiona Y., Deger, Jennifer, and Mackenzie, David (2011) Christmas Birrimbirr: Christmas Spirit [exhibition catalogue]. Miyarrka Media and Chan Contemporary Art Space, Darwin, NT, Australia.

Other

Potter, Martin, and Ilana, Nadira (2016) Big Stories, Small Towns: Bongkud-Namaus, Sabah, Malaysia. Big Stories Co., Australia.

Potter, Martin, and Koam, Chanrasmey (2011) Big Stories, Small Towns: Banlung, Ratanakiri, Cambodia. Big Stories Co., VIC, Australia.

This list was generated on Mon Aug 19 22:58:32 2019 AEST.