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Brown, Adam (2012) Time travel on the instalment plan: The index and future form in building. Philosophy of Photography, 3 (1). pp. 141-153.
Bukulatjpi, David Gurrumburuwuy, Deger, Jennifer, and Marrawakamirr, Susan (2009) Djalkiri. In: Deger, Jennifer, (ed.) interventions: experiments between art and ethnography. Macquarie University, Sydney, NSW, Australia, pp. 34-35.
Browning, D., Benckendorff, P., and Bidwell, N. (2008) Capturing visitor experiences using egocentric POV video. In: NHTV Expertise Series (8), pp. 86-116. From: Voices in Tourism Development: creating spaces for tacit knowledge and innovation, 3-5 November 2008, Breda, Netherlands.
Browning, David , Bidwell, Nicola J., Madden, Dianna, and Standley, P-M (2008) Rural encounters: cultural translations through video. In: Proceedings of the 20th Australasian Computer Human Interaction Conference 2008, pp. 148-155. From: 20th Australasian Computer Human Interaction Conference 2008, 8-12 December 2008, Cairns, QLD, Australia.
Bidwell, Nicola J., Standley, Peta-Marie, George, Tommy, and Steffensen, Victor (2008) The landscape's apprentice: lessons for place-centred design from grounding documentary. In: Proceedings of the 7th ACM Conference on Designing Interactive Systems, pp. 88-98. From: 7th ACM Conference on Designing Interactive Systems, 25-27 February 2008, Cape Town, South Africa.
Broderick, Kathleen, and Ferguson, Kathryn (2007) Postcards from the edge. In: Papers from Australia ICOMOS Extreme Heritage Conference, pp. 1-17. From: Australia ICOMOS Extreme Heritage Conference, 19-21 July 2007, Cairns, QLD.
Bidwell, Nicola J., and Browning, David (2006) Making there: methods to uncover egocentric experience in a dialogic of natural places. In: Proceedings of the 18th Conference of the Australian Computer-Human Interaction (206), pp. 229-236. From: OZCHI 2006: annual conference of the Australian computer-human interaction special interest group , 20-24 November 2006, Sydney, NSW, Australia.
Craven, Allison (2017) Fairy Tale Interrupted: feminism, masculinity, wonder cinema. Peter Lang, Bern, Switerland.
Craven, Allison, and Mann, Christopher (2010) The girl with the bush knife: women, adventure and the tropics in Age of Consent and Nim's Island. Etropic: electronic journal of studies in the tropics, 9. pp. 1-11.
Craven, Allison (2008) Tropical gothic: radiance revisited. Etropic: electronic journal of studies in the tropics, 7. - .
Deger, Jennifer (2017) Curating digital resonance. In: Hjorth, Larissa, Horst, Heather, Galloway, Anne, and Bell, Genevieve, (eds.) The Routledge Companion to Digital Ethnography. Routledge Companions . Routledge, New York, NY, USA, pp. 318-328.
Deger, Jennifer (2016) BarkTV: portrait of an innovator. In: Hinkson, Melinda, (ed.) Imaging Identity: media, memory and portraiture in the digital age. ANU Press, Canberra, ACT, Australia, pp. 117-140.
Deger, Jennifer (2016) Christmas with Wawa: a video experiment with Yolngu aesthetics. In: Cox, Rupert, Irving, Andrew, and Wright, Christopher, (eds.) Beyond Text? Critical practices and sensory anthropology. Manchester University Press, Manchester, UK, pp. 163-169.
Deger, Jennifer (2013) Book review of "Michael Riley: sights unseen". Edited by Brenda Croft. National Gallery of Australia. 2007. Oceania, 78 (2). pp. 238-240.
Deger, Jennifer (2011) Constellations of us: backstories to a bark TV. Journal of Australian Studies, 35 (2). pp. 219-234.
Deger, Jennifer (2011) Participatory vision: watching movies with Yolngu. In: Nightingale, Virginia, (ed.) The Handbook of Media Audiences. Global Handbooks in Media and Communication Research . Wiley-Blackwell, London, UK, pp. 459-471.
Deger, Jennifer (2009) Making interventions. In: Deger, Jennifer, (ed.) Interventions: Experiments between art and ethnography. Macquarie University, Sydney, NSW, Australia, pp. 1-9.
Deger, Jennifer (2009) Review of "Fragments of the Owl's Egg" directed by Kim McKenzie, 38 mins., produced by Warddeken Productions, 2006. Visual Anthropology, 23 (1). pp. 62-64.
Deger, Jennifer (2008) Imprinting on the heart: photography and contemporary Yolngu mournings. Visual Anthropology, 21 (4). pp. 292-309.
Deger, Jennifer (2006) Potent images: emergent practices and shifting attitudes towards photographs of the dead in Arnhem Land. In: [Presented at the 2006 Bilan du Film Ethnographique]. From: Bilan du Film Ethnographique: From Ethnological Films to Visual Anthropology, 1 March 2006, Paris, France.
Deger, Jennifer (2005) Book Review: "Timothy Asch and Ethnographic Film" edited by E. Lewis, London and New York, Routledge, 2004. ISBN: 0-415-32774-1. The Australian Journal of Anthropology, 16 (2). pp. 266-268.
Ebner, Brendan C., Starrs, Danswell, Morgan, David L., Fulton, Christopher J., Donaldson, James A., Doody, J. Sean, Cousins, Stephen, Kennard, Mark, Butler, Gavin, Tonkin, Zeb, Beatty, Stephen, Broadhurst, Ben, Clear, Rhian, Lintermans, Mark, and Fletcher, Cameron S. (2014) Emergence of field-based underwater video for understanding the ecology of freshwater fishes and crustaceans in Australia. Journal of the Royal Society of Western Australia, 97. pp. 287-296.
Edmond, Gary, Kemp, Richard, Porter, Glenn, Hamer, David, Burton, Mike, Biber, Katherine, and San Roque, Mehera (2010) Atkins v The Emperor: the 'cautious' use of unreliable 'expert' opinion. The International Journal of Evidence & Proof, 14 (2). pp. 146-165.
Edmond, Gary, Biber, Katherine, Kemp, Richard, and Porter, Glenn (2009) Laws looking glass: expert identification evidence derived from photographic and video images. Current Issues in Criminal Justice, 20 (3). pp. 337-377.
Fleischmann, Katja (2013) Flickr & Co. – a new studio? In: Locations of Practice, Sites for Creativity: From the Studio to the Cloud. From: ACUADS 2013: Australian Council of University Art and Design Schools Conference, 25 –27 September 2013, Sydney, NSW, Australia.
Farrar, Andrew, Porter, Glenn, and Renshaw, Adrian (2012) Detection of latent bloodstains beneath painted surfaces using reflected infrared photography. Journal of Forensic Sciences, 57 (5). pp. 1190-1198.
Fleischmann, Katja (2011) Lettering and signage in the urban environment of North Queensland's capital: tropical flair or univernacular? Etropic: electronic journal of studies in the tropics, 10. pp. 83-95.
Ferguson, Kathryn (2007) Submerged realities: shark documentaries at depth. In: Messier, Vartan P., and Batra, Nandita, (eds.) This Watery World: humans and the sea. College English Association - Caribbean Chapter Publications, Mayaguez, Puerto Rico, pp. 107-122.
Gauld, Robin D. (2013) Photography in higher education and industry in Australia: a mixed methods study to explain the alignment between the sectors. PhD thesis, James Cook University.
Goodwin, Mitch (2012) Developing 1st year research environments & creative profiles using Web 2.0 technologies. In: Flexible learning in the tropics – current and future directions. From: Flexible learning in the tropics – current and future directions, May 30th 2012, James Cook University, Townsville, Australia.
Goodwin, Mitch (2012) Screen Culture. [Artefact]
Goodwin, Mitch (2011) Glitch Series. [Artefact]
Goodwin, Mitch (2011) Dark Euphoria: Unclassified Media Exhibition. [Show/Exhibition]
Goodwin, Mitch (2011) Dark Euphoria: Unclassified Media [Website]. [Artefact]
Goodwin, Mitch (2011) Culture jamming: disrupting the (information) flow. In: Young Artist Development Program 2011 , pp. 1-61. From: Artiz 2011, 28 June - 1 July, Townsville, QLD, Australia.
Goodwin, Mitch (2011) Vonnegut's Firefight Fuzz Box. [Video]
Gurrumuruwuy, Paul, Wanambi, Fiona Y., Deger, Jennifer, and Mackenzie, David (2011) Christmas Birrimbirr: Christmas Spirit. Miyarrka Media and Chan Contemporary Art Space, Darwin, NT, Australia.
Goon, Patricia, and Craven, Allison (2003) Whose debt?: Globalisation and whitefacing in Asia. Intersections: Gender, History and Culture in the Asian Context, 9.
Humphreys, Jill D., Porter, Glenn, and Bell, Michael (2008) The quantification of fingerprint quality using a relative contrast index. Forensic Science International, 178 (1). pp. 46-53.
Hiddlestone, Janine (2007) Drawing the line. In: Wilson, Leah, (ed.) Grey's Anatomy 101: Seattle Grace, unauthorized. BenBella Books Inc, Dallas, Texas, USA, pp. 79-90.
Hiddlestone, Janine (2007) Mothers, daughters and Gilmore Girls. In: Crusie, Jennifer, and Wilson, Leah, (eds.) Coffee at Luke's: an unauthorized Gilmore Girls gabfest. BenBella Books, Dallas, Texas, USA, pp. 31-42.
Hiddlestone, Janine (2006) Is Halo doom-ed? In: Yeffeth, Glenn, and Thomason, Jennifer, (eds.) Halo Effect: an unauthorized look at the most successful video game of all time. Smart Pop Series . BenBella Books, Dallas, Texas, USA, pp. 97-108.
Leug, Christopher P., Goth, Christoph, and Bidwell, Nicola J. (2006) Learning from insects? Toward supporting reflective exploration of unfamiliar areas of interest. In: Proceedings of the 7th Annual Conference of the NZ ACM Special Interest Group (158), pp. 91-97. From: 7th Annual Conference of the NZ ACM Special Interest Group, 6-7 July 2006, Christchurch, New Zealand.
Marrawungu, Susan Marrawakamirr, Marrawungu, Dorothy Garraltjawuy , and Deger, Jennifer (2013) Susan Marrawakamirr Marrawungu and Dorothy Garraltjawuy Marrawungu. In: Pinchbeck, Cara, (ed.) Yirrkala Drawings. Art Gallery of New South Wales, Sydney, NSW, Australia, pp. 78-79.
Morrison, Ben, Wiggins, Mark, and Porter, Glenn (2010) User preference for a control-based reduced processing decision support interface. International Journal of Human-Computer Interaction, 26 (4). pp. 297-316.
McKechnie, Michelle L., Porter, Glenn, and Langlois, Neil (2008) The detection of latent residue tattoo ink pigments in skin using invisible radiation photography. Australian Journal of Forensic Sciences, 40 (1). pp. 65-72.
Potter, Martin, and Ilana, Nadira (2016) Big Stories, Small Towns: Bongkud-Namaus, Sabah, Malaysia. Big Stories Co., Australia.
Porter, Glenn, Ebeyan, Robert, Crumlish, Charles, and Renshaw, Adrian (2015) A novel method for the photographic recovery of fingermark impressions from ammunition cases using digital imaging. Journal of Forensic Sciences, 60 (2). pp. 418-421.
Porter, Glenn (2013) Images as evidence. Precedent, 119 (Nov/Dec). pp. 38-42.
Porter, Glenn (2013) Photography and optical enhancement of physical evidence. In: Jamieson, Allan, and Moenssens, Andre A., (eds.) Wiley Encyclopedia of Forensic Science. Wiley-Blackwell, Chichester, UK, pp. 1-20.
Potter, Martin (2012) Participatory Media in Cambodia: an exploration of relational film, documentary and art. Report. Asialink, Melbourne, VIC, Australia.
Porter, Glenn, and Kennedy, Michael (2012) Photographic truth and evidence. Australian Journal of Forensic Sciences, 44 (2). pp. 183-192.
Porter, Glenn (2012) Zak coronial inquest and the interpretation of photographic evidence. Current Issues in Criminal Justice, 24 (1). pp. 39-49.
Porter, Glenn (2011) A new theoretical framework regarding the application and reliability of photographic evidence. The International Journal of Evidence & Proof, 15 (1). pp. 26-61.
Porter, Glenn (2009) CCTV images as evidence. Australian Journal of Forensic Sciences, 41 (1). pp. 11-25.
Porter, Glenn (2007) Visual culture in forensic science. Australian Journal of Forensic Sciences, 39 (2). pp. 81-91.
Porter, Glenn, and Doran, Greg (2000) An anatomical and photographic technique for forensic facial identification. Forensic Science International, 114 (2). pp. 97-105.
Spicer, Chrystopher (2012) Clark Gable In Pictures: candid images of the actor's life. McFarland & Company, Jefferson, North Carolina.
Spowart, Douglas Ronald (2011) Self-publishing in the digital age: the hybrid photobook. PhD thesis, James Cook University.
Spicer, Chrystopher J. (2002) Clark Gable: biography, filmography, bibliography. McFarland & Company, Jefferson, North Carolina.
Vávrová, Daniela (2017) Sharing the visible and invisible domains of lived experiences with the Ambonwari of Papua New Guinea. In: Gair, Susan, and van Luyn, Ariella, (eds.) Sharing Qualitative Research: showing lived experience and community narratives. Routledge Advances in Research Methods, 21 . Routledge, Abingdon, Oxon, UK, pp. 130-149.
Vavrova, Daniela (2015) Book review of "Transcultural Montage" by Suhr, Christian and Rane Willersley (eds.). New York, Berghahn Books, 2013. ISBN: 978-0-8574-5964-0. Anthropological Notebooks, 21 (1). pp. 152-153.
Vávrová, Daniela (2014) 'Skin has eyes and ears': audio-visual ethnography in a Sepik society. PhD thesis, James Cook University.
Vávrová, Daniela (2014) Cinema in the bush. Visual Anthropology, 27 (1-2). pp. 25-44.
Vanderwee, Jana, Porter, Glenn, Renshaw, Adrian, and Bell, Michael (2011) The investigation of a relative contrast index model for fingerprint quantification. Forensic Science International, 204 (1-3). pp. 74-79.
Vavrova, Daniela (2010) Book review of "The Tactile Eye: touch and the cinematic experience" by Jennifer M. Barker, University of California Press, Berkeley. Anthropological Notebooks, 16 (2). pp. 78-79.
Vavrova, Daniela Rachel (2010) Review article of "Cinema: a visual antrhopology" by G. Gray. Oxford, UK, Berg, 2010. ISBN: 978-1-84520-794-6 and "Observational cinema: anthropology, film, and the exploration of social life" by A. Grimshaw and A. Ravetz. Bloomington, Indiana University Press. ISBN: 978-0-253-22158-2. Berg & Grimshaw, Anna and Amanda Ravetz. 2009. Observational Cinema. Anthropology, Film, and the Exploration of Social Life. Bloomington: Indiana University Press. Anthropological Notebooks, 16 (3). pp. 147-150.
Weaver, Roslyn, Salamonson, Yenna, Koch, Jane, and Porter, Glenn (2012) The CSI effect at university: forensic science students' television viewing and perceptions of ethical issues. Australian Journal of Forensic Sciences, 44 (4). pp. 381-391.