Krause, Amanda Elizabeth, and Brown, Steven Caldwell (2018) The social and applied psychology of engagement in music piracy. In: Brown, Steven Caldwell, and Holt, Thomas J., (eds.) Digital piracy: a global, multidisciplinary account. Routledge, Abingdon, Oxon, UK, pp. 83-107.

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Abstract

[Extract] The only way to experience music in earlier centuries was to experience it live. However, the new technologies of the twenty-first century are influencing the ways in which people are able to experience and interact with music (Avdeeff, 2012; Nill & Geipel, 2010; North, Hargreaves, & Hargreaves, 2004; Sloboda, Lamont, & Greasley, 2009). The way individuals are able to access, acquire, and store music, has changed due to the popularity of digital music (Kibby, 2009). Consequently notions of 'music consumption' have shifted (Molteni & Ordanini, 2003). One of the most striking changes is of course that music is now easily accessible for free, via a mixture of legal and illegal sources.

Item ID:	65182
Item Type:	Book Chapter (Research - B1)
ISBN:	978-1-315-15867-9
Keywords:	music listening; music piracy
Copyright Information:	© 2018 selection and editorial matter, Steven Caldwell Brown and Thomas J. Holt; individual chapters, the contributors
Date Deposited:	26 Jul 2021 03:09
FoR Codes:	52 PSYCHOLOGY > 5201 Applied and developmental psychology > 520104 Industrial and organisational psychology (incl. human factors) @ 100%
SEO Codes:	97 EXPANDING KNOWLEDGE > 970117 Expanding Knowledge in Psychology and Cognitive Sciences @ 70% 95 CULTURAL UNDERSTANDING > 9501 Arts and Leisure > 950101 Music @ 30%
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