Items where Subject is "19 STUDIES IN CREATIVE ARTS AND WRITING > 1905 Visual Arts and Crafts > 190503 Lens-based Practice"
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- 1905 Visual Arts and Crafts (402)
- 19 STUDIES IN CREATIVE ARTS AND WRITING (853)
Article
Porter, Glenn, and Ebeyan, Robert (2015) Detection of second-generation images using an assessment criteria method. Journal of Criminological Research, Policy & Practice, 1 (4). 2. pp. 207-222.
Farrar, Andrew, Porter, Glenn, and Renshaw, Adrian (2012) Detection of latent bloodstains beneath painted surfaces using reflected infrared photography. Journal of Forensic Sciences, 57 (5). pp. 1190-1198.
Porter, Glenn, and Kennedy, Michael (2012) Photographic truth and evidence. Australian Journal of Forensic Sciences, 44 (2). pp. 183-192.
Porter, Glenn (2012) Zak coronial inquest and the interpretation of photographic evidence. Current Issues in Criminal Justice, 24 (1). pp. 39-49.
Brown, Adam (2011) Shifting destinations: exploring critical photographic practice in the context of emerging technologies. Australian Art Education, 34 (1 (Special Edition)). pp. 119-128.
Vanderwee, Jana, Porter, Glenn, Renshaw, Adrian, and Bell, Michael (2011) The investigation of a relative contrast index model for fingerprint quantification. Forensic Science International, 204 (1-3). pp. 74-79.
Porter, Glenn (2011) A new theoretical framework regarding the application and reliability of photographic evidence. The International Journal of Evidence & Proof, 15 (1). pp. 26-61.
Edmond, Gary, Kemp, Richard, Porter, Glenn, Hamer, David, Burton, Mike, Biber, Katherine, and San Roque, Mehera (2010) Atkins v The Emperor: the 'cautious' use of unreliable 'expert' opinion. The International Journal of Evidence & Proof, 14 (2). pp. 146-165.
Morrison, Ben, Wiggins, Mark, and Porter, Glenn (2010) User preference for a control-based reduced processing decision support interface. International Journal of Human-Computer Interaction, 26 (4). pp. 297-316.
Porter, Glenn (2009) CCTV images as evidence. Australian Journal of Forensic Sciences, 41 (1). pp. 11-25.
Edmond, Gary, Biber, Katherine, Kemp, Richard, and Porter, Glenn (2009) Laws looking glass: expert identification evidence derived from photographic and video images. Current Issues in Criminal Justice, 20 (3). pp. 337-377.
McKechnie, Michelle L., Porter, Glenn, and Langlois, Neil (2008) The detection of latent residue tattoo ink pigments in skin using invisible radiation photography. Australian Journal of Forensic Sciences, 40 (1). pp. 65-72.
Humphreys, Jill D., Porter, Glenn, and Bell, Michael (2008) The quantification of fingerprint quality using a relative contrast index. Forensic Science International, 178 (1). pp. 46-53.
Porter, Glenn (2007) Visual culture in forensic science. Australian Journal of Forensic Sciences, 39 (2). pp. 81-91.
Porter, Glenn, and Doran, Greg (2000) An anatomical and photographic technique for forensic facial identification. Forensic Science International, 114 (2). pp. 97-105.
Thesis
Ebeyan, Robert (2017) Establishing critical conceptual and pragmatic principles for photointerpretation methodologies when applied as forensic evidence. PhD thesis, James Cook University.
Stuart-Watt, Alan Phillip (2015) Cambodia everyday life: through the eyes of a journeying photographer. Masters (Research) thesis, James Cook University.
Gauld, Robin D. (2013) Photography in higher education and industry in Australia: a mixed methods study to explain the alignment between the sectors. PhD thesis, James Cook University.
Cooper, Victoria Pamela (2012) I have witnessed a strange river: re-placing non-human entities within visual narratives of three Australian freshwater sites. PhD thesis, James Cook University.
Spowart, Douglas Ronald (2011) Self-publishing in the digital age: the hybrid photobook. PhD thesis, James Cook University.
Hutchison, Clive (2007) A mirror to the mirror: the role of photographic professionals in North Queensland. Masters (Research) thesis, James Cook University.
Creative Work
Goodwin, Mitch (2011) Cyber City Mesh. [Creative Work]
Goodwin, Mitch (2011) Dark Euphoria Series. [Creative Work]
Goodwin, Mitch (2011) Dark Euphoria: Unclassified Media Exhibition. [Creative Work]
Milledge, Russell (2011) Pulling Alick Tipot's Girelal. [Creative Work]
Youdell, Rebecca, Milledge, Russell, and Campbell, Steven J. (2008) The Exquisite Resonance of Memory. [Creative Work]
Hutchison, Clive, and Salisbury, David (2008) Sweet Crush. [Creative Work]
Campbell, Steven, Salisbury, David, and Hutchison, Clive (2005) Gabriella takes a bath. [Creative Work]
Other
Hutchison, Clive (2006) I think I see it's head! Perc Tucker Regional Gallery.
Hutchison, Clive (2005) A mirror to the mirror. Perc Tucker Regional Gallery, Townsville, Australia. (Unpublished)