Davidson, Jane, and Krause, Amanda (2022) Micro and Macro Experiences of Performers, Audiences, and the Melbourne Recital Centre. In: [Presented at the 45th Annual Conference of the Musicological Society of Australia]. p. 26. From: 45th Annual Conference of the Musicological Society of Australia, 1-3 December 2022, Melbourne, Victoria, Australia.

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Abstract

In Australia, opportunities for musicians to earn income from chamber music performances are limited yet require musicians to develop skills in communication well beyond the art of performing music. Drawing on case study data collected from chamber musicians performing at the Melbourne Recital Centre, the micro (interpersonal) and macro (organizational/cultural) experiences between professional chamber musicians, venues and audiences are explored in terms of a series of transactions. Both specific and subtle transactions shape the motivations, planning and execution of ensemble performances. While stakeholders have different and varied experiences, their transactions contribute to the virtuous cycle of the embedded environmental, social, cultural, material and technological factors and the actions afforded that constitutes chamber music performance. The ‘art of ensemble performance’ seems to be a distributed process, dependent on critical interdependent transactions amongst all stakeholders.

Item ID:	76864
Item Type:	Conference Item (Abstract / Summary)
Keywords:	music psychology, social and applied psychology of music, psychology of music, music performance, performing, chamber music, audience, ensemble
Date Deposited:	16 Feb 2023 02:03
FoR Codes:	36 CREATIVE ARTS AND WRITING > 3603 Music > 360304 Music performance @ 50% 52 PSYCHOLOGY > 5205 Social and personality psychology > 520505 Social psychology @ 50%
SEO Codes:	13 CULTURE AND SOCIETY > 1301 Arts > 130102 Music @ 50% 28 EXPANDING KNOWLEDGE > 2801 Expanding knowledge > 280121 Expanding knowledge in psychology @ 50%
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