Transactional culture of the portfolio career chamber musician: A case study

Davidson, Jane W., and Krause, Amanda E. (2022) Transactional culture of the portfolio career chamber musician: A case study. In: Dogantan-Dack, Mine, (ed.) The Chamber Musician in the Twenty-first Century. MDPI, Basel, Switzerland, pp. 131-153.

[img]
Preview
PDF (Published Version) - Published Version
Available under License Creative Commons Attribution.

Download (494kB) | Preview
View at Publisher Website: https://doi.org/10.3390/books978-3-03897...
 
9


Abstract

The literature and case study data presented in this chapter explore the micro- (interpersonal) and macro-level (organisational/cultural) experiences between professional chamber musicians, the venues that engage them, and the audiences in attendance. They are explored in terms of a series of transactions—acts of giving and receiving and embracing the need to compromise. From this perspective, emergent themes include the delicate balancing of economic, esteem, and diversification values for both performers and venue in planning; music cohesion and interpersonal social interaction as important at all levels and across all stages of planning and executing performances; and considerations of the balance between familiar and novel encounters, informality, and experiences of social inclusion regarding interactions amongst performers and audience members. It is clear that both specific and subtle transactions shape the motivations, planning, and execution of ensemble performances. While stakeholders all inevitably have different and varied experiences, their transactions contribute to the virtuous cycle of the embedded environmental social, cultural, material, and technological factors and the action afforded that constitutes chamber music performance. The “art of ensemble performance” seems to be a distributed process that is dependent on critical interdependent transactions amongst all stakeholders.

Item ID: 75443
Item Type: Book Chapter (Research - B1)
ISBN: 978-3-03897-562-5
Keywords: chamber music; audience; social and applied psychology of music; music psychology; psychology of music; music performance; live music; concerts
Copyright Information: © 2022 by the authors. Chapters in this volume are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book taken as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND.
Date Deposited: 13 Sep 2022 22:59
FoR Codes: 36 CREATIVE ARTS AND WRITING > 3603 Music > 360304 Music performance @ 50%
52 PSYCHOLOGY > 5205 Social and personality psychology > 520505 Social psychology @ 50%
SEO Codes: 13 CULTURE AND SOCIETY > 1301 Arts > 130102 Music @ 50%
28 EXPANDING KNOWLEDGE > 2801 Expanding knowledge > 280121 Expanding knowledge in psychology @ 50%
Downloads: Total: 9
Last 12 Months: 9
More Statistics

Actions (Repository Staff Only)

Item Control Page Item Control Page