Visual poetics, history-places, and Australian Indigenous philosophy in Romaine Moreton’s films The Farm and The Oysterman (Poésie visuelle, lieux-histoires, et philosophie aborigène dans les films de Romaine Moreton The Farm and The Oysterman)
Castro-Koshy, Estelle (2016) Visual poetics, history-places, and Australian Indigenous philosophy in Romaine Moreton’s films The Farm and The Oysterman (Poésie visuelle, lieux-histoires, et philosophie aborigène dans les films de Romaine Moreton The Farm and The Oysterman). In: [recorded presentation]. From: Le théâtre des opérations: mise en scène de l’action, coordination des mouvements et transformation du monde, 14 December 2015, Paris, France.
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This presentation focuses on The Farm and The Oysterman, two short films by Romaine Moreton, a filmmaker, poet, and philosopher from the Goenpul Jagara and Bundjulung people. It analyses Moreton’s visual poetics and its interconnection with Indigenous philosophy in these films underpinned by joy which re(-)cover the history of places. I show how The Farm underscores the continuity and promising future of an Indigenous (hi)story of a place, unveils the connection between remembering the past and imagining the future, as well as sheds light on how different senses are mobilised in the relationship with the ancestors, thus proposing a counterpoint to a history often narrated as shattered or ruptured. Additionally, I highlight how Moreton explores how the unfamiliar can teem with potentialities and invests the time of the night with a positive imaginary in The Oysterman, thus continuing to redream the dark.