B

Balanzategui, Jessica, and Craven, Allison (2023) The Folk Horror “Feeling”: Monstrous Modalities and the Critical Occult. In: Balanzategui, Jessica, and Craven, Allison, (eds.) Monstrous Beings and Media Cultures: Folk Monsters, Im/materiality, Regionality. Horror and Gothic Media Cultures . Amsterdam University Press, Amsterdam, Netherlands, pp. 241-268.

C

Craven, Allison, and Sandars, Diana (2023) Gothic in the Oceanic South: Maritime, Marine and Aquatic Uncanny in Southern Waters. Routledge, Abingdon, UK.

Craven, Allison, and Balanzategui, Jessica (2023) Introduction: Folk Monsters and Monstrous Media: The Im/materialities, Modalities, and Regionalities of Being(s) Monstrous. In: Balanzategui, Jessica, and Craven, Allison, (eds.) Monstrous Beings and Media Cultures: Folk Monsters, Im/materiality, Regionality. Horror and Gothic Media Cultures . Amsterdam University Press, Amsterdam, Netherlands, pp. 11-32.

Craven, Allison, and Sandars, Diana (2023) Introduction: Gothic Tides in the Oceanic South-Uncanny Contradictions and Compulsions. In: Craven, Allison, and Sandars, Diana, (eds.) Gothic in the Oceanic South: Maritime, Marine and Aquatic Uncanny in Southern Waters. Routledge, Abingdon, UK.

Craven, Allison (2023) Vampire Hydrology and Coastal Australian Cinema: Saturation, Sunlight, and Amphibious Beings. In: Craven, Allison, and Sandars, Diana, (eds.) Gothic in the Oceanic South: Maritime, Marine and Aquatic Uncanny in Southern Waters. Routledge, Abingdon, UK, pp. 167-185.

Craven, Allison (2022) Review of “Reality, Magic and Other Lies: Fairy-Tale Film Truths. By Pauline Greenhill.”. Marvels & Tales, 36 (1). pp. 144-146.

Craven, Allison (2021) A happy and instructive haunting: revising the Child, the Gothic, and the Australian Cinema Revival in Storm Boy (2019) and Picnic at Hanging Rock (2018). Journal of Australian Studies, 45 (1). pp. 45-60.

Craven, Allison (2020) The ambiguities of ancestry: antiquity, ruins and the converging literary traditions of Australian gothic cinema. Studies in Australasian Cinema, 14 (3). pp. 162-177.

Craven, Allison (2020) The joy of a Gothic fable: form, didacticism, and 'happy-ness' in Sonya Hartnett's The Ghost's Child and Jennifer Kent's The Babadook. Aeternum: The Journal of Contemporary Gothic Studies, 7 (1). pp. 1-16.

Craven, Allison (2019) Terraform and Terra Firma: transnational economies of image, landscape and location in screen production in Queensland. In: Van Luyn, Ariella, and de la Fuente, Eduardo, (eds.) Regional Cultures, Economies and Creativity: innovating through place in Australia and beyond. Routledge Advances in Sociology . Routledge, London, UK, pp. 67-81.

Craven, Allison (2018) Escape to the terraform tropics: geography and gender in marine adventure films from Queensland. Screening the Past, 43.

Craven, Allison (2018) Where East-meets-West meets Asianization: aesthetics, regionality and Frank Capra's Lost Horizon. Asian Cinema, 29 (2). pp. 175-187.

Craven, Allison (2017) Abroad: production tracks and narrative trajectories in films about Australians in Asia. In: Ryan, Mark David, and Goldsmith, Ben, (eds.) Australian Screen in the 2000s. Palgrave MacMillan, Cham, Switzerland, pp. 99-117.

Craven, Allison (2017) Fairy Tale Interrupted: feminism, masculinity, wonder cinema. Peter Lang, Bern, Switerland.

Craven, Allison (2016) Finding Queensland in Australian Cinema: poetics and screen geographies. Anthem Studies in Australian Literature and Culture . Anthem Press, London, UK.

Craven, Allison (2016) Upon a dream once more: beauty redacted in Disney's readapted classics. In: Brode, Douglas, and Brode, Shea T., (eds.) Debating Disney: pedagogical perspectives on commercial cinema. Rowman and Littlefield, Lanham, MA, USA, pp. 187-197.

S

Stevenson, Ana (2018) “Cast off the shackles of yesterday”: women’s suffrage in Walt Disney’s Mary Poppins. Camera Obscura, 33 (2). 98. pp. 69-103.