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Crowe, Nicole (2019) The narrative possibilities of humour in regional family memoir: a creative writing exploration in Australian regional life-writing. PhD thesis, James Cook University.

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Henry, Louise Caroline (2020) Once there was a time when... Reimagining regional women's lives using historical fiction, family stories and artefacts. PhD thesis, James Cook University.

Henry, Louise (2019) A Perspective from the Periphery: Re-imagining Regional North Queensland Women's Stories Using Historical Fiction. Text, 23 (54).

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Jones, Mia-Francesca (2022) “A story with many rooms”: Twine as a tool to expand life writing practice about place and space. Text, 26 (69).

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Kelso, Sylvia (2024) The River Quest. Book View Cafe, Las Vegas, NV, USA.

Kelso, Sylvia (2024) Where the Cross Turns Over: Australian Based Short Stories. Book View Café, Las Vegas, NV, USA.

Kelso, Sylvia (2023) The Horses of Buhen. In: Buchanan, Rebecca, and Malinowski, Kim, (eds.) The Best of Eternal Haunted Summer: A Thirteenth Anniversary Edition. Lulu Press, pp. 123-141.

Kelso, Sylvia (2023) The Strangest Places. Book View Café, Las Vegas, NV, USA.

Kelso, Sylvia (2017) Death and the Maiden. In: Rekker, Allison, (ed.) Maidens and Magic. Crimson Edge Press, Huntersville, NC, USA, pp. 143-235.

Kelso, Sylvia (2017) Not So Loud. In: Schreyer, Casia, (ed.) Open Minds. Schreyer Ink Publishing.

Kelso, Sylvia (2016) The Horses of Buhen. Eternal Haunted Summer, Summer Solstice 2016.

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Leane, Jeanine, and Smyth, Elizabeth (2024) Jamie Oliver wrote First Nations characters the wrong way. Non-Indigenous writers need to listen to Indigenous writers first. The Conversation, 11 November 2024.

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McDermott, Nell (2024) Homecoming. Jacaranda Journal, 11 (1). pp. 57-59.

Maguire, Emma (2023) A Mother’s Milk: Motherhood, Trauma, and Monstrous Children in Folk Horror. In: Craven, Allison, and Balanzategui, Jessica, (eds.) Monstrous Beings and Media Cultures: Folk Monsters, Im/Materiality, Regionality. Horror and Gothic Media Cultures . Amsterdam University Press, Amsterdam, Netherlands, pp. 145-171.

Maguire, Emma (2022) Limoncello. Superlative, 3.

McDermott, Nell (2022) A Revelation. Sudo Journal, 4. pp. 37-38.

McDermott, Nell (2021) Burning Season. Sudo Journal, 3. pp. 105-106.

Menteur, M. (2021) A Proposal to Improve the Prospects of Arts Graduates in Australia, and for Making them Beneficial to the Publick. Sudo Journal, 3. pp. 1-8.

Maguire, Emma (2020) Choke me, daddy?: the subversive power of consensual pain. Lip Magazine, 25 February 2020.

Maguire, Emma (2020) Under the Corn. Verity La.

Maguire, Emma (2019) Satelle's machine. Scum Mag, 2 September 2019.

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Ramoutsaki, Helen, and Guthrie, Anna (2023) I am not greedy but I like to share a lot: ceramic/textual set of drinking vessels and pot. [Creative Work]

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Smyth, Elizabeth (2024) Alone Together. Meanjin, 83 (1). pp. 122-128.

Smyth, Elizabeth (2024) Writing Across a Cultural Interface: A Guide for Non-Indigenous Writers. In: [Presented at the Jawun Research Centre Seminar Series]. From: JAWAN Research Centre Seminar Series, 5 June 2024, Cairns, QLD, Australia.

Smyth, Elizabeth A. (2023) Re-imagining the Australian farm novel: writing magic realism into the georgic. PhD thesis, James Cook University.

Smyth, Elizabeth (2023) The Silence of Loss. In: McInnes, Jeanette, Birt, Virginia, Wagner, Lenka, and Newey, Phil, (eds.) On Butterfly Wings. Tropical Writers Anthology, 9 . Tropical Writers, Cairns, QLD, Australia, pp. 100-105.

Smyth, Elizabeth A. (2022) Writing an Australian Farm Novel: Connecting Regions via Magic Realism. Text, 26 (2). pp. 1-16.

Smyth, Elizabeth (2020) Will it Leave a Scar? In: Owens, Rod, Barker, Peter, and Serenc, Mary, (eds.) Green Ant Dreaming. Tropical Writers Anthology, 8 . Tropical Writers, Cairns, QLD, Australia, pp. 17-26.

Smyth, Elizabeth (2017) Not the Boss, But Still a Man. In: McDonald, Sally, and 2017 Anthology Committee, (eds.) Free Fall. Tropical Writers Anthology, 7 . Tropical Writers, Cairns, QLD, Australia, pp. 92-94.