“Footprint”: the apocalyptic imprint of end as immanent in Atwood's Oryx and Crake
Dillon, Denise (2018) “Footprint”: the apocalyptic imprint of end as immanent in Atwood's Oryx and Crake. Etropic: electronic journal of studies in the tropics, 17 (2). pp. 52-61.
|
PDF (Published Version)
- Published Version
Available under License Creative Commons Attribution. Download (245kB) | Preview |
Abstract
In her speculative fiction novel, Oryx and Crake, Atwood explores and challenges readers with visions of loss: the extinction of life forms, of culture, and loss of human control over various systems including those of language, economy and ecology. All such systems are prone to human manipulative influence and sensitive to minor alterations that result in major disruptions and ultimately to extinction, disappearance (both forms of loss) or, at best, altered forms of survival. I consider here McKibben’s suggestion that we live in a “postnatural world” because human activity has altered things as fundamental as the weather, and explore Atwood’s depiction of some of the consequences of a human-altered future in which a great city transforms into a harsh, tropical wilderness. I also apply Buell’s notion that apocalyptic rhetoric serves to alert people to global environmental threats by arousing their imagination to a “sense of crisis,” through this “master metaphor”. If only perceptions to threats are sufficiently aroused such that people are spurred to action, real apocalypse might thereby be delayed. Buell expresses the view that the environmental imagination has a sure role in how people might be able to adapt to transformations in the environment by gaining understanding of what the human relation to nature can be and what it should be. The notion of apocalypse is a strong and enduring theme in literature and is of particular relevance to speculative fiction pertaining to human desire to exercise ultimate control, as is Oryx and Crake.
Item ID: | 55688 |
---|---|
Item Type: | Article (Research - C1) |
ISSN: | 1448-2940 |
Keywords: | apocalyptic rhetoric; ecocriticism; environmental imagination; tropical cities in literature |
Copyright Information: | Authors who submit articles to this journal agree to the following terms: 2. Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution (CC-BY) License that allows others to share and adapt the work with an acknowledgement of the work's authorship and initial publication in this journal. 4. Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (see The Effect of Open Access or The Open Access Citation Advantage). Where authors include such a work in an institutional repository or on their website (i.e., a copy of a work which has been published in eTropic, or a pre-print or post-print version of that work), we request that they include a statement that acknowledges the eTropic publication including the name of the journal, the volume number and a web-link to the journal item. |
Additional Information: | This journal provides immediate open access to its content on the principle that making research freely available to the public supports a greater global exchange of knowledge. |
Date Deposited: | 24 Oct 2018 01:06 |
FoR Codes: | 47 LANGUAGE, COMMUNICATION AND CULTURE > 4705 Literary studies > 470599 Literary studies not elsewhere classified @ 100% |
SEO Codes: | 95 CULTURAL UNDERSTANDING > 9504 Religion and Ethics > 950408 Technological Ethics @ 70% 97 EXPANDING KNOWLEDGE > 970116 Expanding Knowledge through Studies of Human Society @ 30% |
Downloads: |
Total: 288 Last 12 Months: 6 |
More Statistics |