Balanzategui, Jessica, and Craven, Allison (2023) The Folk Horror “Feeling”: Monstrous Modalities and the Critical Occult. In: Balanzategui, Jessica, and Craven, Allison, (eds.) Monstrous Beings and Media Cultures: Folk Monsters, Im/materiality, Regionality. Horror and Gothic Media Cultures . Amsterdam University Press, Amsterdam, Netherlands, pp. 241-268.

Craven, Allison, and Sandars, Diana (2023) Gothic in the Oceanic South: Maritime, Marine and Aquatic Uncanny in Southern Waters. Routledge, Abingdon, UK.

Craven, Allison, and Balanzategui, Jessica (2023) Introduction: Folk Monsters and Monstrous Media: The Im/materialities, Modalities, and Regionalities of Being(s) Monstrous. In: Balanzategui, Jessica, and Craven, Allison, (eds.) Monstrous Beings and Media Cultures: Folk Monsters, Im/materiality, Regionality. Horror and Gothic Media Cultures . Amsterdam University Press, Amsterdam, Netherlands, pp. 11-32.

Craven, Allison, and Sandars, Diana (2023) Introduction: Gothic Tides in the Oceanic South-Uncanny Contradictions and Compulsions. In: Craven, Allison, and Sandars, Diana, (eds.) Gothic in the Oceanic South: Maritime, Marine and Aquatic Uncanny in Southern Waters. Routledge, Abingdon, UK.

Craven, Allison (2023) An Uncommon Ancestor: Monstrous Emanations and Australian Tales of the Bunyip. In: Balanzategui, Jessica, and Craven, Allison, (eds.) Monstrous Beings and Media Cultures: Folk Monsters, Im/materiality, Regionality. Horror and Gothic Media Cultures . Amsterdam University Press, Amsterdam, Netherlands, pp. 217-240.

Craven, Allison (2023) Vampire Hydrology and Coastal Australian Cinema: Saturation, Sunlight, and Amphibious Beings. In: Craven, Allison, and Sandars, Diana, (eds.) Gothic in the Oceanic South: Maritime, Marine and Aquatic Uncanny in Southern Waters. Routledge, Abingdon, UK, pp. 167-185.

Craven, Allison (2022) Review of “Reality, Magic and Other Lies: Fairy-Tale Film Truths. By Pauline Greenhill.”. Marvels & Tales, 36 (1). pp. 144-146.

Craven, Allison (2021) Book review of "Creating Australian Television Drama: a screenwriting history" by Susan Lever. North Melbourne, VIC, Australian Scholarly Publishing, 2020. ISBN: 978-1-925984-88-0. Journal of the Association for the Study of Australian Literature, 21 (2). 15.

Boulard, Florence, and Craven, Allison (2021) Disney's Moana: a pedagogical tool for educators to zoom into Pacific languages and cultures. In: [Presented at the 23rd AFMLTA International Languages Conference]. From: 23rd AFMLTA International Languages Conference, 5-6 July 2021, Online Event.

Craven, Allison (2021) Reflecting on Diving for Depth: reading In Cold Blood for secondary literature students. Words'Worth, 54 (2). 3. pp. 12-14.

Craven, Allison (2021) A happy and instructive haunting: revising the Child, the Gothic, and the Australian Cinema Revival in Storm Boy (2019) and Picnic at Hanging Rock (2018). Journal of Australian Studies, 45 (1). pp. 45-60.

Craven, Allison (2020) The last of the long takes: feminism, sexual harassment, and the action of change. M/C Journal, 23 (2). 7.

Craven, Allison (2020) The Good, the Gothic and the transnational rules of the afterlife in The Good Place. Entertainment and Sports Law Journal, 18 (1). 6.

Craven, Allison (2020) The ambiguities of ancestry: antiquity, ruins and the converging literary traditions of Australian gothic cinema. Studies in Australasian Cinema, 14 (3). pp. 162-177.

Craven, Allison (2020) The joy of a Gothic fable: form, didacticism, and 'happy-ness' in Sonya Hartnett's The Ghost's Child and Jennifer Kent's The Babadook. Aeternum: The Journal of Contemporary Gothic Studies, 7 (1). pp. 1-16.

Craven, Allison (2019) Terraform and Terra Firma: transnational economies of image, landscape and location in screen production in Queensland. In: Van Luyn, Ariella, and de la Fuente, Eduardo, (eds.) Regional Cultures, Economies and Creativity: innovating through place in Australia and beyond. Routledge Advances in Sociology . Routledge, London, UK, pp. 67-81.

Craven, Allison (2018) Escape to the terraform tropics: geography and gender in marine adventure films from Queensland. Screening the Past, 43.

Craven, Allison (2018) Feminism. In: Greenhill, Pauline, Rudy, Jill Terry, Hamer, Naomi, and Bosc, Lauren, (eds.) Routledge Companion to Media and Fairy-Tale Cultures. Routledge Media and Cultural Studies Companions . Routledge (Taylor & Francis), New York, NY, USA, pp. 65-73.

Craven, Allison (2018) Where East-meets-West meets Asianization: aesthetics, regionality and Frank Capra's Lost Horizon. Asian Cinema, 29 (2). pp. 175-187.

Craven, Allison (2017) Abroad: production tracks and narrative trajectories in films about Australians in Asia. In: Ryan, Mark David, and Goldsmith, Ben, (eds.) Australian Screen in the 2000s. Palgrave MacMillan, Cham, Switzerland, pp. 99-117.

Craven, Allison (2017) Fairy Tale Interrupted: feminism, masculinity, wonder cinema. Peter Lang, Bern, Switerland.

Craven, Allison (2016) Finding Queensland in Australian Cinema: poetics and screen geographies. Anthem Studies in Australian Literature and Culture . Anthem Press, London, UK.

Craven, Allison (2016) Upon a dream once more: beauty redacted in Disney's readapted classics. In: Brode, Douglas, and Brode, Shea T., (eds.) Debating Disney: pedagogical perspectives on commercial cinema. Rowman and Littlefield, Lanham, MA, USA, pp. 187-197.

Craven, Allison (2013) Heritage enigmatic: the silence of the dubbed in Jedda and The Irishman. Studies in Australasian Cinema, 7 (1). pp. 23-34.

Craven, Allison (2013) Fencelines and horizon lines: Queensland in the imaginary geographies of cinema. In: Burns, Annette, (ed.) Selected Lectures on North Queensland History from the Lectures in Queensland History Series: 30 November 2009 - 27 February 2012. Lectures in Queensland History Series . Townsville City Council , Townsville, pp. 61-73.

Craven, Allison (2012) Esmeralda of Notre-Dame: the gyspy in medieval view from Hugo to Disney. In: Pugh, Tison, and Aronstein, Susan, (eds.) The Disney Middle Ages: A Fairy-Tale and Fantasy Past. The New Middle Ages . Palgrave MacMillan, New York, NY, pp. 225-242.

Forbes, Amy, and Craven, Allison (2012) Rounding the edge(s) of a (torrid) region: designing arts capstone curriculum at JCU. In: 2012 ACEN Conference Proceedings (1) pp. 51-55. From: 2012 ACEN Conference 'Collaborative Education: Investing in the Future', 29 October - 2 November 2012, Geelong, Victoria .

Craven, Allison (2012) Dual occupancy: Melbourne and the feminist drama of dwelling in monkey grip. Studies in Australasian Cinema , 5 (3). 9. pp. 333-342.

Craven, Allison (2011) Parables of Pacific Shores: Locations, Caves and Coastal Masculinities in Cast Away and Sanctum. Etropic: electronic journal of studies in the tropics, 10. pp. 158-165.

Craven, Allison (2011) Period features, heritage cinema: region, gender and race in The Irishman. Studies in Australasian Cinema , 5 (1). pp. 31-42.

Craven, Allison, and Mann, Christopher (2010) The girl with the bush knife: women, adventure and the tropics in Age of Consent and Nim's Island. Etropic: electronic journal of studies in the tropics, 9. pp. 1-11.

Craven, Allison (2010) Paradise post-national: landscape, location and senses of place in films set in Queensland. Metro (166). pp. 108-113.

Craven, Allison (2008) Women in Disney's Animated Feature Films. Review of Davis, Amy M., Good Girls and Wicked Witches: Women in Disney's Feature Animation. H-Net Reviews in the Humanities and Social Sciences. pp. 1-3.

Craven, Allison (2008) Tropical gothic: radiance revisited. Etropic: electronic journal of studies in the tropics, 7. - .

Craven, Allison (2005) Teaching Children's Literature to Teachers: Lessons in 'Applied Literary Studies'. In: Pandian, Ambigapathy, Kabilan, Muhammad Kamarul, and Kaur, Sarjit, (eds.) Teachers, Practices and Supportive Cultures. Universiti Putra Malaysia Press, Malaysia, pp. 203-209.

Goon, Patricia, and Craven, Allison (2003) Whose debt?: Globalisation and whitefacing in Asia. Intersections: Gender, History and Culture in the Asian Context, 9.

Craven, Allison (2002) Beauty and the Belles: discourses of feminism and femininity in Disneyland. European Journal of Women's Studies, 9 (2). pp. 123-142.