Wreath for Chenopodium erosum
Glade-Wright, Robyn (2005) Wreath for Chenopodium erosum. [Artefact] (Unpublished)
Image (JPEG) (Artwork)
- Published Version
Available under License Creative Commons Attribution Non-commercial No Derivatives.
The capacity of art to communicate my concern regarding the extinction of plant life in Tasmania is the subject of my investigation. Extinct plants distil and foreshadow my broader concerns for the future of all living entities. The plants that are lost due to extincti on are often the silent victims of our land use practices.
Making nature: Extinct Tasmanian plants, is an installation of art works that commemorate the extinction of twenty two Tasmanian plants. The art works take the form of embroidered wreaths, funeral urns and a memorial board.
My aim in creating the art work is to encourage reflection regarding the role that members of our society have played in the loss of these plants. We may unwittingly be contributing to extinction and thereby 'making nature' in the process.
|Research Background||The extensive change in land use in from native forests to single species plantations in Tasmania was sufficiently perturbing to elicit a response that culminated in this artwork. The disregard for complex natural ecosystems and the portrayal of monocultures as being equal to age-old native forests, in my view required action to provoke consideration of what was lost. Extinct plants are the silent victims of changes in land use, and habitat destruction due to climate change and introduced pests. To create a piece of art that might generate contemplation of what was lost, I aimed to make beautiful renditions of plants. I used symbolic forms such as wreaths and funeral urns to link plant death with human death. This strategy aimed to generate contemplation about the loss of possibly relationships between living entities when a plant is lost to extinction.|
|Research Contribution||This artwork made a contribution to the field of visual art because it created a new vehicle for communication. Concern about the lost of Tasmanian plants spices had note been rendered in this way before. The artwork used symbolic means, and techniques which had not been tested previously.|
|Research Significance||The work is significant because it makes a contribution to the climate change debate in an original fashion. The significance of the work is evidence by the way in which interstate intuitions selected to exhibit and tour the work.|
This artwork was shown at the following exhibition (exhibition record accessible from 'Related URLs'):
'Making nature: extinct Tasmanian plants' PhD exhibition by Robyn Glade-Wright in August 2006.
|Media of Output:||Polyester organza, cotton thread, hand stitched, 110 cm x 110 cm|
|Date Deposited:||30 Jan 2012 04:13|
|FoR Codes:||19 STUDIES IN CREATIVE ARTS AND WRITING > 1905 Visual Arts and Crafts > 190502 Fine Arts (incl Sculpture and Painting) @ 100%|
|SEO Codes:||95 CULTURAL UNDERSTANDING > 9501 Arts and Leisure > 950104 The Creative Arts (incl. Graphics and Craft) @ 100%|
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